Starting off with an unusual combination of crust, hardcore and black metal, Oathbreaker have evolved significantly since their debut album, Maelstrom. The follow-up album, Eros/Anteros saw a further evolution of their sound, with post-metal elements beginning to populate their palette. This slightly eased the connection between hardcore and black metal, and resulted in a more expansive vision. Rheia comes now and sees the band further exploring their sound, becoming quite adventurous in the process.The hardcore self and the black metal fury are strongly established in Rheia, forming the backbone of the record. The band has not lost any of its aggression, if anything that aspect has been expanded, from the heavy groove of hardcore chugging, to black metal riffology and topping it all off with a crust hostility. Tracks like “Needles In Your Skin” depict that primal instinct, where the black metal spirit, modernized, is dictating the progression, while hardcore and crust characteristics influence the groove and mentality. The change here comes in the post-metal side of Oathbreaker, with the band diving further into this area. From the big, imposing tone, they dwell into neighbouring territories such as shoegaze, closer to the Deafheaven perspective than the Alcest approach. Radiating with … Read more
Collaborations in the experimental music domain always bring something interesting to the table. Oneida is a great experimental rock band, … Read more
The Icelandic composer has risen magnificently in the last few years due to his works within the film domain. A … Read more
I’ve covered The Blind Shake for most of their career so far. Over that time it’s been a steady growth … Read more
OK, here we are dealing with an absolutely stunning collaboration. In a live setting, cellist Okkyung Lee, an excellent improviser … Read more
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Besides some brilliant use of Photoshop to interpose the band members of Billy Club Sandwich in some memorable movies of the past 20 years there is really nothing else redeemable about The Usual Suspects. I never thought I heard a band that'd have worse cave man vocals than 25 ta Life but Billy Club Sandwich takes barking and grunting typical tough guy lyrics to a whole new, almost comedic, level. I personally have never been a big fan of tough guy type hardcore from New York but understand why bands like this exist. Their reality is probably a lot more brutal and "street" than mine will ever be. I just can't enjoy bands that use words like "niggas" and back it with terrible mosh parts. Seriously, it's one mosh part … Read more
As much I knew I’d like this record after spending some time with Almost Famous and seeing the band live a few times, I was hesitant to review it. There are certain sounds I have trouble describing. So while I enjoyed Almost Famous, it had this hard to summarize element where I felt vocalist Kait Eldridge’s lyrics blended into guitar … Read more
Taking Back Sunday accidentally ended up being one of the bands that spearheaded the emo movement that bled into the mainstream in the early noughties, a label that the band aren't entirely comfortable with. More recently, frontman Adam Lazzara got into an argument with the organisers of an LA club night that catered to the nostalgic whims of former emo … Read more
One (of many) differences between indie rock and punk is generally the sense of humor as it relates to self-awareness. Considering that other reviews namedrop Built to Spill frequently in the RIYL section for Pinned in Place, it’s a nice touch to start the record with the song “Built to Chill.” It’s both self-referential and a sweet name that describes … Read more
Amirtha Kidambi is an intriguing musician, an exploratory musics creator and a stellar singer. Having participated in a number of projects, including Mary Halvorson's Code Girl, Seven Teares and Tongues, with Elder Ones we see her for the first time acting as the band leader. Around her is an excellent cast, comprising of saxophonist Matt Nelson, bassist Brandon Lopez and … Read more
It’s nice when your favorite bands surprise you. It took six years for Fambly 42), so I wasn’t ready for Sentimental Ward yet (though apparently it’s already been another four years). Fambly 42 acted like no time had passed and the same holds true here, on Toys That Kill’s fifth full-length release. The four-piece continues playing off kilter pop punk … Read more
When it was announced that Nick Cave was releasing a new album Skeleton Tree to accompany the release of his documentary One More Time With Feeling, it felt decidedly unnatural for a couple of reasons – first and foremost, marketing tie-ins don’t really come to mind, when it comes to an artist like Cave. And two, it was all coming … Read more
Drummer Bobby Kapp and pianist Matthew Shipp are legends of free jazz. Improvisation is their arena, and through a series of albums they have proven unique musicians they both are. Strangely enough, the two have not crossed paths in the past when it comes to recoding, apart from Kapp's album Themes 4 Transmutation. In Cactus the two are thrown into … Read more
Sims is something of a firebrand on his early work, spitting political vitriol and pointing fingers outward and in on records like Lights Out Paris and Bad Time Zoo. This time around, the Minneapolis rapper is looking even more inward on the new More Than Ever, a record that pushes expectation beyond the hard-hitting beats and spitfire lyricism with echo-y … Read more
40 Watt Sun hold a special place in the hearts of those who have heard their music and been affected by the honesty within. 2011s The Inside Room was a stunning debut that still garners regular plays from this writer and Wider than the Sky will do the same in the years to come. Having been many years in the … Read more
Written in Paris while the city was still reeling in the aftermath of the November 2015 attacks, Mapping the Rendezvous is an album that brims with escapism and the irrepressible desire to live for the moment. Part of the the band's previous album, 2014's Concrete Love, was also written in the French capital but this time it was different: frontman … Read more
I’ve never met Aaron Freeman and Mickey Melchiondo, the two-headed songwriting duo of Ween, but I have my own speculation about who contributes what based on their output in other projects. That guess is that Gener does the Pink Floyd styled space-prog-pop while Melchiondo, aka Dean Ween aka Deaner, brings on the grimy and oddball guitar rock.The Deaner Record only … Read more
Austin, Texas duo achieve an unholy alliance of industrial music and punk rock in their debut album, End Position. In paper it feels that something like that would not work, and a failed attempt to produce something coherent would only end in hysterical laughter. Thankfully, this is far from the case here, and Leo Ashline and Shaun Ringsmuth unleash one … Read more
Jenny Hval has soared into the experimental scene since the release of Viscera, the first album under her own name. The quality of her work, and the scope of her vision continued to take form through a series of excellent records in Innocence is Kinky and Apocalypse, girl and is now reaching a peak with her newest album. Blood Bitch … Read more
The project of Amalie Bruun has stirred quite drastically the black metal scene, since the release of her debut, self-titled, EP in 2014. M, the first full-length of the project, came in 2015 and it displayed in glorious fashion the extent of Bruun's vision. Comparisons with early days Ulver are to be expected, with Myrkur's style fashioned around the more … Read more
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