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Orphanage Named Earth

Re-Evolve
Dilapidated Records (2018)

Orphanage Named Earth is Polish band that plays romantic crust. I'll explain later on what to expect, but let me tell you up front: in a strange way it is a pretty accurate description. Orphanage Named Earth started a few years back, in 2015 and have released one demo so far. Re-Evolve is their debut and it is an album … Read more

200 Words Or Less

Courtney Barnett

Tell Me How You Really Feel
Mom + Pop (2018)

Courtney Barnett’s output is usually a sure thing – which is why it’s strange her latest, Tell Me How You Really Feel is weirdly disappointing. It’s not bad, it just lacks the punch found on 2015’s Sometimes I Sit And Think, And Sometimes I Just Sit. “Hopefulessness” is a strange, dissonant opener that casts a bit of a pall over … Read more

Monolithe

Nebula Septem
Les Acteurs de l'Ombre Productions (2018)

Concept albums are hardly a new thing but for French band Monolithe and their seventh record, the conceptual aspect has been taken to the next level. Seven songs, exactly seven minutes long, each beginning with the first seven letters of the alphabet in sequence with each letter signalling the tonality of the track that is playing......it all sounds like a … Read more

Teenage Bottlerocket

Stealing The Covers
Fat Wreck Chords (2017)

Many have commented about loving the idea behind Teenage Bottlerocket's all-covers record Stealing The Covers, and even though cover albums usually have everyone sending the puke emoji as a review, I have to agree with the majority on this one. Bottlerocket aren’t a parody band and they aren’t as disillusioned as people think; this record was a super clever idea … Read more

Jesse Dayton

The Outsider
Blue Elan Records (2018)

Powerful, bottom heavy, but good headlamps. She loves to look good, but also can build an engine; loves fancy dress, yet plays in the mud. She’s drive-able in the city, and capable of off-road adventures. As much as country music loves the Daisy Duke, and the General Lee, symbols stereotypically good, The Outsider locks into enough country to forgive its … Read more

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John Prine

The Tree of Forgiveness
Oh Boy Records (2018)

John Prine's first album of new material in 13 years is a great place to start with the legend’s career, as it kind of covers the ground of the sometimes funny, sometimes terribly sad songs he’s known for. Working with Dave Cobb (known for producing both Jason Isbell and Chris Stapleton) Prine focuses on the mundanities of everyday life, and … Read more

Pinned In Place

Rubbernecking at the Gates of Hell
Reflective Tapes (2018)

I’ve been debating how to describe this one for a while. Pinned in Place aren’t exactly happy campers, but compared to most of what I’ve been reviewing lately their music feels downright optimistic with the sunny guitar lines and harmonies that define their sound. That said, the record is named Rubbernecking at the Gates of Hell for a reason.The opening … Read more

The Smith Street Band

More Scared of You Than You Are of Me
Side One Dummy (2017)

There’s something oddly humbling and comforting about listening to the Smith Street Band, it’s like they’re that hometown band you watched put on shows in garages and living rooms growing up. It just feels like you know them—their lyrics are very real and they as people are very much real, which overall creates this very humbling, raw effect to their … Read more

Rotterdam Ska Jazz Foundation ft. Bosco

Big Horns EP
WTF Records (2018)

Just look at the name of this band. Any associations? Mine was: ah, Mount Fuji Doomjazz Corporation, Killimanjaro Darkjazz Ensemble, must be working along the same lines. And in a way it is. This band delivers exactly what they promise: a blend of ska and jazz. And in doing so sounds nothing like the other two bands, so you can … Read more

Gulch

Burning Desire to Draw Last Breath
Independent (2018)

Here we go, something horribly maniacal approaches. An out of focus haunt looking like a Goya sketch funnels all the screaming souls from hell at the threat of a Gatling gun and an itchy trigger finger. In their place we as Listener fall into the gap. Each song features a compendium of heavy drum beats, variations of style and groove, … Read more

DeeCracks

Sonic Delusions
Pirates Press (2018)

DeeCracks don’t reinvent anything, but they don’t regurgitate it either. There’s a lot of Ramones behind the experienced Austrian band, but they utilize familiar techniques like harmonies, solos, and even a surf instrumental to mix it up. It’s the kind of music that many bands try to pull off, but fail. It doesn’t sound like they’re aping their predecessors, but … Read more

Feed The Cat

Never Press Rewind, Except...
Independent (2018)

Feed The Cat is skatepunk band from Toulouse, France. Never Press Rewind, Except… is their second release after the EP Kick The Fat. Their sound is undeniably skatepunk. For some reason I'm reminded of Smartbomb. Not the most well known of all skatepunk bands, but Feed The Cat has the same vibe. Musically it's slightly different though. Skatepunk in my … Read more

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Maps & Atlases

Lightlessness is Nothing New
Barsuk (2018)

Chicago natives Maps & Atlases first new release in six years shows them down a member and finding that their tightly constructed guitar and rhythm pieces turning up to something a little brighter and buoyant with synths taking more of a larger role in their sound. First single “Fall Apart” sounds just as slick and rubbery as singer/guitarist Dave Davison’s … Read more

Abstracter

Cinereous Incarnate
I Voidhanger Records (2018)

Loads of bands that I follow or followed start out pretty heavy and during their career start to get (a bit more) mellow. Sometimes this evolution is only marginal, sometimes a band is almost unrecognisable after a few albums. Abstracter evolved as well over the course of their albums. Instead of mellowing down their sound, they have evolved in another … Read more

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