Since their founding almost a decade and a half ago, Pittsburgh, Pennsylvania duo Zombi (made up of bassist Steve Moore and drummer A.E. Paterra, both of whom contribute synthesizer sound) have positioned themselves among the best contemporary groups inspired by the world of vintage horror soundtracks. Following a string of releases from 2002 through 2011 that found the band utilizing ever increasing amounts of electronics alongside Paterra's typically powerful drumming and Moore's funky basslines, 2015's Shape Shift finds Zombi once again seeming like a cohesive unit capable of tight live performance. That being said, the album exists quite – and maybe too - comfortably in line with Zombi's previous efforts: Moore and Paterra don't seem to really be taxing themselves here and many of Shape Shift's tracks start to test listener's patience for and tolerance of exceedingly repetitive music. Though some listeners will dig the heavy grooves and almost trance-inducing effects, the release may exude just as much lethargy as overwhelming atmosphere and won't redefine the space rock genre by any stretch. Album opener “Pillars of the Dawn” demonstrates the now-standard Zombi approach to composition. Looped, arpeggiating synthesizer is the basic sonic ingredient, with Paterra adding tinging cymbal and forceful … Read more
A studio and touring musician with Nine Inch Nails since the mid '90s and part of the whole Chinese Democracy … Read more
Though there are plenty of composers who've made a name for themselves by crafting the soundtracks to horror films, Italian … Read more
More than five years after the first wave of so-called witch house artists popped up, caused a commotion in the … Read more
This is a cool tape sent in by Mr. Food Fortunata, the fine gentleman behind the always enjoyable and reliable … Read more
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The soundtrack for the 2013 film Prince Avalanche, created by instrumental rock group Explosions in the Sky in collaboration with David Wingo, has to be considered one of the most strange and potentially divisive albums in the band’s repertoire. Though the group gained notoriety when they were featured extensively on the soundtrack to 2004’s Friday Night Lights, the music used there was undeniably similar to what EitS produced normally. Prince Avalanche shows an entirely different side of the band: instead of making highly cinematic music that builds from silence into bombastic, cathartic releases of sonic thunder and emotion, it seems as if the opposite was achieved here. The result is a release that perhaps has more in common with Brian Eno’s soundtrack albums than anything even remotely connected to the … Read more
Named after one of the most dense places in the history of the planet, Kowloon Walled City have been undergoing a transformative process. The band's origin lies within the sludge domain, with the release of Gambling On The Richter Scale revealing the heavy, filled with dirt foundation of the band. Through their debut album there is a sense of demolition … Read more
After dropping their debut album Ratworld earlier this year, Leeds-based Menace Beach have wasted no time in producing an energetic but decidedly more focused follow-up. The five songs on the Super Transporterreum EP exist most obviously in the grunge spectrum, imagining what a less depressive and moody Nirvana would have sounded like. What immediately struck me about the EP was … Read more
Krallice was a band that was working like a Swiss clock watch. They were very punctual with their releases, putting out album after album, with just about one year gaps between each release. That was the case at least until and including the release of Years Past Matter. That was also the first time that the band did not release … Read more
Peace in Our Time is an album that seemed like it was never going to be released. Good Riddance's breakup in 2007 appeared to be final. Younger listeners such as myself, who discovered the band around this time, had to come to terms with never hearing new music from the band nor having the opportunity to see them perform live. … Read more
Known in his lifetime (1685-1750) primarily as an organist, German-born Johann Sebastian Bach has, in the course of the last three centuries, achieved a status as one of the finest composers to have ever lived. The mathematical precision of Bach’s work is one of its most recognized characteristics, but also an element that provoked a love it or hate it … Read more
I’ve reviewed a lot of records now from Lauren Denitzio’s bands. First, The Measure [SA], and then Cruel Optimist, her current band’s first release. Over those records the sound hasn’t changed so much as it’s grown. The songs are now fuller and deeper. With Worriers specifically, though still in a relatively small sample size, the songs also seem less chorus … Read more
Over the past two decades, Phil Elverum has established himself as one of the most consistently outstanding artists working in the indie rock spectrum, yet I could almost be convinced that he purposely tries to slip under the radar at every opportunity. 2001’s The Glow Pt. 2, recorded under the guise of The Microphones, positioned the singer and multi-instrumentalist as … Read more
Deafheaven’s Sunbather was the antithesis of a sophomore slump. The album produced armies of lovers and haters, who debated whether or not the album was “metal” enough to deserve all the media attention proclaiming it as one of the greatest current metal albums. Unfortunately, I don’t think I’ll ever forget waiting in line to see Deafheaven and hearing the couple … Read more
Looking back at Sunbather, Deafheaven's sophomore release, it is very easy to understand how that album was able to become the point of dispute within the black metal realm. The debut album of Deafheaven, Roads To Judah, was easier to come to terms with. Its blend of black metal and post-rock, as well as the shoegaze tendencies were still at … Read more
Though the album might attract some of the same listeners that gravitate towards otherworldly new age music, Summer Homes’s 2015 album Nocturnes actually has a more earthy and less corny sound to it. Written and performed by Massachusetts-based musician Daniel Radin, this album seeks to reimagine the early life of the artist as ambient music works and seems entirely earnest … Read more
Twenty years ago today, Saturday September 26, 2015, the reincarnation of Chris Barnes’ death metal crusade known as Six Feet Under released their debut full length, Haunted. When social media informed me of this fact this morning, I had a moment of reflection relating to the journey of Barnes and his, often unappreciated, creations of two of the most premier … Read more
This is some metalpunx ouf of New Jersey. Superfast and snotty as all hell. Like some spikey-haired snot punk singing for a grind band or something. There’s sweet breakdowns too, which lend it a hardcore vibe. Maybe I’m way off-base, but that’s what I’m feeling. Not always my favorite thing, but I find this rather endearing. Guitars are sick. Especially … Read more
"worker bees can leaveeven drones can fly awaythe queen is their slave"- Chuck Palahniuk, Fight Club When people talk about music (assuming people actually do still talk about music), they'll typically begin by discussing the style or genre they like. If the other person then hasn't begun silently searching for Buzzfeed lists and the conversation continues, it can go in … Read more
It is quite difficult to follow a project as active as Theologian. The career of the dark industrial unit has spawned a large number of releases, with albums such as The Chasms of My Heart and Finding Comfort In Overwhelming Negativity standing out. Main man of Theologian, Lee M. Bartow (a.k.a Theologian Prime) works with David Castillo and Daniel Suffering, … Read more
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