Screens, (2013) was damn near perfect. So what does Low Culture have in store with their second LP? It’s not disappointment, that’s for sure. Places to Hide continues their run of modern garage-punk that’s run through the melody filter and cleaned up of the fuzz and distortion, letting the elemental energy and punk tempo drive the songs while the vocals are clean and, for the most part, are actually sung. The tight rhythm section, which doesn’t let up for a second over the 33-minute album, is the hero here while the dual vocal approach of Chris Mason and Joe Ayoub give that melodic touch to push it over the edge and ahead of the pack. While the lyrics are somewhat pessimistic, Mason’s voice is a pick me up that bursts with energy—a ray of sunshine on an otherwise cloudy day, or some such nonsense. It’s well on display in the smooth but elastic delivery of “Wrong Side of History.” The records starts with “Comfort Zones,” which takes all of three seconds to swoop me back into Screens mode. The band, as has been written elsewhere, features members of Shang-A-Lang and Marked Men and it balances that Marked Men energetic/melodic focus … Read more
thisquietarmy is an experimental project helmed by Eric Quach from Montreal. His catalogue is extensive (you could spend hours on … Read more
Choose a year to view reviews of albums released in that year.
753 reviews
42 reviews
25 reviews
300 reviews
4981 reviews
19 reviews
It's been 8 years since Small Brown Bike released their last full length, The River Bed, but they haven't lost their touch in the slightest. The band's back, and it's almost as if they never stopped writing together. Fell & Found follows the thread left dangling from The River Bed and even expands upon it. They open the record with “Onward & Overboard”--a song that could easily reflect what brought this band back together with lines like, “Reunion, more than just a word—a place to call our home. We need this.”. Their musicianship is perfect and beautifully executed. Once again, producer, J Robbins does an excellent job having everything boom with subtle highlights at each different moments. They pick up the pace a bit on the following catchy track, “Rescue … Read more
WIFE is the solo electronic project of James Kelly, who is probably best known as the mainman of (unfortunately disbanded) insane, post-black metal band Altar of Plagues. WIFE started out with the release of the Stoic EP, an excellent specimen of the experimental electronic path, which Kelly would follow on his debut full-length, What's Between, released through Tri Angle Records. … Read more
I have a type, and it’s short and fast. I’m partial to it and probably less picky. It fills a need that my constantly fidgeting digits and bottomless coffee mug cannot. Besides, short and fast is just better. Duh.Spokenest are seemingly built on that same concept, playing finger-bleedingly fast guitar and drum in this husband-wife two-piece from California. On Gone, … Read more
Alison Chesley (aka Helen Money) is mostly known for her excellent collaborations with a myriad of diverse artists, including Bob Mould, Mono, Russian Circles and Agalloch. A classical cellist herself she has become an experimental music savant, releasing great records on her own, with 2013's Arriving Angels standing out, as did her collaborative album with Jarboe. On her newest album, … Read more
I have to admit, I chose to review this album with little knowledge of the band, based solely on the strength of their single, “La Mano De Lucifer,” from their debut album, Something Supernatural. “La Mano De Lucifer” is one of my favorite songs of all time. Listening to it is a semi-religious experience for me, and I am uncomfortably … Read more
It took all of three seconds into Tentative Decisions, about 10 seconds before his unmistakable voice, to ID the record as being made by Mikey Erg. Drummer/guitarist/vocalist in bands ranging including but definitely not limited to The Ergs!, The Dopamines, Worriers, The Slow Death, and so many more. Erg’s work has long been built on a pop-punk foundation, emotional indecision … Read more
Angel Olsen has been very active since the release of her debut cassette Strange Cacti, revealing a very promising work. Her dark indie folk/rock tone had a haunting effect, which peaked with Half Way Home and the excellent Burn Your Fire For No Witness. The delicate folk tones of Olsen were engulfed by a healthy dose of reverb, ample amount … Read more
Starting out as the solo project of Jordan Morrison, All Your Sisters turned into an intriguing duo with the addition of Mario Armando Ruiz on bass and synths. The band draws influence from mainly from the '80s new wave scene, paying tribute to the post-punk and noise rock styles of the era, but with an industrial edge and an ambient … Read more
Carl-Michael Eide (or Czarl) is a legendary figure of Norwegian black metal lore, with his emergence in the scene corresponding with some of its most important bands' first releases. He appeared playing drums in the first Satyricon demo, All Evil, and the first couple demos of Ulver, before initiating some projects of his own.Aura Noir and Inferno with their thrash … Read more
Crybaby are one of those punk bands where you could fill a review with subgenre tags and namedrops and every review would pick a different one to highlight. There’s a lot of stylistic variance, a lot of influence, but it comes together as Crybaby instead of some hyphenated slurry of ‘90s and ’00s bands. Instead, I’ll just say it’s DIY … Read more
A relatively new band, started releasing music around 2010, Nothing display a strong grasp to alternative rock. Their debut album, Guilty of Everything, conjured and presented in great fashion elements such as shoegaze haze and alt-rock grooves, introducing the musical endeavors of the band, but it felt that there was still some way to go for Nothing to achieve their … Read more
The constant presence of Russian Circles in the post-rock domain has raised them to a prestigious status, and rightfully so. The band from Chicago started off about a decade ago, releasing their debut, Enter, in 2006. Their music was heavy and moving, and record by record the craftsmanship of the trio progressed, and especially since Geneva and Empros, they have … Read more
Nobody knows the void like a trans lady does. There is no dark night of the soul that can compare to what most trans women just call “Tuesday.” The toxic combination of societal violence and body dysphoria can really cast a pall over existence—and inspire some incredible art about isolation, body horror, and impending death. From Anna Varney Cantodea to … Read more
Originally formed back in the late '90s, through the years Switchblade have managed to attain a cult status. Flying a bit under the radar, this hybrid drone/sludge band remained very prolific in the fist half of their career, but their output has since become sparser. In 2012 they released another of their self-titled albums, 2012, which is arguably their best … Read more
The progressive thrash band from Pennsylvania is definitely very ambitious with their concept in their latest album, Terminal Redux. Their two previous full-lengths,Black Future and Outer Isolation, have already established this ambition, and the fact that their logo looks suspiciously similar to (both) Voivod used, fuels the fire. Their latest album is coming out through Earache, and will definitely make … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.