Feral Kizzy’s new album Slick Little Girl was easy for me to like. I am a big fan of new wave, glam rock, and dark ‘80s music, so I was easily seduced by our obviously shared tastes. I immediately caught the Lou Reed reference of the title (lyrics from “Make Up” off the Transformer album). I love me some Lou, so instant intrigue. Kizzy Kirk’s vocals are fabulous. She channels everyone from Debbie Harry to Vice Squad’s Beki Bondage. Her voice snarls one moment, and the next becomes breathily seductive, all while staying effortlessly on pitch and never sacrificing its richness. That’s a neat trick, and she deserves props. The first several tracks impressed me. “Lapdog Apparition” and “Community Service” are darkly punky earworms. “The Way We Are” takes a brighter turn, though its seemingly perky melody has a wistful twist. “Sally and the Emcee” is a slower number, fleshed out by haunting strings. “Lament” makes several fascinating changes of tempo and genre, bouncing from 80’s pop to disco and back to punk again. “Life Associates” is a pleasant enough little rocker, with lyrical references to Bowie’s “Heroes,” although it suffers from a monotonous melody. “Not My Mind” is meant … Read more
This is some of that rhythmic punk that's making the rounds lately. Kind of like Dawn of Humans (with whom … Read more
Though his own catalog has been hit-or-miss since 1996’s classic Endtroducing, I’d place DJ Shadow among the relatively few who … Read more
Naming a record I Feel Weird is a statement about the psyche of Great Cynics, and an applicable one at … Read more
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Hey wow, great, albeit, generic 2000-era straightedge hardcore in the vein of Floorpunch, In My Eyes and Fastbreak before they wanted girlfriends. This EP is all about the stage dives; dive-bomb intros, and playing as fast as humanly possible without losing a sense of melody. If the last song, "No End in Site," weren't your typical Modern Life is War/Comeback Kid type of emotional outpouring where everyone needs to sing along then I'd be all over this. Still, not bad at all. Read more
Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad days before everyone started going gaga for the gothic, post-punk, all-weird-all-the-time trend that’s hot right now. (Personally, I like both styles quite a bit so I’ve got no complaints. I’m just having some fun here.) While the intro shows a … Read more
Optimists is the debut LP from Washington D.C. emo/indie-rock outfit Mittenfields. The band’s influences are immediately recognizable: Singer Dave Mann obviously listens to Modest Mouse and Arcade Fire, while the band’s three guitarists draw heavily from 1990s indie and emo classics like Mineral, Built To Spill, and Pavement. If you like those bands and want to hear the same sound … Read more
Getting it right when it comes to extreme doom/death is a very tricky business. It is quite a misconception that as long as a band is able to play really, really slow and have heavy riffs, they can be considered successful and good at what they do. Bell Witch know better. The duo from Seattle is relatively new to the … Read more
Sick/Tired don’t mess about. They’re angry, and they want you to know about it and they do so via the medium of fast, raw grindcore. The Chicago band pound through fifteen short, but certainly not sweet, tracks in a delirious sub-twenty five minutes with guest collaborates Merzbow and Lasse Marhaug adding more noise bases compositions to the furious mix of … Read more
It was not that far ago that I was listening to the previous S/V\R album, Sur Les Femmes and I was thinking just how intense their music was. Separating their previous album into two halves, the first saw them taking on their most chaotic and punishing form, rendering their soundscapes completely indecipherable. On the second part though, they seemed to … Read more
I really like Dirtnap Records, but they can’t all be winners. The Splits start off II with a really positive vibe in “Rotten Me,” with a powerful and familiar rock ‘n’ rollin’ base behind music that’s emphatic and emotional. I really like the enunciation by singer Helena throughout this song.Unfortunately, the majority of the record doesn’t hold up to the … Read more
As far as indie-rock goes, Friend Roulette’s sophomore album I See You. Your Eyes Are Red. is pretty gothic. I don’t mean “gothic” as in Bauhaus and bats, but more in the sense of classic literature imbued with feelings of terror and longing. This six-piece band from Brooklyn is both bold and bizarre, featuring violin, clarinet and two percussionists along … Read more
I had always found it amazing how both Scott Kelly and Steve Von Till were able to separate the different musical modes that defined. Obviously at the top of the pyramid, for both guys, stands Neurosis, being the focal point of the experimental mindset. But both Kelly and Von Till had other projects throughout the years that would allow them … Read more
Punk rock veterans, Lagwagon, had been missing from the scene for quite some time. Sure, they had a tour here and there as well as reissues of their 90s classics, but it's been years since we've heard some fresh new music from the band. They released an EP in 2008, but most of that material had previously already been featured … Read more
I feel like I’ve seen a lot of bands forcing genres together - black metal and shoegaze (Deafheaven), indie rock and hip-hop (Why?), jazz fusion and rap (Flying Lotus’ You’re Dead) - and I could go on and on. Often genre mashing can be a bit gimmicky, but if it’s done right, it can be a recipe for some of … Read more
Though many people – even those who weren’t around when the system was - could probably rattle off several of the more popular NES titles of the 8-bit era, there was a whole world of games existing outside the realm of the familiar gray plastic cartridge. Developed by independent publishers, unlicensed NES games appeared in misshapen, strangely colored plastic housing … Read more
As much as I like the “what if?” scenarios, at the same time I hate them. It is always nice to theorize about what could have happened if x has taken place instead of y. In the case of Warhorse that is a big “what if?” and at the same time an unavoidable one. The band from Massachusetts started off … Read more
Christian Dubé’s project has certainly blossomed over the years. Originating back in 2000, Rei Rea started off as a software-based musical outlet based in Dubé’s basement (that must be one fucking dark basement), releasing a number of split collaborations throughout the years as well as standalone albums, such as Hate Hand And Hate and Slug Launching Stinction. As time progressed, … Read more
If Nic Cage from Leaving Las Vegas had cut an album, it might sound something like Mishka Shubaly’s Coward’s Path. Dealing with such upbeat subjects as alcoholism, death, alcohol, loneliness, drugs, failure, and alcohol, these tunes were originally written in 2008 during a particularly out-of-control patch in the author’s life, and it doesn’t take a listener long to realize just … Read more
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