Endless Mike and the Beagle Club are from Johnstown, PA (about an hour outside of my second home, Pittsburgh), and their album St. Paul (produced by Anti-Flag's Chris Baker, adding some Pittsburgh history) embodies the DIY PA punk aesthetic that I’ve come to love over the years. Around since 2003, the band is more or less lead-singer Mike Miller’s solo project, but Miller’s friends have flowed in and out of it, making what Miller calls “an indie/punk orchestra.” Indeed, Miller has formed a club that seems like a joy to be a part of. You can hear this a-solo-project-or-a-club? dynamic throughout St. Paul: The album is as eclectic as its cover; some songs are straightforward loud punk songs, others are tinged by folk sensibilities or theatrical strings and horns, and still others are quiet ballads with Miller in the spotlight. St. Paul pulls from many sources, bringing it all together to make a commentary on philosophy, religion, and basement shows.It can’t be emphasized enough that Miller is at the helm of this thing, because Miller’s voice is unique enough to have a you-love-it-or-hate-it quality. I’m definitely in the love-it camp: Miller embeds second-long minutia into songs to make them memorable … Read more
When King Diamond's album The Spider's Lullabye, his sixth, was first released in 1995, it was a unique entry in … Read more
Full of Hell remain successful in orbiting the broad domain of hardcore punk without becoming victims of convention or straying … Read more
During the early to mid '00s, Graves at Sea had acquired a legendary stature. Their first demo, Documents of Grief, … Read more
John Erik Kaada and Mike Patton. Two great tastes that taste great together. It's been twelve long years since the … Read more
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Yesterday, I received my bi-monthly batch of promos. While sorting through the records an album named Angels with Uzis by the band Justice of the Unicorns caught my eye. If the image on your right is a bit too small let me take the liberty of describing what's going on with the album's cover. Above a burning skyline is what I can only assume to be a six year olds interpretation of angels, complete with triangle breasts and polka dotted lighting bolt wings. Floating beside their hands are rainbow-colored guns shooting out small red hearts in place of bullets. This unique drawing, an obvious comment on our western society's wanton use of religion as the justification for violence as instilled in and embodied by our children, speaks to the record's … Read more
Since their inception back in 2007, Tombs have been in a phase of constant turmoil. Band members have been changed multiple times, with mainman Mike Hill the only original member still in the band. A similar sort of change has been undergoing along the works of the band, with their style. Starting out as a post-black metal act with the … Read more
Spanning the country’s geography north and south, this split from Fargo, ND’s Crab Legs and Fort Worth, TX’s Not Half Bad is a snippet of the varied sounds of the current DIY pop-punk scene and everything that unifies yet separates bands within it. Crab Legs play a coarse shout it out style that’s gruff yet melodic while partners in vinyl … Read more
The list of people that Mike Patton has collaborated with over the years is as long as it is diverse. Not so diverse however, that any of the co-conspirators were a surprise, be they Dan the Automator, Melt Banana, Rahzel or untold others.So when the Nevermen album was announced, featuring Patton, Anticon founder Adam ‘Deosone’ Drucker and Tunde Adebimpe from … Read more
Fucking finally. It’s been six long years since we’ve heard from the Brooklyn via D.C. grind-brigade. This month marks the release of II, the only Magrudergrind record since 2010’s Crusher EP and a welcome relief to those only moderately pacified by Avi Kulawy’s (vocals) doom project, Ruine. II presents some major changes from Magrudergrind without exhibiting a substantial departure from … Read more
When it comes to mystical vibes, few can challenge the music of Wolvserpent. The duo consisting of Blake Green and Brittany McConnell in the past six years has been putting out a series excellent works. From their debut, Blood Seed, their drone/doom vision started coming into view, a concept that felt finalized with the release of their latest album, Perigaea … Read more
Radon has never really done a lot for me. The melodies are nice but it really never strikes a chord one way or the other. In “Headaches and Bullshit,” it’s 2:29 of their traditional sound, melodic and emotional, delivered via Dave Rohm’s Greg Attonito-styled (Bouncing Souls) vocals over melodic hardcore with an emphasis on the melodic. It does feature a … Read more
Värähtelijä marks Oranssi Pazuzu’s fourth foray into the outer reaches and the Finnish band pull no punches in creating a record that melds tripped out cosmic rhythms with the distinct aesthetics of modern black metal. Oranssi Pazuzu aren’t your typical Finnish black metal band and with their music they set out to push the boundaries of what the genre should … Read more
St. Louis indie pop band Bunnygrunt will probably always be stuck with the 90s cuddlecore label, as much as they may hate it. The lovable duo Matt Harnish (guitars/vocals) and Karen Ried (drums/vocals) specialize in fun, disposable - and dare I say cute - punk rock, Bunnygrunt reliably delivers the ephemeral sound of what their label Happy Happy Birthday to … Read more
Finding an anchor in your life is one of those inevitabilities that is constantly chattering away in the back of your head; you're trying to figure out where you should be and where you should stay. If your 20s are there to discover what you're doing with your life and which space on this planet is most homely to you, … Read more
When Iggy pop parted ways with The Stooges in the mid-seventies, no one really knew what to expect from the man next. If they had been taking bets in Vegas, the highest odds would have gone to: Moving to Berlin to collaborate with David Bowie. Nevertheless, that's exactly what happened, and the result was his first solo release, The Idiot. … Read more
Since 2010 and the release of their album All The Waters of the Earth Turn to Blood, sludge outfit The Body have really taken off. Originally found back in 1999, the band from Oregon did not seem to be very active, releasing a good debut album in 2004, but it would take six years until their next full-length. However, since … Read more
It’s not often a band whose tenure spans as long as Agoraphobic Nosebleed’s makes such a successful effort in redefining their sound without conjuring notions of desired mass appeal. More importantly, it’s not often a band as influential to heavy music as Agoraphobic Nosebleed creates what is easily their most accessible effort without sacrificing their abrasive integrity. We see an … Read more
Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent band in the genre to make use of a drum machine, leading to hundreds of followers. Their style is dictated by ferocity and speed, albums filled with bursts of violence and constant pushing of your mental state. From Honky Reduction … Read more
Debuting in 2014 and quickly releasing the surprisingly outstanding Spike & Wave 7”, Easthampton, Massachusetts-based Kindling has undergone a substantial metamorphosis over the past few years. The original duo of Stephen Pierce (he of Ampere) and Gretchen Williams have been joined by drummer Andy Skelly and bassist Andrew Farr, allowing the group's initially rather sparse material to be fleshed out … Read more
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