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Eliot Borenstein

Pussy Riot – Speaking Punk to Power
Bloomsbury Academic (2020)

It would be appropriate to refer to Pussy Riot not only as revolutionary art collective, but a cultural phenomenon that has itself firmly established on international terrain. Having first risen to prominence via their anti-Putin protest performance in a cathedral in Moscow, there have been a myriad of misconceptions about the conglomerate.Speaking Punk to Power’s approach is informed by not … Read more

Night Jobs

The Shape of Bummers To Come
Independent (2020)

The world needs more 5-song EPs. Why? Because this is a record, not a single with a b-side. The Shape of Bummers To Come has a united vibe from start to finish and it gives a real feeling of seeing a band instead of feeling like an appetizer.Sticking with that theme a little bit, and perhaps because I miss live … Read more

Run The Jewels

RTJ4
Jewel Runners / BMG (2020)

It was a surprise to see Run The Jewels’ RTJ4 as Scene Point Blank’s top-billed record for all of 2020, but it demonstrates the widespread scope of its impact on many of our writers, myself included. The hip-hop duo of Killer Mike and El-P operates in their own stratum within mainstream rap, excelling far beyond their original underground roots. It’s … Read more

Fiona Apple

Fetch the Bolt Cutters
Epic (2020)

If there is one artist and one album that doesn't need my judgement of their art for validation (well, okay this applies to all artists), it's Fiona Apple and her new album, Fetch the Bolt Cutters. After 8 years, Apple is back with her most expressive and experimental album yet. "Fetch the Bolt Cutters" isn't just the title, it's the … Read more

Paysage d'Hiver

Im Wald
Kunsthall Produktionen (2020)

Im Wald begins on the slow, crunching footsteps of "Im Winterwald," while howling winds build a canopy of sound, offering a vision of how the succeeding time will unfold. That crackling, blanket of snow motif is one that will be familiar to anyone who has spent many a solitary evening with Paysage d'Hiver's - and it sets the tangible scene … Read more

Houseghost

Houseghost
Rad Girlfriend Records (2020)

2020 is the year of a lot of things -- and a lot of concept records.But not a lot of ghost-themed concept records.Houseghost is an Ohio trio that shares vocals between a sister-brother team. The songs are about, well, having a ghost in the house and all the hijinks that might involve. It’s a theme, but relatively loose and playful. … Read more

SpiritWorld

Pagan Rhythms
Independent (2020)

Remind me to kick myself for sleeping on this album, but in my defense, its description as a combination of hardcore and country presents two genres that don’t exactly have a Venn diagram of overlap. SpiritWorld is the solo project and brainchild of Stu Folsom, whose namesake Las Vegas hardcore band Folsom built the foundation of the LVHC scene in … Read more

Attic Salt

Get Wise
Jump Start (2020)

A big part of why I do this is to discover new music. Attic Salt are a new band to me, and I decided to pick up Get Wise after checking out the first couple singles.The band, based in Springfield, IL, play peppy pop-punk. While that subgenre seems to have a surprising amount of different meanings, this is the crisp, … Read more

Aesop Rock

Spirit World Field Guide
Rhymesayers (2020)

Spirit World Field Guide is Aesop Rock’s first full-length in a few years. He’s been busy in the meantime, working on Malibu Ken and other projects, but Spirit World Field Guide has been a slow-building project. And it’s just that: a project.At 21 tracks in total, this is a psychedelic hip-hop adventure that takes the listener to new lands. It’s … Read more

Nothing

The Great Dismal
Relapse (2020)

It’s strange, how the metal scene embraces certain genres as one of its own, enabling said genre to become “metal adjacent” and enjoy a somewhat wider audience in the long-term. Genres such as synthwave, shoegaze or dreampop, post-punk – all have a solid following from fans of much more extreme music and there’s surely an interesting study within that somewhere, … Read more

Almøst Human

XS2XTC
Fastball Music (2019)

As most of you non-essential workers I have been working from home for what seems like forever now. What I see as one of the positive sides is that I get to decide what music to listen to (for those moments I am not in an online meeting that is). No discussions about what radio station to tune into. I … Read more

Pallbearer

Forgotten Days
Nuclear Blast (2020)

Pallbearer’s evolution from their early days as a dark, funeral doom leaning band into a prog-embracing emotive force is well documented in their back catalogue and as Forgotten Days expands the horizons of their sound, Pallbearer open up their hearts for all the world to see. This record is vulnerable and honest in its humanity and much like their previous … Read more

The Cavemen

Euthanise Me
Slovenly (2020)

The Cavemen are a garage band from New Zealand with a ton of releases to their name. You know the style: it’s abrasive, it’s risqué, and full o’ swagger. But it’s also catchy, highly energetic and upbeat -- perversely positive, if you will.This 4-song EP runs at about 10 minutes (to be generous) and delivers a wallop. Fittingly titled Euthanise … Read more

Dave Hause

Patty EP
Independent (2020)

I reviewed Hause’s Paddy EP before this. The two came out the same day and, as name implies, somewhat work together. The concept for each is similar: highlighting the work of some of his favorite songwriters, albeit from different directions.I’m also coming at the Patty EP from a new perspective. With Paddy I was well versed in Dillinger Four. This … Read more

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