Neil Young releases records at an alarming rate for a septuagenarian. It doesn’t matter, the guy gets a gold pass on whatever he releases. His recent health scare not slowing him down, yet showcasing the mortality we have seen in the recent past with Young’s friends and peers moving on at an alarming rate. Neil Young has walked a frantic line between rock god, country crooner, and punk godfather. Never mistaken for anyone else with falsetto in tow, he sounds better than he ever has on his new record The Visitor. Young’s backing band, Lukas Nelson and The Promise of the Real, provide ample space for Young to move in, and handle it with gusto and augmented energy. Probably in an attempt to keep up with Young, who’s energy has always been impressive. There are reflections on the recent election, the state of climate change, and thoughts on Young’s own mortality… or immortality. The great thing about the record is Young is no less pissed off, he just channels it differently. “Already Great” is a direct f**k you to Donald Trump and a play on his moniker to “Make America Great Again”. It’s a love letter to America with a … Read more
When English duo Royal Blood released their self-titled debut in 2014, i got into an argument with a friend of … Read more
Led by Falls of Rauros' Jordan Guerette, Foret Endormie takes quite a different route to what we can expect from … Read more
When Living Colour toured earlier this year performing their debut album Vivid for the almost 30 year anniversary, a lot … Read more
It's a different world than when Manson made his debut over two decades ago and scared the shit out of … Read more
All the best albums are made for mood. Some for when you’re feeling happy and carefree, and some for when … Read more
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Brett Gurewitz clearly smells money like band mate Greg Graffin smells fat teen pussy from Wisconsin, and it gets him just as hard. By his own admission Gurewitz has never "come across a new group with more potential to be huge" than Escape the Fate. The dollar signs must be spinning in his eyes as the Myspace friend requests grow exponentially. And unless Gurewitz has had some form of good taste lobotomy, then the signing of Escape the Fate to Epitaph must have been entirely prompted by the all mighty dollar. Effectively the band's plan is a reasonable one, if not all that cunning/subtle: take parts of all things fashionable in the world of "alternative" music at present and shit it out with some Mötley Crüe haircuts, fake angst and … Read more
Darkness isn’t something everybody can access within themselves. Some are afraid to explore those shadowy recesses, some deny they exist, and some embrace it and find a cathartic release through some outlet of their choosing.Luckily for us, Chelsea Wolfe would appear to be in the latter category. To describe her music by any particular genre would only seem dismissive. Tawdry, … Read more
Matt Cameron has long been the kind of drummer that most drummers wish they were. Seemingly able to play anything - to bounce from project-to-project with nary a blurred line. In short, Matt Cameron knows his shit. It would be fair to say that despite being the drummer for Pearl Jam since 1998, Cameron will forever be inexorably linked to … Read more
Out of all the bands painted with the seemingly ubiquitous metalcore tag, Converge seem both the most likely to accept the term graciously and rip your throat out for the mere suggestion. But really, they are a true amalgam of both - the sound is the heavy and the vocals and attitude are the core.The Dusk In Us is the … Read more
Code Orange are really hardcore. Not the genre, the noun. As a descriptive and an ethos, they wear it well. Forever is the band's first album with Roadrunner Records and it's gargantuan, throwing down the gauntlet for the next generation of heavy music.It's probably no coincidence that the band hail from Pittsburgh, because there's a strong working-class sound and attitude … Read more
I came late to the party when it comes to Mark Lanegan and his career. It was him opening for Nick Cave and the Bad Seeds in 2013 and I was instantly overcome with the feeling that I have missed out on an intriguing man and his works. Delving into his oeuvre and myriad of collaborations, among which the ones … Read more
Iron Chic has its own kind of poetry. It’s not quite the Off With Their Heads level of self-hatred, but it’s highly self-deprecating to the point of feeling playful and overblown in its drama. Throughout the entire 11-song You Can’t Stay Here there are dozens of snippets I could grab to express this tone. "I’m a stone, you’re a featherJust … Read more
Mastodon are no stranger to side projects. Hell, guitarist/vocalist Brent Hinds has released two in the last year alone, with his new Legend of the Seagullmen album due in September. Brann Dailor released Arcadea, also on this years’ top 25 list, and Bill Kelliher doesn’t need your goddamn validation!Gone is Gone is the amalgamation of Mastodon bassist/vocalist Troy Sanders, guitarist … Read more
Mark Gill's England Is Mine introduces Morrissey while he's on the cusp of adulthood, an enigma of cocksure arrogance presented in the body of a slightly hunched over, uncomfortable young man. A number of key characters in the Mancunian singer's formative years, including the often overlooked Anji Hardy (Katherine Pearce), who died of leukaemia in 1977 and was a strong … Read more
Dream pop, huh?Dark pop?Why not.Baltimore trio The Holy Circle is comprised of vocalist / keyboardist Terence Hannum (Locrian), as well as his wife, vocalist Erica Burgner-Hannum of Unlucky Atlas, and Nathan Jurgenson (of Screen Vinyl Image) on drum duties. All three of their combined perspectives make for a take on a genre that is nowadays labeled as “dream pop” and … Read more
Interminable slack-ass Omar Rodriguez-Lopez only released 12 solo albums this year on Ipecac Records. So to alleviate the presumed guilt, he’s gotten the old band back together again. That band is At the Drive-In and as far as “reunion” albums go, In•ter a•li•a is a monster. While not quite a complete reunion, in a presto-change-o move, guitarist Jim Ward has … Read more
Nobody can doubt Tim Barry’s heart. He’s worn it on his sleeve since he began his solo career with a 2005 demo. Depending how you count live records and demos, High on 95 is his eight record since then. Besides being prolific, his songs are largely first-person accounts of a drifter watching the world around him in wonder. The sound … Read more
Keith Morris is one of the remaining original punk rock figures that is still going and has never really ceased to have an impact on what is widely perceived to be punk and hardcore at large. With a career spanning over four decades as the frontman of genre coining outfits not Circle Jerks, Black Flag and more recently OFF, he … Read more
Oh man, haven’t heard Long Knife’s name called in a long time. You can choose to split pubic hairs over whether they’re back or still here, but what’s not up for debate is that Portland’s second favorite antiheroes have dropped a damn fine slab o’ new wax upon the jean vest-wearing masses. It comes via the mostly-reliable Beach Impediment label, … Read more
Hard Girls are a complex band – or maybe they’re not. They sing about hard life choices, serious moments, and buying candy and cigarettes. A post-punk influence and precise arrangement style seamlessly blend into a more traditional pop structure. At its simplest definition they’re a punk band, but that doesn’t feel like it hits at the fact that both vocalists … Read more
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