It was not that far ago that I was listening to the previous S/V\R album, Sur Les Femmes and I was thinking just how intense their music was. Separating their previous album into two halves, the first saw them taking on their most chaotic and punishing form, rendering their soundscapes completely indecipherable. On the second part though, they seemed to let their more ambient nature surface and take us into a mesmerizing trip through their beautifully composed hypnotic moments. In Deluge though it seems like chaos prevails.It was always the case with S/V\R that they would base their structures around the rhythmic patterns that Chanoine would build. The sense of rhythm that the band brings is apparent straight from the opening of “Deluge I” signalling the beginning of the sonic assault. What starts as more or less straightforward rhythm parts, soon get twisted into something unrecognisable as the sheering distortion comes into perspective, unfolding the chaotic nature of the band in all its glory. S/V\R even toy with you in the opening track with some slight breaks from the drums, just to give them more suspense until the next brutal outbreak arrives. That is the case with both “Deluge I” … Read more
I really like Dirtnap Records, but they can’t all be winners. The Splits start off II with a really positive … Read more
As far as indie-rock goes, Friend Roulette’s sophomore album I See You. Your Eyes Are Red. is pretty gothic. I … Read more
I had always found it amazing how both Scott Kelly and Steve Von Till were able to separate the different … Read more
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Italy's The End of Six Thousand Years return with their debut full-length following a split release with Embrace the End in 2006. Isolation picks up where the band previously left off, mixing chaotic hardcore and thrash metal, but also treating us to something new as well. Opener and title-track "Isolation" begins with a mixture of post-rock and metal that wouldn't be out of place on a Cult of Luna record. This leads into "The Sun Abyss" and the metal riffing and pummeling drums are back. The music is partnered with guttural growls and scathing screams. As the album unfolds we are treated to a unique combination of the bludgeoning death metalcore and soothing post-metal. It's a nice juxtaposition that works surprisingly well for the band. The End of Six Thousand … Read more
Though many people – even those who weren’t around when the system was - could probably rattle off several of the more popular NES titles of the 8-bit era, there was a whole world of games existing outside the realm of the familiar gray plastic cartridge. Developed by independent publishers, unlicensed NES games appeared in misshapen, strangely colored plastic housing … Read more
As much as I like the “what if?” scenarios, at the same time I hate them. It is always nice to theorize about what could have happened if x has taken place instead of y. In the case of Warhorse that is a big “what if?” and at the same time an unavoidable one. The band from Massachusetts started off … Read more
Christian Dubé’s project has certainly blossomed over the years. Originating back in 2000, Rei Rea started off as a software-based musical outlet based in Dubé’s basement (that must be one fucking dark basement), releasing a number of split collaborations throughout the years as well as standalone albums, such as Hate Hand And Hate and Slug Launching Stinction. As time progressed, … Read more
If Nic Cage from Leaving Las Vegas had cut an album, it might sound something like Mishka Shubaly’s Coward’s Path. Dealing with such upbeat subjects as alcoholism, death, alcohol, loneliness, drugs, failure, and alcohol, these tunes were originally written in 2008 during a particularly out-of-control patch in the author’s life, and it doesn’t take a listener long to realize just … Read more
I wasn’t sure what to make of Underground Railroad to Candyland when I first saw them. They were a very new band, but the style was off-kilter and different than what I expected of a Todd Congelliere (Toys That Kill,F.Y.P) band. But along the way it’s clicked, both for me and the band. Where they first seemed slogany and weird, … Read more
There is not much one can say about Prurient, the project of Dominick Fernow. Throughout the years Prurient have produced an extensive discography that sees them creating a cartography of the dark ambient and noise genres with their own experimental mindset. The project has been going on for about twenty years now, but it seems that the focus that Fernow … Read more
Red Dons are a band I’ve meant to check out for some time. As a reviewer, perhaps I’m supposed to go check out the whole back catalog, but I often find it equally useful to approach a band tabula rasa, as that gives a better view of where this specific record is at. Past accomplishments, be damned, it’s the A … Read more
This noise rock duo has been terrifying the music scene for close to two decades now with their unconventional sound and experimental attitude. Throughout their career Lightning Bolt have stuck with the same recipe that seems to be working so marvelously for them: chaotic patterns, schizoid riffs, intense songs and with a fucking razor sharp edge to them. Fantasy Empire … Read more
Though much attention relating to 2015’s Austin Psych Fest (a.k.a. Levitation) was directed towards the reunion of the legendary 13th Floor Elevators, one of the biggest surprises in the lineup for me was the appearance of Rhode Island’s Lightning Bolt. I guess I never really thought of this aggressive and abrasive noise duo (made up of Brian Gibson who plays … Read more
Coming back from an extended break seems to be always tricky, for any band. Back in the late '80s and early '90s, Blind Idiot God were releasing great record after great record. Their refreshing style and no boundaries approach to mixing different genres under their unique kaleidoscope resulted in three excellent albums. The band officially went in hiatus in 1996 … Read more
Priscilla Ford's debut EP, The Blackout Club, is a raging punk rock'n'roll album. It careens with a controlled abandon, much like the Reno, Nevada murder spree after which the band is named. The band is composed of veteran musicians from a variety of punk rock subgenres, but The Blackout Club is a concise and directed effort. The band appears to … Read more
Birthday Suits always surprise me on record. Live, it’s fierce and reckless; sweaty mayhem and cathartic rock ‘n’ roll. On record, it’s more calculated, with the vocals coming stronger in place of the guitar/drum overload that powers the live show.The Minneapolis two-piece play something in the vein of garage rock, but with a ballsy and crafty “serious” musicianship that’s as … Read more
Calling it folk-punk isn’t right, but I’m not sure I agree with the post-punk tag slapped on their onesheet either. Hannahband, from Sydney, Australia, have a gritty garage element, making them fall somewhere in between folk-punk minimalism and Murder City Devils coarseness, all while wallowing in lo-fi production that makes the songs even harsher (and more beautiful).Those styles pull together … Read more
Andrew Hock, of Psalm Zero and, until recently, incredible black metal outfit Castevet, has always seemed a very interesting case, as the two before mentioned bands would let on. And the same interest would be transferred over to the debut album that Hock is putting out under his own name, Crystalline Privative Opulence. With an extended pallet of instruments, including … Read more
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