Desaparecidos is the Omaha emo outfit led by Conor Oberst of Bright Eyes fame. Payola is the band’s second album, and it’s been 13 years since they released their first album Read Music/Speak Spanish in 2002. Usually one of two things happens when a band releases an album after a long pause: Often it’s a huge disappointment, but sometimes it’s a praise-the-Lord comeback. With Payola, neither of these things really happened. It sounds like it just took 13 years for these guys to get back together for a solid record; Payola sounds like what it probably would have sounded like if it had been released back in 2004. On the other hand, six of the fourteen songs have already been released a couple years ago, so maybe the band has just been taking their sweet (or in Oberst’s case sour?) time. That said, the wait was worth it: Payola delivers plenty of angry, pop-punk-infused standalones that make this album a definite listen for 2015.Payola is different from Read Music/Speak Spanish, which isn’t shocking considering that 13-year gap. While Oberst’s anger is still bleeding on this album (just like everything else he touches), it sounds like the band is having a … Read more
Buying compilation albums are like going to a family reunion. It starts with a sense of misguided obligation and ends … Read more
Given the never-waning focus among classical music fans on established (and too-frequently, dead) composers, it would seem that the world … Read more
I incorrectly said this band was from North Carolina when I talked about their last record, when in fact they’re … Read more
These guys know how to start off a record, with the rapid fire “Battered” pummeling with riffage for the first … Read more
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Zhenia Golov hail from the hardcore factory that is New Brunswick, NJ. I won't bore you with a list of notables that have already made it big, just know that there are a lot of them. Zhenia Golov plays aggressive and raw hardcore punk with a bit of influence from the d-beat world as well. They've got the speed and chaos of the hardcore world but also incorporate a heaviness that transcends boundaries. The closest comparisons that come to mind are Paint it Black and From Ashes Rise - raw, fast, and in your face. Zhenia Golov rip through six songs on this self-titled 7". Each one provides for a bit of a commentary on society, but at the same time interjects it with sarcasm. A good debut offering. Read more
When Ghost first materialized on the scene in 2010 with their debut album Opus Eponymous, they made quite an impression. First there was the image: five "nameless ghouls" performing the music in hooded robes (now silver, horned masks) and vocalist Papa Emeritus, dressed as a sort of anti-pope with a penchant for fog machines and blacklight paint. These aspects of … Read more
There's very few bands that work as hard to bring the music to the masses as Supersuckers. They're like a sleeper cell. Without warning, they'll come out of hiding in Anytown, U.S.A. and blow shit up. They are a band that everyone needs to see live at least once - and when you do, you'll want to see them every … Read more
Upon hearing that legendary northwest garage rockers The Sonics were releasing a new album – their first in (gulp!) nearly fifty years – in 2015, I didn’t know if I should be excited or very, very afraid. Here was a band that helped to invent the signature, rowdy rock and roll sound in the early-to-mid ‘60s and delivered songs such … Read more
Titus Andronicus (+@, as they shorten it) is a punk outfit led by Patrick Stickles, an obvious obsessive who has spent the last three +@ albums cramming barrages of references to Pieter Bruegel, Cheers, Nietzsche, and obscure New Jersey baseball teams into angry punk songs. +@’s most-talked-about work is their second album The Monitor, a grandiose, Civil-War-themed account of what’s … Read more
I came across Infera Bruo a couple of years back when they were releasing their debut album, Desolate Unknown. The perspective of the band on the black metal genre was intriguing, remaining true to the roots of the genre, but also building on top of its traditional outlook. The dissonant quality was overflowing in the record, while the inclusion of … Read more
Covering much of the same ground as a group like Perturbator, Philadelphia’s neon shudder makes dark electronic music inspired by the world of cyberpunk – a genre of sci-fi that’s often described as “future noir” and includes works like Blade Runner and Shadowrun. Though I didn’t say as much in my review of it, Áine O'Dwyer’s Music for Church Cleaners … Read more
Well this was bound to happen. With so many hardcore acts flirting with Oi! for the last few years it’s not surprising that somebody finally came out like, fuck it, we’re just going to be an Oi! band. It’s not the first time by any means—there’s been the PDX crusties’ side project Criminal Damage and the Brendan Radigan-fronted Battle Ruins—but … Read more
It took me 8 minutes to listen, so it should 8 minutes to write it too. Or, something. Really that’s just a bad Futurama reference so I can “cleverly” say that this is a short EP with 5 songs total. The song names are on this EP are “I,” “II,” “Weak Week,” “III,” and “IV.” Speaking of clever.Boilerman are punk … Read more
On Anxiety’s Kiss, punk veterans Coliseum are back with a heavy, dark, melodic new album. The band’s maturity and experience are evident here even to someone who, like this reviewer, was woefully ignorant of their music until now. If you, like me, have somehow stayed in the dark about Coliseum this long, this album is a fine entry point. Unfortunately, … Read more
Newly-formed Vancouver, BC pop-punk trio Grease Thieves boast a vocalist whose snarl makes him sound a bit like vintage Tim Armstrong, and one can almost hear the saliva flinging around on the four songs featured on the group’s 2015 The World This Hour - about as enthusiastic and fun a debut EP as one could hope for. Unfortunate though it … Read more
I've been meaning to check out this Austin, TX-based band for quite some time now (they’ve been active since 2009) but for whatever reason I’ve never gotten around to it. So much punk, so little time I guess. They have released a string of EPs and splits up until this point, but this record is their first official LP. It … Read more
Matt Skiba's latest side project sound like they've been born out of the wave of late-90s American indie that brought us the likes of Weezer and Blind Melon, and with Skiba adopting a Bowie-esque aesthetic on the band's album cover it gives the impression of a band fully embracing the indie sensibilities that they couldn't explore in as much depth … Read more
Without doubt one of the more strange albums released in 2015 (or any year for that matter), Irish-born harpist Áine O'Dwyer’s Music for Church Cleaners is a two LP collection that presents ninety minutes of improvisational music made on the pipe organ at St Mark’s Church, Islington, UK. Aside from being, essentially, a live performance album (where the audience was … Read more
Artistically satisfying and incredibly eclectic, 2015’s The Fragile Idea from Italian electronic artist Sophie Lillienne seems designed to lull a listener into a somnambulistic state. Typically lumped into the trip hop genre, Sophie Lillienne’s music is full of unconventional, quietly haunting melodies, scratchy rhythms, and dramatic vocal performances. I would almost say that the dark and gloomy Fragile Idea is … Read more
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