I never really thought in any measure that I’d be writing at any point in time a review of a Deafheaven record, yet here we are. Even now I remember the absolute furor that bundled virally around their 2013 release, Sunbather. I didn’t really understand then, nor do I understand now why was it so huge. Personally, I couldn’t then and still can’t stomach today that record, but that’s a different story. I was reluctant of giving Infinite Granite a shot at first. Eventually I heard talks about it being uncharacteristic and charming compared to the rest of the band’s opus. I figured it wouldn’t hurt to listen to the first single, I think it was the 3rd track, “Great Mass of Color”. My interest was instantly piqued. Upon finally listening for the first time to the album in full about three weeks ago, I was stunned. I think that this is one of the most striking shifts in musical direction I’ve heard a band do too. It’s also one of the few such shifts I’ve met where a band I previously did not care about turned into something I’m keeping on heavy rotation in my playlist. A very pleasant … Read more
Let’s call it like is it is. Punk rock has been too much of a boys’ club for far too … Read more
The Work was one of the most anticipated metal records of the year. Let me start this review by curbing … Read more
I can’t believe this is the first time Not On Tour is reviewed on this site. Not On Tour is … Read more
It’s nice when artists get back to their roots. There’s a time and place for growth and exploration. But there’s … Read more
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Ah, another offering from A Death Cinematic in the form of an “EP” (I put this in quotes because it plays longer than some LPs by some bands) entitled Your Fate Twisting In Its Crushing Moments; and just as with previous releases, this comes with some of the most intriguing packaging, again, hand made cover consists of a hand printed chipboard sleeve with a hand punched window with a photo print of a drawing framed in red gum veneer and including handmade decals. Your Fate Twisting In Its Crushing Moments seems to be an exercise in achieving new aural spaces in some ways (some other artists use EPs for these types of experimentation with their “sound” sounds and in this respect, I understand why this is considered an EP), which … Read more
While I like new Descendents, their older stuff always had an intangible bite to it. The new stuff feels more sarcastic while their earlier material was pissed off underneath that playful disposition. And that’s what you get on 9th & Walnut which is billed as the band’s eighth studio album, though the timeline is more complicated than that. All 18 … Read more
Ah, an actual tape cassette…in a day and age where portable digital devices are ubiquitous, I find delight whenever an analogue tape pops up – even more so when the sound of the bands fits the medium. Case in point: Sunshine Satellite, a duo that channels its alchemy in sleek and powerfully compact garagey-pop-punk tunes, serenaded by female vocals in … Read more
There is a lot of productive ways to spend a pandemic lockdown: 1. Grow your own windowsill herb garden 2. Watch all the seasons of Law & Order and make note of how many episodes pass the Bechdel test (spoiler alert: it’s two). 3. Make an album with your mates. Ok, calling 1 and 2 “productive” is a bit of … Read more
This record is honestly kind of painful. It’s meant to be, too. It’s about depression, drug abuse, death and all kinds of dark material. And it works on that level, but it’s also painful because the NOFX sound puts Fat Mike’s vocals so front-and-center in everything: It’s like watching somebody standing under a spotlight while hitting rock bottom. The lyrics … Read more
I expected every webzine, music mogul, and rock print publication to give the newest Weezer album a bad review. I figured that Van Weezer - titled in tribute to, well, you know - was next in a line of punching bags that were guilty of not being Pinkerton. Well, fuck me - most of the big-name publication reviews have been … Read more
It is an act of courage to redefine oneself. Especially when the initial recipe and direction has been exciting and challenging. Yet, when a project is as intricate as Kristen Hayter’s Lingua Ignota there should not be any surprise when evolution is afoot. Hayter started in the underground, releasing the first two records of her project independently. Through the raw … Read more
Die at the Zoo is a live recording from Obits, live in Brisbane, Australia, in 2012. There are 16 songs from the band’s catalog and it was recently released on limited vinyl by Outer Battery. There are probably two main angles for looking at a live record: is it capturing a time and place, or is it capturing an essence … Read more
I think it’s a good rule of thumb to assume if some band has their album art done by Adam “Nightjar” Burke, it’s going to be at least a good album. While that could be an exaggeration, I’ve yet to see a bad record with album art made by that man, so that’s a good track record, right? Anyway, Wills … Read more
Hungarian musician Csarnogurszky István is quite prolific, helming Black Hill, musicformessier, Realm of Wolves, Stvannyr, and of course Silent Island. His most recent release is The Curse of Coleodeia under Silent Island. As it can be often witnessed with prolific bands and/or musicians, the output may tend to suffer in quality due to the quantity in which it comes about. … Read more
My girlfriend asked me, earlier this year: “why does all music you like sound so bloody serious?”. At first I denied this and listed a couple of bands and albums that sound more party-like, but after giving it some thought I had to agree. I really lean towards the stuff that sounds bloody serious. In comes Impure Wilhelmina, who can … Read more
The first song on Sumer Soon is titled “Dirty Taint.” And if that doesn’t put a taste in your mouth for what’s to come, well, keep reading then. There’s some trash rock influence, for sure, but it’s not that cut-and-dried. The Bambies also have some heavy Ramones influence that gives a more wholesome counter tone. It walks the trash punk … Read more
The British prog-death metallers from Voices are back with some fresh material. It’s not much, but it’s something to hang on to until their next album. Formed alongside Akercocke, by some of their members, Voices deliver an interesting take on the genre and are definitely one of the better representatives of the niche. They’re also one of those criminally underrated … Read more
Who are Clown Core? Long story short – no idea and no one really knows. There’s a lot of speculation online regarding the fact that the duo may actually be drummer Louis Cole and saxophonist Sam Gendel. Although, both have denied being part of the band. As Clown Core continue to skillfully keep their identities a mystery, we can only … Read more
The Arson Choir are another fine representative of the new wave of American mathcore. They’re a pretty young band, but they have a lot of power in them and they sure know how to lay it down. Their balls to the wall delivery paired with chunky and groovy riffs, as well as the classic dissonant screeches is very appropriate and … Read more
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