I’ve never met Aaron Freeman and Mickey Melchiondo, the two-headed songwriting duo of Ween, but I have my own speculation about who contributes what based on their output in other projects. That guess is that Gener does the Pink Floyd styled space-prog-pop while Melchiondo, aka Dean Ween aka Deaner, brings on the grimy and oddball guitar rock.The Deaner Record only reinforces that notion. It’s got a strong similarity to Ween, far more so than Deaner’s side project Moistboyz, which goes after the heavy rock set. Here, it’s a mix of twangy country, goofball rock, and the downright weird. It’s sometimes guitar heavy and more rock oriented, but it will jump back and forth with country, boogie, and all kinds of other influences that tend to take hold for a whole genre-exploring song instead of going the schizophrenic route of throwing all the influences into a single track. As it jumps around stylistically, Dean’s voice keeps it together along with the underlying identity and choppy rock sound at its heart. The lyrics are, well, Deaner. “Gum” is about gum and candy. “Tammy” is about murder and infidelity. “Exercise Man” is about, you got it, a man who exercises excessively.Calling it rock … Read more
Austin, Texas duo achieve an unholy alliance of industrial music and punk rock in their debut album, End Position. In … Read more
Jenny Hval has soared into the experimental scene since the release of Viscera, the first album under her own name. … Read more
A limited edition split of two not-super-active bands that are Fest staples for this writer, this EP from No Idea … Read more
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Hailing from Wichita, Kansas, Stay The Course brings their brand of pop-punk/easycore onto the scene. This is the band’s second album and is being released courtesy of Punkerton Records out of Ohio. What started out as a 5-song EP, developed into a 10 song LP. The band re-recorded some of the material from their back catalog and added some new tracks for fans. Red Flag is Stay The Course’s war cry after years in the trenches. It’s pop-punk with a sneer and a heart. The album contains tracks that scratch nerves, blasting catchy choruses, and breaks that hit like truth bombs. You get the full light of life and the dark shadows of reality in these lyrics. So far, the band has dropped four singles from the album on streaming … Read more
Screens, (2013) was damn near perfect. So what does Low Culture have in store with their second LP? It’s not disappointment, that’s for sure. Places to Hide continues their run of modern garage-punk that’s run through the melody filter and cleaned up of the fuzz and distortion, letting the elemental energy and punk tempo drive the songs while the vocals … Read more
LA has been spoiling us lately: Bleached, Deap Valley and Warpaint are just a few of the bands that have been releasing stellar new material. These bands, like so many other musicians, use the fragments of past relationships as a springboard for putting chords and words on record. They all deliver their seething rebukes with the grittiness and determination necessary … Read more
Kodama (loosely translating to “tree spirit” in Japanese) is a record that follows Alcest’s path of spirituality in music, and while Shelter (2014) was a lovely, warm, summery album, in retrospect it may not have been one of the best outings for the French duo. Kodama strips back to the basics of Alcest’s sound and lifts the mind into new … Read more
Fuelled by intense introspection and the adopting of a more polished sound, Welcome the Worms marries punk rock sensibilities with the radiant bubblegum pop of Southern California. Produced by Joe Chiccarelli (Morrissey, The Strokes, Minus The Bear), Bleached's second album is radio friendly rock with a serrated edge, channelling the likes of Black Flag alongside The Go-Gos. The album's title … Read more
The Hussy keeps changing on me. That’s cool, though. Bands are like babies: they grow and change and…eventually abandon you in the old folks’ home. Er, whatever. The point is that over the Wisconsin duo’s lifetime they’ve shifted from abrasive noisy garage-punk to more melodic but tonally challenging garage-punk, which comes across really well here, where they take those fuzzed … Read more
thisquietarmy is an experimental project helmed by Eric Quach from Montreal. His catalogue is extensive (you could spend hours on bandcamp) gut each release has a life of its own, and a story to tell. The New Testament is a commentary on the rise of the smartphone as a foundation for life, with the cover art simplifying that idea down … Read more
WIFE is the solo electronic project of James Kelly, who is probably best known as the mainman of (unfortunately disbanded) insane, post-black metal band Altar of Plagues. WIFE started out with the release of the Stoic EP, an excellent specimen of the experimental electronic path, which Kelly would follow on his debut full-length, What's Between, released through Tri Angle Records. … Read more
I have a type, and it’s short and fast. I’m partial to it and probably less picky. It fills a need that my constantly fidgeting digits and bottomless coffee mug cannot. Besides, short and fast is just better. Duh.Spokenest are seemingly built on that same concept, playing finger-bleedingly fast guitar and drum in this husband-wife two-piece from California. On Gone, … Read more
Alison Chesley (aka Helen Money) is mostly known for her excellent collaborations with a myriad of diverse artists, including Bob Mould, Mono, Russian Circles and Agalloch. A classical cellist herself she has become an experimental music savant, releasing great records on her own, with 2013's Arriving Angels standing out, as did her collaborative album with Jarboe. On her newest album, … Read more
I have to admit, I chose to review this album with little knowledge of the band, based solely on the strength of their single, “La Mano De Lucifer,” from their debut album, Something Supernatural. “La Mano De Lucifer” is one of my favorite songs of all time. Listening to it is a semi-religious experience for me, and I am uncomfortably … Read more
It took all of three seconds into Tentative Decisions, about 10 seconds before his unmistakable voice, to ID the record as being made by Mikey Erg. Drummer/guitarist/vocalist in bands ranging including but definitely not limited to The Ergs!, The Dopamines, Worriers, The Slow Death, and so many more. Erg’s work has long been built on a pop-punk foundation, emotional indecision … Read more
Angel Olsen has been very active since the release of her debut cassette Strange Cacti, revealing a very promising work. Her dark indie folk/rock tone had a haunting effect, which peaked with Half Way Home and the excellent Burn Your Fire For No Witness. The delicate folk tones of Olsen were engulfed by a healthy dose of reverb, ample amount … Read more
Starting out as the solo project of Jordan Morrison, All Your Sisters turned into an intriguing duo with the addition of Mario Armando Ruiz on bass and synths. The band draws influence from mainly from the '80s new wave scene, paying tribute to the post-punk and noise rock styles of the era, but with an industrial edge and an ambient … Read more
Carl-Michael Eide (or Czarl) is a legendary figure of Norwegian black metal lore, with his emergence in the scene corresponding with some of its most important bands' first releases. He appeared playing drums in the first Satyricon demo, All Evil, and the first couple demos of Ulver, before initiating some projects of his own.Aura Noir and Inferno with their thrash … Read more
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