Radon has never really done a lot for me. The melodies are nice but it really never strikes a chord one way or the other. In “Headaches and Bullshit,” it’s 2:29 of their traditional sound, melodic and emotional, delivered via Dave Rohm’s Greg Attonito-styled (Bouncing Souls) vocals over melodic hardcore with an emphasis on the melodic. It does feature a phrase Kurt Vonnegut made me fall in love with (“Take a flying fuck at a rolling donut”) so there’s that. It’s a nice emotional punk slab, that’s more or less exactly what I expect of the band.On the flipside, it’s Japanese trio Worthwhile Way who bring the singalong pep-punk of “After the Rain Comes Sunshine,” which is also pretty on the spot to this band’s catalogue. It’s in tune with WW’s style guide, semi-singalong hoppy punk with a sincere brightness. In this track there’s a building crescendo at the 3:00 mark that gives a wallop before the closing harmonica, a new flourish, to bring the almost four-minute bounce-fest to its end.Overall this 7” is exactly what fans should expect: two takeaway numbers that fit each band’s style to a T. It will accurately introduce fans of one band to the … Read more
Värähtelijä marks Oranssi Pazuzu’s fourth foray into the outer reaches and the Finnish band pull no punches in creating a … Read more
St. Louis indie pop band Bunnygrunt will probably always be stuck with the 90s cuddlecore label, as much as they … Read more
Finding an anchor in your life is one of those inevitabilities that is constantly chattering away in the back of … Read more
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Back in 2008, Pyramids were setting off with the release of their self-titled debut album. Blending together the different elements of shoe gaze, post-rock, black metal, dark ambient, drone and experimental their first album was nothing less than fascinating. Following the release of the album a variety of artists and bands, including James Plotkin, Colin Marston and Blut Aus Nord, re-mixed the material from Pyramids, and their further collaborations with Faith Coloccia, Simon Raymonde of Cocteau Twins and Albin Julius of Der Blutharsch, showcased how devoted the band was in producing excellent work of experimental music. A number of split albums would be produced between 2009 and 2012 with Pyramids working with some phenomenal acts such as Nadja, Wraiths, Horseback and Mamiffer before the band returned with their second full-length, … Read more
It’s not often a band whose tenure spans as long as Agoraphobic Nosebleed’s makes such a successful effort in redefining their sound without conjuring notions of desired mass appeal. More importantly, it’s not often a band as influential to heavy music as Agoraphobic Nosebleed creates what is easily their most accessible effort without sacrificing their abrasive integrity. We see an … Read more
Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent band in the genre to make use of a drum machine, leading to hundreds of followers. Their style is dictated by ferocity and speed, albums filled with bursts of violence and constant pushing of your mental state. From Honky Reduction … Read more
Debuting in 2014 and quickly releasing the surprisingly outstanding Spike & Wave 7”, Easthampton, Massachusetts-based Kindling has undergone a substantial metamorphosis over the past few years. The original duo of Stephen Pierce (he of Ampere) and Gretchen Williams have been joined by drummer Andy Skelly and bassist Andrew Farr, allowing the group's initially rather sparse material to be fleshed out … Read more
What does it mean when a three-piece band has a spin-off two-piece? While the premonition is that drama is afoot for member number three, that’s probably overthinking it. At least in the case of Shadow in the Cracks, a side project of The Blind Shake where brothers Blaha split off from their main gig for a more ambient approach at … Read more
Mat McNerley is sure keeping himself busy. A few months back the new Grave Pleasures (ex-Beastmilk) album came along, and soon enough a Hexvessel album would follow. That would mark the third full-length record that Hexvessel would release, coming after Dawnbringer and No Holier Temple, and following an excellent EP in Iron Marsh.When We Are Death carries on the psychedelic … Read more
When Hinds’ debut Leave Me Alone started with a jamming guitar riff, I was scared that this Spanish (but English-singing) all-girls rock band was going down the same lo-fi indie road that bands like The Lovely Bad Things and Black Lips have already thoroughly pounded into the ground. But almost immediately, the jam dissipates into a chilled-out, nonchalant air reminiscent … Read more
Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some more experienced players working in today's punk scene – and not just in “legacy acts” that play songs first recorded years if not decades ago. Count Gainesville, Florida quartet The Howleez among them. Singer Debra Fetzer, guitarist Hazel Levy, bassist … Read more
There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from the ashes of the obscure, primal black metal outfit, Martyrium. A series of great albums would follow, with the band showcasing in an excellent manner their doom/black hybrid approach. However, through the years it seems as if a change was … Read more
Amber Asylum has been a force in the post-rock/post-metal domain, since the mid '90s. With their origin found back in 1996 with the release of Frozen In Amber, this intriguing band was able to keep a presence, unfortunately not as constant as we would prefer. The seven year drought leading to the release of 2007's Still Point was the first … Read more
Extreme doom/death is not an easy sound to get right. Despite the fact that most bands in the genre will just play slow and release heavy riffs, that is not enough to get someone's attention. There must something deeper in the band's sound in order to give you that feeling of desolation and despair. Lycus is a band that knows … Read more
The concept of being “existentially wasted” seems somewhat appropriate in the context of increasingly confused (and confusing) modern society. It's a concept that could easily have been born out of something like The Matrix, a process of being burnt out on being. Modern humans are often simply swamped with information, much of which seems utterly useless in the bigger scheme … Read more
Why have children when I can just listen to my music and watch the bands change and grow instead? First they learned to stumble, then to walk, and finally to slow dance. Er, I dunno. This metaphor fell apart before it even hit the page.What didn’t fall apart are Wisconsin duo The Hussy, a guitar and drum two-piece that falls … Read more
Through their career, Baroness has spawned a series of excellent works. From their early Mastodon-ian EPs to the evolution of their own unique sound with Red Album and Blue Record and the adventurous routes that led to the release of their most ambitious work Yellow & Green, the band has remained a constant force in heavy music. A horrendous accident … Read more
Oakeater is a Chicago outfit formed in the mid '00s. I must admit I was not familiar with their work before I saw that the band would be releasing their newest album, Aquarius. However, a listen of their cassette, Intrusion, got me interested so I started digging. Apart from a few standalone releases on cassette format, as well as their … Read more
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