Sincere Engineer, fronted by Deanna Belos, runs the emotional gamut with angry highs and desperate lows – often both within the same song. I kind of think of it as a female take on ‘90s emo: the songs are personal and introspective, searching for help through the downtimes. A difference being that most ‘90s emo was seeking validation while this seeks community. There are songs of failure and frustration, isolation and rage, and the whole damn gamut -- all through a first-person, relatable point of view. Belos’ ability to turn on a dime from somber anxiety to raw pain pulls it all together with emotion shouts that cut through the skin. Some context: Sincere Engineer was founded as a singer-songwriter project by Belos, often performing acoustic but also with a full band. It’s mostly grown into a punk band, but these songs are ultimately lyric-driven and written to be performed with either arrangement. The lyrics and melodies set the tone and the instrumentation adds depth, mood, and energy. Belos uses her ranging vocal styles as additional instrumentation to convey the complex and often overwhelming emotion that flows throughout. “Hurricane of Misery” is a great example, as it opens with celebratory … Read more
Nova Era is a sweet journey through the olden Balkan ethos that permeates this region, of which I also happen … Read more
There’s nothing like a good vocal driven ensemble am I right? Well, I don’t know about you but I find … Read more
Partial Traces play pop-inspired keyboard rock – but not at all the kind you imagine when you hear those words. … Read more
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Smash Singles collects all previous releases of Fashionism. Four singles to be precise (released between 2015 and 2017): Smash The State (With Your Face), Quit Looking At The Time, Suicide and Back In The Day. As a bonus the tracks "Weekend" and "Baby She's Gone" are included here as well. That last song is also the b-side of Come On My Baby, their fifth EP. Let me get back on that shortly.Fashionism is a Canadian band playing 70's punk and power-pop influenced music. The promo sheet tells me the band is comprised of scene veterans known for playing The Tranzmitors and The Jolts. Two bands that I have never heard of before, to be honest. Anyhow, they must really dig the stuff from the late 70's. What they play themselves … Read more
Today we’re looking at one lovely record - it’s Branches Vol. 2 by Brooklyn based Japanese violinist and composer Tomoko Omura. Tomoko’s works span a fairly vast territory, encompassing areas from jazz, modal jazz, post-bop, Japanese folk, gypsy music, and fusion with varying musicians. Branches Vol. 2 is the physical and spiritual successor of Branches Vol. 1. I actually never … Read more
The hook on ONETWOTHREE is the band is comprised of three bassists. Which, actually, means there are a ton of hooks on this, their debut record. And now that I’ve hooked you with unnecessary wordplay, I’ll get on with things. But, really, it was the unique arrangement that first intrigued me. The lineup consists of Klaudia Schifferle (Kleenex/LiLiPuT), Madlaina Peer … Read more
If I tell you some band members from bands like Disfear, Dollhouse, Year Of The Goat, Tortyr and The Dontcares started a new band together, what kind of music would you expect to come out? Now, I don’t know every band from that list, but considering the bands I do know I would probably just frown a bit, because they … Read more
I never really thought in any measure that I’d be writing at any point in time a review of a Deafheaven record, yet here we are. Even now I remember the absolute furor that bundled virally around their 2013 release, Sunbather. I didn’t really understand then, nor do I understand now why was it so huge. Personally, I couldn’t then … Read more
Let’s call it like is it is. Punk rock has been too much of a boys’ club for far too long. And, since the style is rooted in blunt communication, what better way to call attention than putting the scene on alert on the first song of a band’s first EP? Neon Belly starts with a mission statement in “The … Read more
The Work was one of the most anticipated metal records of the year. Let me start this review by curbing your enthusiasm and letting you know that this album is a bitter disappointment. It took me about sixteen listens (it was a fucking chore) to also find out that it’s ultimately not a legitimately bad album, but it isn’t legitimately … Read more
Where do you even start with an album like this? It’s been a while since it’s been released, so I definitely had time to immerse myself into it properly as well as getting the leverage of seeing how it aged, even if over a short period of time in terms of timespan when talking about albums. Rïcïnn’s latest record, Nereïd … Read more
I can’t believe this is the first time Not On Tour is reviewed on this site. Not On Tour is a skate punk band from Tel Aviv, Israel. This band is insanely melodic and catchy. Not On Tour is one of those bands that master a certain art: they seem to effortlessly combine speed with catchy melodies. The band nailed … Read more
It’s nice when artists get back to their roots. There’s a time and place for growth and exploration. But there’s also a time and place to let the rage loose, and that’s what’s happening with Band of Bastards on their debut twelve-song slab of blistering hardcore. That’s probably not what you think about when you heard band names like ...And … Read more
While I like new Descendents, their older stuff always had an intangible bite to it. The new stuff feels more sarcastic while their earlier material was pissed off underneath that playful disposition. And that’s what you get on 9th & Walnut which is billed as the band’s eighth studio album, though the timeline is more complicated than that. All 18 … Read more
Ah, an actual tape cassette…in a day and age where portable digital devices are ubiquitous, I find delight whenever an analogue tape pops up – even more so when the sound of the bands fits the medium. Case in point: Sunshine Satellite, a duo that channels its alchemy in sleek and powerfully compact garagey-pop-punk tunes, serenaded by female vocals in … Read more
There is a lot of productive ways to spend a pandemic lockdown: 1. Grow your own windowsill herb garden 2. Watch all the seasons of Law & Order and make note of how many episodes pass the Bechdel test (spoiler alert: it’s two). 3. Make an album with your mates. Ok, calling 1 and 2 “productive” is a bit of … Read more
This record is honestly kind of painful. It’s meant to be, too. It’s about depression, drug abuse, death and all kinds of dark material. And it works on that level, but it’s also painful because the NOFX sound puts Fat Mike’s vocals so front-and-center in everything: It’s like watching somebody standing under a spotlight while hitting rock bottom. The lyrics … Read more
I expected every webzine, music mogul, and rock print publication to give the newest Weezer album a bad review. I figured that Van Weezer - titled in tribute to, well, you know - was next in a line of punching bags that were guilty of not being Pinkerton. Well, fuck me - most of the big-name publication reviews have been … Read more
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