I believe Christian Scott aTunde Adjuah requires practically no other introduction than his name – especially for people savvy within the realm of jazz. The award-winning musician along with his band has managed to throw together a marvelous collection of songs as his third live album, titled succinctly, Axiom. This all went down across four days during March last year and we saw the finished product at the end of August. The few lucky ones that participated at the show at the famed Blue Note in NYC definitely had the prime cut of this experience. Stretching across a solid one hundred something minutes (with the bonus tracks), Axiom is one hell of a ride. I’m still digesting the contents to varying extents even after a lot of spins, not to mention how most of this was done in four days and how it manages to sound so great. While it’s a bulky journey, don’t think it’s the kind of a record that is as dense as it is long (like Kamasi Washington’s The Epic), because it only needs your sustained attention. There aren’t any like nested details in layers, underneath subtle nuances, like some kind of twisted sonic Matroshka doll. … Read more
Transatlantic noise laden mathgrind power trio Fawn Limbs are back with fresh material. What could they possibly have in store … Read more
So many punk albums start strong and lose their energy by the end. This self-titled debut does the opposite, intentionally … Read more
Based in Zürich, Switzerland, the acclaimed publishing house of Lars Müller is the manifestation of his love for books. Over … Read more
I don’t hear skatepunk-influenced bands that catch my attention very often. What was once new and vibrant has grown stale … Read more
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Whether the music a band presents is groundbreaking or not, it's undoubtedly an awesome accomplishment when its members learn and develop much quicker than expected - as such is the case with Braintoy. Like most young artists just starting out, they saw it fit to hone their sound almost footprint-to-footprint with their influences. Braintoy's 2005 EP, Tremors, saw the crew standing shoulder-to-shoulder with the countless amounts of other peers that draw just a little too much inspiration from Tool. Tremors was a solid little effort, but with all those ideas so well traveled it certainly wasn't going to get the band noticed to any real degree. Moreover, these types of "leeches," for lack of a better term, usually just disappear before the term "flash in the pan" can even be … Read more
It feels like people have sort of given up on doing prog metal with clean vocals, no? Or maybe that’s just me? Or maybe I just started giving up on that area due to its general lack of ingenuity in musical terms and veered more heavily into extreme prog. Regardless, Eastern High have just recently released their second album, titled … Read more
Talk Show Host is a power-pop group from Toronto. And while it’s chock-full of those pleasant, soaring melodies expected of the style, the band establishes its tone early, showing there are some teeth behind the smile with opening track “You Asshole!” Songs like the lead track, “Crisis Actors” and “Warmest Condolences” defy the idea that pop songs are empty, instead … Read more
Austin, Texas never disappoints when it comes to being a hotbed for great independent bands and Gentlemen Rogues is no exception. With their Do the Resurrection 7” they showcase not only their weak spot for fuzzed-out guitar driven pop punk, but also their song writing expertise reminiscent of the better moments of acts like XTC, Gaslight Anthem, Teenage Fanclub and … Read more
The second record of German band Hysterese is a record I own and play quite frequently. To me it is one of those strange records that you enjoy a lot, but didn’t invite you to delve into their past or actively follow the band. Until now. As I saw the band name pop up in the heap of promos I … Read more
It seems that Jake Robertson spent a lot of the past year playing with himself. But haven’t we all? Bad jokes aside, the one-man band put out multiple full-lengths in 2020 and now a new 6-song EP too. Overall, the project is diverse, falling generally within the punk umbrella but different influences scattered as Robertson feels like it. But this … Read more
If one were to define post-punk as the departure from the musical rawness and simplicity of punk rock and the adoption of dancey rock elements, Brooklyn-based The Black Black would fit the bill quite well. Their third long-player spans eight tracks, which sonically traverse bass-centric territory between 1980s sentiments left in the wake of Joy Division and the groovy end … Read more
At Home With Proud Parents caught me a little off guard, right from the start. While the debut showcased a variety of influences, this one is even more toned back and chill, in contrast to some members’ other work with The Hussy. The opening track on this sophomore album, “Cellophane” is more of a folk-punk or cowpunk vibe with some … Read more
Hangman’s Hymnal is a nice addition to the Snappy Little Numbers roster and every bit as archaic as the title suggests. With a Wild West vibe pervading the songs, they manage to evoke mental images of them holding court in a saloon to perform their seasoned murder folk to a bunch of buzzed delinquents as part of a debaucherous hootenanny … Read more
Jiffy Marx' She’s My Witch / Warning Sign 7″ does not only look like a 45er from the late seventies, but sonically delivers exactly that, i.e. two snappy lil’ pop punk numbers with the band firing on all cylinders. A snappy, fun 7” recorded in a bit more than a day, and sonically an homage and celebration the jangly pop … Read more
Somehow it seems to me that Travoltas released Until We Hit The Shore only last year or perhaps the year before. But nooooo, it’s been four years already. That record is still on heavy rotation here, especially when the weather is sunny and the temperature is high (but not too hot). So I was so happy to hear a new … Read more
Rough and tough d-beat, oi-influenced punk with a boot on the cover. If you follow the scene you probably already have a sense of what Bootlicker sounds like based on that alone. Released on Neon Waste (USA/Canada) and Static Shock (UK), this is Discharge-influenced punk that pulls no punches. It’s angry, shouty, and aggressive as all get-out with memorable lyrics … Read more
Labels like Amphetamine Reptile and Skin Graft Records and the “now wave” and noise rock avalanche they launched has served as an immense source of inspiration for a myriad of bands. Listening to Stella Research Committee’s fifth LP, they do not only seem to be overly familiar with the output of the aforementioned label rosters, but have channelled those influences … Read more
A quick word on the Drunk Dial series. Basically, the label asks bands to get intoxicated, then record an original a-side and a cover b-side.On #8, we get The Dumpies, who deliver 4 songs at a total runtime of five minutes. It’s fast, catchy and harmonized rough-around-the-edges garage-punk goodness. Take some of your favorite garage bands and speed them up. … Read more
It’s fantastic to still see label holding up the torch when it comes to being dedicated to the fine art of the analogue format, partly because of its sonic superiority, partly as a reminiscence to a time where it was de rigour.Snappy Little Numbers is a label that keeps pumping out quality releases, lovingly illustrated with attention to detail and … Read more
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