Explaining the particulars between different types of heavy music is a hard task. For most people, even the most educated music listeners, if it has a guy screaming his head off, then it all sounds the same. I only wish the whole world could hear it and enjoy it the same way I do. And no, I'm not a hippie. I bring this up because Darkest Hour has managed to mature and expand their form of attack in subtle ways, while still clearly remaining the same band. 2003's Hidden Hands of a Sadist Nation was a relentless pounding that boasted longer arrangements and exhausting speeds. But starting with 2005's Undoing Ruin, and now with Deliver Us, Darkest Hour is moving towards tempering their menace with melody. And it's most likely thanks to the influence of guitarist Kris Norris. Evidenced by the Dream Theater tattoo on his forearm, Norris is a classically trained player with a habit of putting solos all over the place. On Hidden Hands of a Sadist Nation, there was hardly a guitar solo to be found, but nearly every song on Deliver Us has a fret-burning solo run by Norris. And in case you were confused about … Read more
A Swarm of the Sun delivers with The King of Everything a dark, brooding EP that sounds as if the … Read more
When writing reviews, the job of the reviewer is to judge the album on its own merits. Only then and … Read more
I can remember being seven years old and staring bleakly at the television screen while Magic Johnson announced to the … Read more
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“I’m a real band!” When you write about an artist a billion times, sometimes your head goes to strange places -- leading to references that probably only make sense inside your own head. With Par For The Curse, the third album from the Todd Congelliere founded project, Clown Sounds has evolved from solo origins to a collaborative effort. The results are clear when you listen to. No disrespect to previous Clown Sounds in the slightest, just that this is a little more diverse in sound and the instrumentation feels a little more complex and layered. This probably won’t surprise anybody who has followed Congelliere’s work in the past (Toys That Kill, FYP, Recess Records): the band members are familiar faces -- members of both aforementioned bands, plus The Arrivals and … Read more
It was in 1994 at age thirteen that I first skipped a day of school and popped Rancid's Let's Go into my stereo. Now thirteen years later, the album still holds up as a classic. Say what you will about their jump to a major label and the last two Rancid records; the fact remains that kids years from now … Read more
Listening to Melt Banana carries a list of requirements: Deal with the vocals. Deal with annoying noises. If you can't handle the speed and the fury, don't even bother. If you can embrace these qualities fully, you can totally understand why Melt Banana is such an important figure in noise rock. They slush together punk and noise rock elements and … Read more
These reunions need to stop. Gorilla Biscuits? Cool. Bold? Okay. Bad Brains? No. Honestly, what was Beastie Boy Adam Yauch thinking when he was producing this pile of garbage known as Build a Nation? Truth be told, I'm relatively new to the Bad Brains catalog. Having listened to them for only a year or so, I'll admit they are a … Read more
Seeing Damnation A.D. for the first time in years at New Year's reunion in Syracuse a couple of years back awoke something in me that I had not realized had been sleeping. Watching this five piece shake the building with their tortured, bottom heavy power was and is a great experience. If you doubt this, go see them and watch … Read more
Zeit·geist n. German. The spirit of the time; the taste and outlook characteristic of a period or generation. The Smashing Pumpkins' comeback album threatens to set itself up as a Serious Rock Statement about present-day societal ills, in the same vein as Jack White's totally hoary commentary about illegal immigration on the recent White Stripes single "Icky Thump." As a … Read more
In all likelihood you're fully aware of the Smashing Pumpkins history and 90's legacy; if you somehow don't, I recommend Wikipedia. But in short, this is the first album in seven years from Billy Corgan and Jimmy Chamberlin under the Smashing Pumpkins moniker. Both were in Zwan, and both performed on the other's respective solo disc. But since 2000, neither … Read more
Mellon Collie and the Infinite Sadness changed the way I listened to music. Siamese Dream continues to do so. Machina is one of the best records I've ever heard. The news of the Smashing Pumpkins' abrupt return, more than half a decade later, was a big deal - a huge one in fact - and of course it brought with … Read more
Someone beats on sheet metal. A phone rings? White noise and feedback. Sounds from a long lost sci-fi B movie I think. Someone recorded the sounds from an alien spaceship's motherboard. A saxophone goes completely fucking berserk. An eerie, unrelenting din pervades everything. This is what I hear as I sit down to review Nonhorse's compact disc. Enter Haraam, Circle … Read more
Odious Mortem's website describes their sound as employing "technical, dark, and experimental aspects of the death metal genre." When I think death metal I think Nile, Suffocation, maybe even Slayer. Odious Mortem are what Slayer might sound like if you replaced Kerry King with a jet engine. Vaguely reminiscent of early Fear Factory and Dillinger Escape Plan, for the most … Read more
Internal Affairs is a band that embodies what hardcore should truly be about. The music is fast, energetic, and pissed off. The lyrics are honest to the point of being blunt - hardcore used to be about speaking your mind, somewhere along the way most bands forgot this. And finally, the band puts on one heck of a performance, inviting … Read more
Since about the year 2000, Tim Armstrong, Lars Frederickson and pretty much that has anything to do with Rancid has pretty much been a horrible venture, looking your way The Viking, Transplants and the last Rancid album. Prior to listening to this album the only conation I had about The Aggrolites was that they were Tim Armstrong's backing band for … Read more
Over the past decade or so "toughguy" hardcore has gotten more obnoxious by the second, but one of the bands that spawned this shitstorm, Madball, always had at least one thing going for them. This special ingredient was the combination of the pure catchiness of their riffs and their surprisingly tight sense of rhythm. Even though I am enough of … Read more
When Hank III goes on tour, he leaves no stone unturned, playing anywhere that would have him: cities, towns, hamlets, burgs and more than a few Native American reservations. This had quite an impact on Hank's then touring guitarist, ex of the Jesus Lizard and future Tomahawk co-founder Duane Denison. The music he would hear while on the reservations left … Read more
You know what I liked when I was in high school? Actually, you can probably guess this one. I liked The Smashing Pumpkins. You probably did too. I know for damn sure the Distortions did. Their Myspace page lists them as indie/shoegaze/post-punk, but I'm not seeing it. I guess it's possible I don't know what those terms mean, but if … Read more
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