In 2014 Mamiffer, the project of Faith Coloccia, released Statu Nascendi, which was described as a transitional album, leading to the next full-length the band would eventually release. Statu Nascendi definitely felt like an album of change, with Coloccia and collaborator Aaron Turner stepping further into the realms of minimalism and drone. It might still be a while until The World Unseen, the upcoming album of Mamiffer, is released, but these guys make sure they keep us fixated. Mamiffer has a history of great collaborations, with bands/artists such as Circle, Locrian and Merzbow, just to name a few. The follow-up in the joint efforts' domain is Crater, the work they produced with noise savant Daniel Menche.Ritualistic might not be the right word to describe the vision of Menche and Mamiffer, but there is something inherently processional about their work. The first taste of the input that both participants have in the final result is experienced through “Calyx.” The track starts quite nicely with some guitar and piano parts, slowly unfolding the melodic qualities familiar in the works of Mamiffer. However, this harmonious moment is slowly being twisted, as the distortion is applied more and more heavily on the part, resulting … Read more
Side projects aren’t supposed to invite other band comparisons, they’re supposed to separate, to show artisticrange. Who are we kidding … Read more
In the time before Pinkish Black there was The Great Tyrant. The latest album of Pinkish Black came out a … Read more
Dilly Dally is a four-piece rock band from Toronto who describes themselves as “#softgrunge” on their Facebook page - I'm … Read more
Extinction A.D. rose like hellfire from the rubble of the, now listless, Long Island hardcore outfit This is Hell. In … Read more
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Rise And fall are a hardcore band from Belgium formed in 2002 out of the ashes of bands The Deal and Kingpin. One of the more successful European hardcore bands, Rise And Fall have been consistently putting out albums since their conception. Faith is their 4th full-length album.Right off the bat with this album, you are pelted with some of the heaviest layering your ears have ever heard. The first track, “A Hammer And Nails”, strikes you so hard that your heart will stop briefly. Not many bands can capture chaos like these guys. With no idea of how to waste time, Rise And Fall keep pushing until the end of track 3, “Gallows” where they slow down into a sludgy, memorizing riff so that you can catch your breath … Read more
It’s getting tough to find new things to say about Night Birds. They’re as great as ever with third LP Mutiny at Muscle Beach, it’s just that the sound hasn’t changed all that dramatically from day one. Album #3 is supposed to be when they go all avant on us.Their career has filled out nicely, with textural differences and a … Read more
This is the second 7” from this new-ish congruence of Richmond, VA old-timers. The band flexes a pedigree that includes Wasted Time, Government Warning, Direct Control and a whole bunch of others. Eight minutes in total of bulldozer USHC in the most straightforward sense. No fucking about whatsoever; just head down, get the fuck out of the way hardcore punk. … Read more
The musical collective led by J.R. Robinson has always been inventive when it came to the subjects of their sonic explorations. You've Always Meant So Much to Me was written to accompany a film that Robinson shot in various areas, including Detroit, the desert of Joshua Tree and the forests of Tasmania. The collaborators in this album helped greatly bring … Read more
At a point in the late '90s and early-to-mid 2000s, it seemed like every major artist had at least one tribute album out there. Invariably produced by one cheap-jack record label or another, these albums highlighted a dozen or so no-name musicians playing through (and quite possibly butchering) various well-known songs and were often framed around a particular type of … Read more
While electronic music used to be a rather exclusive club that only those with access to (expensive) equipment could hope to break into, in recent years, the increased availability of technology has allowed anyone with a will and/or a way to become an electronic producer. Theoretically, this has enabled more talented people to express themselves through music, and there is … Read more
Diaz de Leon explores the limits of hallucinatory music through his project Oneirogen. Back in 2012, the debut album of Oneirogen, Hypnos, came into existence, combining experimental and heavy music, with the inclusion of big sounding synths, abrupt noise explosions and dark ambient yearnings, all under a veil of distortion and emerging soundscapes. A year later, Kiasma would be released, … Read more
Every so often I go through a phase where I’m listening to a lot of pre-Independent Wormhole Saloon era Butthole Surfers. Such was the case when this 17-song slab-o-wax landed in my mailbox via Food Fortunata, the genius behind Ear of Corn fanzine. I promptly ripped this to MP3s so that I could listen to it while riding my bicycle. … Read more
The name Dan Barrett is well known to anyone following projects such as Have a Nice Life, Giles Corey and Enemies List (and quite a few more.) In his latest project, Black Wing, Barrett sets on a digital-only path. While the motto of his other project, Giles Corey, has been: “only acoustic instruments allowed,” Black Wing features only digital instruments. … Read more
Back in 2010, Beastmilk were on the rise with the release of their demo White Stains On Black Tape. The band from Finland, with an impressive line-up featuring Kvohst (Hexvessel, ex-Code and ex-Dodheimsgard), Valtteri Arino, Linnea Olsson (ex-The Oath), Johan “Goatspeed” Snell and Paile, was putting together a disturbing vision of apocalyptic post-punk. The result of this concept was the … Read more
The Necks is an experimental jazz band from Australia, which has been outputting record after record since their inception back in the '80s. Following the release of their previous full-length, Open, this trio of excellent musicians embarked on a journey towards their next release, Vertigo. Where Open features a more minimalistic mindset, Vertigo is a cinematic piece placed against a … Read more
Gloriously unpolished and perhaps one of the outright loudest and gnarliest records I've heard all year, 2015's I Saw My Soul Leaving is a sort of greatest hits album released to commemorate the first US tour by Italian garage rocker Panda Kid (a.k.a. Alberto Manfrin). This album combines two new tracks with eight from the artist's back catalog in a … Read more
The Blind Shake have honed their sound over the years, always identifiable yet always moving it forward and with a keen difference between records. It’s pretty impressive considering they write 2-3 minute stomp-garage tracks with a big emphasis on beat and hook—a style where repetition and sameness run rampant.Where Fly Right stands out is its variation from that tradition. The … Read more
Though composer Chuck Cirino is not a name that most movie fans – even those who like B-movies – would instantly recognize, there's a decent chance cult film aficionados have heard some of his work. First breaking into movie soundtrack work on 1980's Gypsy Angels, a film best known for featuring a then-unknown Vanna White in various states of undress, … Read more
Having produced the energetic low-budget action picture Assault on Precinct 13 in 1976 prior to laying the foundations of the modern slasher movie with 1978's Halloween, film director John Carpenter positioned himself as a master of frightening and just plain exhilarating cinema with the early '80s trio of The Fog, Escape from New York, and The Thing. 1983's Christine (based … Read more
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