Tony Wilson was known for many things, e.g. being TV presenter, enfant terrible, entrepreneur, founder of the immensely successful Factory Records label and essentially an inspiring cultural catalyst and trailblazer at the centre of a myriad of creative networks, without whom genre-coining bands like Joy Division, Happy Mondays and New Order would have not had a veritable launchpad. Needless to say, having Paul Morley, a respected veteran music writer and contemporary of Wilson, at the helm of putting the story together, paired with the fact that he meticulously researched the subject for over a decade, results in a comprehensive coverage of Wilson’s life and how it was influenced by the emergence of punk, which subsequently fundamentally changed the course of his career and outlook on life. With a knack for capturing the spirit of live gigs as well as the grimy context of late 1970s Manchester along with its tangible effects on the protagonists, Morley paints a picture that is bound to resonate with both aficionados and the yet to be inducted. With its close to six hundred pages, From Manchester With Love is a genre-defying engaging, detailed, deliberately digressive and immersive tour de force that feels like a hybrid … Read more
After 3 years, fringy-faced Country mystery-man, Orville Peck, is roaring back into the scene with his sophomore album, Bronco. In … Read more
My favorite Dutch swear words are “natte krant” (wet newspaper), “zak hooi” (bag of hay) while “pannekoek” (pancake) gets an … Read more
It has been quite a journey for Zen Zsigo and Cremation Lily, a path defined by constant flux. It was … Read more
Every 15-20 years there’s a revival. This time it’s emo and Annie Jump Cannon may be a modern 2022 band, … Read more
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It’s really tough for me to review this full-length. Why? Because I loved the band’s demo tape and it’s really hard to separate the two releases. The self-titled official debut here has several of the same songs and, probably due to familiarity, they jump out as favorites from the get-go.But I’ll do what I can to go all tabula rasa on it.Era Bleak play…bleak punk. It’s anxious, frantic, and lost. It’s equal parts beaten down and resilient. It plays on an anxious state of mind while doubling as a fierce call to action. The lead video perfectly captures the tone: think ‘80s Cold War atmosphere plus ‘00s consumerism plus the orange menace. If that combination makes you feel claustrophobic, this may be a record for you. It pulls obvious influence … Read more
Signals Midwest play punk with a lot of words. Words arranged in actual sentences, telling stories instead of using the lyrics for purely rhythmic and singalong purposes. Dent is their fifth album, and it’s the first I’ve personally reviewed even though I’ve followed the band from afar over the years. The lyrics are personal, but consistently positive in tone, which … Read more
GGGOLDDD (formerly known as Gold) have always resisted fitting into a single mold. While their vision has hovered around an alternative and indie rock foundation, they have freely explored adjacent spaces. Electronic components were introduced, metallic elements have been applied and a punk-ish fervor would now and then rear its head. And this has resulted in some excellent works with … Read more
2020 saw the release of Pontianak, the debut album of Lài. One year later (this review is very late, don’t worry, I am fully aware it’s two years later already) Santau, the debut album by Jalang is released. But is it a debut album if Lài simply changed its name to Jalang? Considering it is the first album under this … Read more
Japanese based Carthiefschool formed in high school in 2016 and over these last 6 years or so have thrived in the Sapporo city underground scene. The 3 piece comprised of Tomoya Murosaki (guitar/vocals), Genki Tsusaka (bass) and Yudai Takasago (drums) have wasted little time recording as hot on the heels of their self titled debut album Carthiefschool released in February … Read more
Swedish theatrical rock outfit Ghost unleashed their fifth studio album entitled Impera at the beginning of March this year and for a little while the rock/metal community was saturated with interviews from Tobias Forge not to mention everyone and their dog were posting reviews of this new album. Sorry to be the one that prolongs this but I'm here to … Read more
Snarling, savage, sneering rabid dog on a thick chain lunging towards your soft neck in the area of your throbbing jugular. Spittle flies from the mouth of Mad Brother Ward as he foams and drools his venomous proclamation of an Ugly Life/I Just Wanna Die. For fans of Antiseen (Mad Brother Ward is the current guitarist), Confederacy of Scum, and … Read more
It’s interesting that Sundown calls this record Keep Moving because, in many ways, it feels stuck in 2005. It’s a mix of melodic and chugging hardcore, with dual vocalists and two very different styles to breathe some extra life into it the format. At its best, Keep Moving recalls Avail while, at its worst, I’m brought back to those screamo … Read more
Hey Mickey you're so fine, You’re so fine you blow my mind Hey Mickey, Hey Mickey. “Do You remember lying in bed/ With the covers pulled up over your head/Radio Playing so no one can see”-Ramones I do remember getting my first cheap transistor army green radio and picking up on a local AM station that played the oldies/ goldies. … Read more
Rock ‘n’ roll is full of clichés. It pretty much has been one about 50 years now. And the many projects of Swami John Reis revel in these roots. Whether we’re talking about Rocket From The Crypt or Hot Snakes or Night Marchers, Reis has an ear for the concepts that are core to the style. But he has a … Read more
The legends of old return! Loop were one of the visionaries acts of the late ‘80s, alongside other paragons like My Bloody Valentine and Spacemen 3. Despite their short-lived existence, Loop managed to shake the post-punk and indie rock scenes. Taking on many elements from the new wave lineage, Loop were not content with confinements. Their tools in escaping these … Read more
Indulging in the seductive lies of nostalgia often means that rough edges are taken from the brittle pages of the good old days, especially when it comes to stories emanating from the realm of rock’n roll and the self-congratulatory celebrations of each generations’ hey-days. However, no matter if you hold Oasis in high esteem or not, it was quite something … Read more
I’ve been reading about the atrocities in Ukraine as I listen to Anti-Colonial, Vol. 2. Let’s just say that every act of imperialism is unique but combining listening to this record definitely highlights the brutal impact when a state tries to conquer a people. This record isn’t just political hardcore. It seethes with anger and inherited trauma. It’s a fucking … Read more
Reto Mäder has always moved into the occult and mysterious spaces with his project, Sum of R. Since their inception, Reto Mäder has not been content in settling on a particular sound or scene. Instead, Sum of R have been roaming freely on many different aspects of dark, experimental music. Their initial outings through Utech records displayed that much. Doom … Read more
Kid A was Radiohead’s fourth studio album, following the wildly successful OK Computer full-length, the wake of which found Thom Yorke and gang in a state that led them down a path culminating in a willingness to diverge from traditional rock music – not only musically but also as far as packaging and artwork is concerned, the latter of which … Read more
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