Without doubt, one of my favorite musical discoveries of the past few years has been British singer-songwriter Craig Taylor-Broad. After first unleashing an (apparently, now deleted) EP under the name of the noises we make we no one is around in mid-2014, Taylor-Broad has continued a string of undeniably difficult yet definitively fascinating work – 2014's three-track Suicide Song EP (a perpetually downcast release written to draw attention to mental health issues and prompt those in trouble to seek help) was followed up by weirdo noise/electronic two-track release I Will Take the Dark Parts of You And I Will Eat Them (made in conjunction with musician Chris Trevena under the moniker of Kaninchen) and a single titled “lying” which was released alongside a very arty music video. Somewhere in the midst of all this, Taylor-Broad managed to get down to the writing and recording of his own debut full-length, which dropped on bandcamp around the year's midpoint. Equally as raw and unsettling as its creator's previous efforts, For the Organs is nevertheless similarly breathtaking for its simple yet captivating songwriting and storytelling - and for its ability to relate almost intolerable levels of personal torment and agony. Truth be told, … Read more
There appears to be a quite mysterious aura surrounding the existence of PC Worship. The band itself has left a … Read more
How much hatred can be produced within 48 hours? That is how long it took apocalyptic sludge outfit The Body … Read more
Murray/Smith King/Hanneman Tipton/Downing These are just a few of the lead guitar duos from Iron Maiden, Slayer and Judas Priest … Read more
Nice little split 7” here from Dead Tank that I’ve admittedly been sitting on way too long. Technically this is … Read more
Choose a year to view reviews of albums released in that year.
751 reviews
42 reviews
25 reviews
300 reviews
4959 reviews
19 reviews
If you're craving a throwback to the time when thrash metal was at it's height, then look no further than Municipal Waste's Hazardous Mutation. On their Earache Records debut the Richmond, Virginia four-piece deliver the perfect mixture of 80's thrash, crossover, and hardcore/punk. While the result may be nothing more than what some consider 'twenty years too late,' it is a refreshing listen during a time when the world of metal is overflowing with Gothenburg knockoffs. From the get-go of 'Intro/Deathripper' and continuing throughout the album, guitarist Ryan Waste provides the listener with thrashing riffs perfect for a never-ending headbanging sessions. In fact, there were very few moments when the guitars were not traveling at the speed of sound. Moving just as fast as the blistering riffs is the drumwork … Read more
Back in 2010, Make Do and Mend were taking over top 10 lists with their debut, End Measured Mile. The band went on to shake things up with, Everything You Ever Loved. They slowed things down and focused on finding the right formula for their songs to burst and bloom. Their newest record, Don't Be Long, takes every chance it … Read more
I can remember very clearly when I first heard of Flotsam and Jetsam. As a young hesher growing up outside of Vancouver, Canada in 1986, some bands were on my radar and some were not. Flotsam and Jetsam were the latter. Until the end of that year, when I heard that their bassist, a certain Mr. Jason Newsted had left … Read more
I admit it: arguably the guiltiest of my guilty pleasures is Euro disco, a genre which found (sometimes quite dubiously-talented) European musicians exaggerating the basic tenets of '70s dance music to the point of near-absurdity. Hard as it is to resist the infectious but undeniably cheesy keyboard lines in many of the genre's songs though, it also would be difficult … Read more
In 2014 Mamiffer, the project of Faith Coloccia, released Statu Nascendi, which was described as a transitional album, leading to the next full-length the band would eventually release. Statu Nascendi definitely felt like an album of change, with Coloccia and collaborator Aaron Turner stepping further into the realms of minimalism and drone. It might still be a while until The … Read more
Side projects aren’t supposed to invite other band comparisons, they’re supposed to separate, to show artisticrange. Who are we kidding here? Basement Benders is a punk project out of members of This Bike Is A Pipe Bomb, Hidden Spots, Future Virgins, and Black Rainbow—DIY bands who live the scene, meaning that being themselves and having fun with friends probably outweighs … Read more
In the time before Pinkish Black there was The Great Tyrant. The latest album of Pinkish Black came out a few days back, establishing them as one of the more interesting experimental acts out there, encompassing psychedelia, post-punk and new wave influences, a blackened perspective and even a doom approach. Their first, self-titled album was released through Handmade Birds, but … Read more
Dilly Dally is a four-piece rock band from Toronto who describes themselves as “#softgrunge” on their Facebook page - I'm not sure how serious it is, but it seems to be relatively accurate (and in a good way, believe it or not!) Their debut Sore gives me two things I’ve been looking for in modern-day rock: (1) more girl rock … Read more
Extinction A.D. rose like hellfire from the rubble of the, now listless, Long Island hardcore outfit This is Hell. In a rare move, the entire musical backing of This is Hell packed up and moved into the world of thrash, leaving the band’s lead vocalist in the dust. The result was Extinction A.D., an immaculate four-piece thrash metal juggernaut. The … Read more
Baldruin, the brainchild of Johannes Schebler, is wondering through the psychic domains of ambient music. Even though the project is relatively new, Schebler has put out a number of releases, various split albums and cassettes. However, Portal is the debut of Baldruin in the vinyl domain, released through Wounded Knife Records. What attracts Baldruin to the ambient domain so much … Read more
It’s getting tough to find new things to say about Night Birds. They’re as great as ever with third LP Mutiny at Muscle Beach, it’s just that the sound hasn’t changed all that dramatically from day one. Album #3 is supposed to be when they go all avant on us.Their career has filled out nicely, with textural differences and a … Read more
This is the second 7” from this new-ish congruence of Richmond, VA old-timers. The band flexes a pedigree that includes Wasted Time, Government Warning, Direct Control and a whole bunch of others. Eight minutes in total of bulldozer USHC in the most straightforward sense. No fucking about whatsoever; just head down, get the fuck out of the way hardcore punk. … Read more
The musical collective led by J.R. Robinson has always been inventive when it came to the subjects of their sonic explorations. You've Always Meant So Much to Me was written to accompany a film that Robinson shot in various areas, including Detroit, the desert of Joshua Tree and the forests of Tasmania. The collaborators in this album helped greatly bring … Read more
At a point in the late '90s and early-to-mid 2000s, it seemed like every major artist had at least one tribute album out there. Invariably produced by one cheap-jack record label or another, these albums highlighted a dozen or so no-name musicians playing through (and quite possibly butchering) various well-known songs and were often framed around a particular type of … Read more
While electronic music used to be a rather exclusive club that only those with access to (expensive) equipment could hope to break into, in recent years, the increased availability of technology has allowed anyone with a will and/or a way to become an electronic producer. Theoretically, this has enabled more talented people to express themselves through music, and there is … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.