Big kudos are due to Justin Mitchell of Cold Spring for making this release possible, and bringing to life one of the strangest meeting of the minds. Irwin Chusid of the Sun Ra estate released a few rare and unreleased tracks from the great artist, which would be remixed by noise maestro Masami Akita, also known as Merzbow. Strange City is the resulting remix/collaboration between the two, connecting the planes of free jazz and noise. The record was initially released in 2016, but the first reissue arrives just one year later. The album kicks off beautifully with Sun Ra and his Arkestra introducing a vivid free jazz aesthetic, but that is quickly submerged over the noise waves produced by Merzbow. The remainder of the record sees the noise take the lead in terms of loudness, coming upfront and covering all the background. It is a harsh process that Merzbow is implementing, instead of deciphering the cosmic messages of Sun Ra, he encrypts them with his own alien DNA. However, even behind the thick veil of noise, it is Sun Ra's spirit that guides the work. The structures, the cosmic sense and the rhythmic patterns, as altered as they are, all … Read more
On to the next single. Again we start with it's title track, of course: "Soft Flesh." This is the song … Read more
Singles are something I usually avoid when reviewing. I find it difficult to say something that makes sense with so … Read more
Bizarro punk/noise/rock duo Buck Gooter are releasing their 17th album in the span of 12 years. During all that time … Read more
Since 2002 Canadian punk band The Flatliners have been making a name for themselves. It’s hard to imagine the same … Read more
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Although the Indie-Emo genre has been getting over-saturated with new artists lately, there are a few that wear the title suitably; By Surprise are one of them. They take the sound and mend it into something that’s a little more adventurous, anthemic, and sometimes even quirky. By Surprise’s debut full-length, Mountain Smashers, gives us a bird’s eye view of a band with lots of potential. The band introduces the album with the flickering riff-ridden opener, “Books by Thoreau.” The resounding guitar work stays consistent as it’s backed by a chorale that appropriately sounds as if they’re singing from the peak of a mountain. Then, like a one-two punch, we’re taken into “Realometer.” The gang-vocals follow through from the last track, and it’s quickly becoming one of my favorite traits in … Read more
Matt Pond PA has delivered a flurry of music since their inception in 1998 around the enigmatic songwriter and namesake. His revolving cast of collaborators, creators, and guests have served him well throughout his career. Just as it goes, he is very underappreciated and underrated as a songwriter. They are that band, and he is that singer, that you just … Read more
Needles//Pins are one of those hard bands to pin down. They just sound like what rock ‘n’ roll is supposed to be, you know? It’s catchy, gritty, relatable, and working class. It’s to the point without being mindless or jingoistic. Goodnight, Tomorrow is their second LP, the follow-up to Shamebirds (2014). The first record is an enjoyable romp, but it … Read more
Technicality in death metal is a very common treat, and it has been present within the genre since its beginnings. Through time this idea has evolved, moving from the likes of Death and Suffocation to acts like Artificial Brain and Ulcerate. John Frum is a new entry in this tradition, formed by members of some elite bands of the extreme … Read more
At some point in the '90s a strange scene begun to form, spawning from the adventurous nature of Gore and their follow-up project Bohren & der Club of Gore and expanded by the likes of Asunta and Phantom City. Taking the cool jazz structures, artists begun performing alchemical experiments with ambient music, abstract rhythms, drone elements and aspects of dark … Read more
Alice Kundalini is releasing the second album under the She Spread Sorrow monikier, following the her debut full-length, Rumspringa. Forged in the death industrial heritage of Cold Spring records, she continues to implement fierce power electronics over her bleak ambiance. The form she takes in Mine is a continuation of the sound of Rumspringa. Dark and pensive in its narrative, … Read more
Normally when I hear obvious shades of the 1990s, my first thought is straight from an ad campaign of the era: been there, done that. It’s an oversimplification, but you get the point. The real problem is mimicry instead of taking influence. Cayetana have some clear influences from the alt rock of my formative years, but they’re ultimately set in … Read more
Buzz Osbourne has nothing left to prove. His band, Melvins have sustained the ravages of time and, perhaps even more impressively, the ravages of the music industry. Next year will mark the 30th anniversary of Melvins' first album and within that time frame there has been few artists as prolific as Osbourne, whether it's with Melvins, or Venemous Concept, or … Read more
Few things are stable in this topsy-turvy world. One constant has been Nothington. With the release of In the End, the San Francisco band’s fifth full-length, they’ve continued down the road they started with All In. It’s classic chord-driven punk with a working class, heart on its sleeve aesthetic. Early reviews compared them to Social Distortion, which isn’t horribly inaccurate … Read more
Had Jason Isbell stopped making music after his run with the Drive-By Truckers, his output would have already been legendary enough. “Outfit,” and “Goddamn Lonely Love,” alone are inches away from being modern standards. After a few promising records in the midst of a drugs-and-booze phase, Isbell got clean and released Southeastern in 2013, a stunning record of recovery and … Read more
Imagine if the last few minutes of your life on a doomed Earth were spent dancing in a nightclub, as the sound of buzzing synthesisers whirred into a thick crescendo that battled the looming darkness outside. This is the atmosphere that Chicago three-piece The War on Peace have created on their newest EP, Automated People. The band, who sound like … Read more
Jessica Moss is a prominent member of the Canadian experimental scene, most known for her participation in the Thee Silver Mt. Zion Orchestra & Tra-La-La-Band collective, as well as being a founding member of Black Ox Orkestar. A performer known for her versatility, she has also appeared as a guest for Frankie Sparo, Broken Social Scene and Arcade Fire. In … Read more
Remember that movie from the 80's where that little rocker kid got sucked into the video game and found himself on that desert planet, where he had to throw jewels into a volcano while battling flying lions that had lasers shooting out of their eyes?No?That's probably because that movie was never made. But if it had been, Arcadea would be … Read more
Ah, Rammstein. Härte. Neue deutsche. Grinding metal guitars, brute masculinity, pyromania, double entendres, operatic sub-sonic vocals, wordplays galore and taboo subjects. In a live context, they burn – literally, being one of the few bands whose singer eventually deemed it necessary to become qualified as a licensed pyrotechnician and with fans on occasion having been carried out of concerts suffering … Read more
Do Make Say Think have left their stamp on the post-rock scene, starting from their debut, self-titled album, released in 1998, to the excellent Other Truths in 2009. It was with Other Truths that the band decided to take a break, never officially breaking up, but rather the individual members taking some time to pursue different projects. Thankfully, this came … Read more
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