Optimists is the debut LP from Washington D.C. emo/indie-rock outfit Mittenfields. The band’s influences are immediately recognizable: Singer Dave Mann obviously listens to Modest Mouse and Arcade Fire, while the band’s three guitarists draw heavily from 1990s indie and emo classics like Mineral, Built To Spill, and Pavement. If you like those bands and want to hear the same sound again, great; but you won’t get much else when listening to Optimists. However, there are brief moments where the band actually builds on these influences and doesn’t just imitate them, and these saving-grace moments are signs that Mittenfields might be more than just another emo/indie band (but not quite yet). The band was founded in 2008, the only other thing Mittenfields put out was an EP back in 2011, and their Facebook page describes themselves as “grown man noise pop,” so I can only imagine these are five dudes having fun and just playing these classic influences on the side. And hey, I respect that, because they at least do a good job embracing those influences. I mean, if Mann’s goal was to sound like Arcade Fire’s Win Butler, I’d say he nailed it. The vocals are most interesting, though, … Read more
Getting it right when it comes to extreme doom/death is a very tricky business. It is quite a misconception that … Read more
Sick/Tired don’t mess about. They’re angry, and they want you to know about it and they do so via the … Read more
I really like Dirtnap Records, but they can’t all be winners. The Splits start off II with a really positive … Read more
As far as indie-rock goes, Friend Roulette’s sophomore album I See You. Your Eyes Are Red. is pretty gothic. I … Read more
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We have Taylor Swift and then we have Hank III. The former is the public face of country music today. Sweet, sassy, cute-as-a-button and considered the real deal because she "writes all or part" of all her songs. Hank Williams III is the real real deal. Brash, outspoken and doesn't give a fuck. He will never be the public face of country music. In part, because of his legacy. In part, because of his extracurricular musical activities but largely in part to the fact he's been waving his cock at the country music establishment for many a year. III takes us back to a simpler time when country music wasn't in the conscious minds of the general public. It was a lesser known quantity, not largely embraced and thus, in … Read more
I had always found it amazing how both Scott Kelly and Steve Von Till were able to separate the different musical modes that defined. Obviously at the top of the pyramid, for both guys, stands Neurosis, being the focal point of the experimental mindset. But both Kelly and Von Till had other projects throughout the years that would allow them … Read more
Punk rock veterans, Lagwagon, had been missing from the scene for quite some time. Sure, they had a tour here and there as well as reissues of their 90s classics, but it's been years since we've heard some fresh new music from the band. They released an EP in 2008, but most of that material had previously already been featured … Read more
I feel like I’ve seen a lot of bands forcing genres together - black metal and shoegaze (Deafheaven), indie rock and hip-hop (Why?), jazz fusion and rap (Flying Lotus’ You’re Dead) - and I could go on and on. Often genre mashing can be a bit gimmicky, but if it’s done right, it can be a recipe for some of … Read more
Though many people – even those who weren’t around when the system was - could probably rattle off several of the more popular NES titles of the 8-bit era, there was a whole world of games existing outside the realm of the familiar gray plastic cartridge. Developed by independent publishers, unlicensed NES games appeared in misshapen, strangely colored plastic housing … Read more
As much as I like the “what if?” scenarios, at the same time I hate them. It is always nice to theorize about what could have happened if x has taken place instead of y. In the case of Warhorse that is a big “what if?” and at the same time an unavoidable one. The band from Massachusetts started off … Read more
Christian Dubé’s project has certainly blossomed over the years. Originating back in 2000, Rei Rea started off as a software-based musical outlet based in Dubé’s basement (that must be one fucking dark basement), releasing a number of split collaborations throughout the years as well as standalone albums, such as Hate Hand And Hate and Slug Launching Stinction. As time progressed, … Read more
If Nic Cage from Leaving Las Vegas had cut an album, it might sound something like Mishka Shubaly’s Coward’s Path. Dealing with such upbeat subjects as alcoholism, death, alcohol, loneliness, drugs, failure, and alcohol, these tunes were originally written in 2008 during a particularly out-of-control patch in the author’s life, and it doesn’t take a listener long to realize just … Read more
I wasn’t sure what to make of Underground Railroad to Candyland when I first saw them. They were a very new band, but the style was off-kilter and different than what I expected of a Todd Congelliere (Toys That Kill,F.Y.P) band. But along the way it’s clicked, both for me and the band. Where they first seemed slogany and weird, … Read more
There is not much one can say about Prurient, the project of Dominick Fernow. Throughout the years Prurient have produced an extensive discography that sees them creating a cartography of the dark ambient and noise genres with their own experimental mindset. The project has been going on for about twenty years now, but it seems that the focus that Fernow … Read more
Red Dons are a band I’ve meant to check out for some time. As a reviewer, perhaps I’m supposed to go check out the whole back catalog, but I often find it equally useful to approach a band tabula rasa, as that gives a better view of where this specific record is at. Past accomplishments, be damned, it’s the A … Read more
This noise rock duo has been terrifying the music scene for close to two decades now with their unconventional sound and experimental attitude. Throughout their career Lightning Bolt have stuck with the same recipe that seems to be working so marvelously for them: chaotic patterns, schizoid riffs, intense songs and with a fucking razor sharp edge to them. Fantasy Empire … Read more
Though much attention relating to 2015’s Austin Psych Fest (a.k.a. Levitation) was directed towards the reunion of the legendary 13th Floor Elevators, one of the biggest surprises in the lineup for me was the appearance of Rhode Island’s Lightning Bolt. I guess I never really thought of this aggressive and abrasive noise duo (made up of Brian Gibson who plays … Read more
Coming back from an extended break seems to be always tricky, for any band. Back in the late '80s and early '90s, Blind Idiot God were releasing great record after great record. Their refreshing style and no boundaries approach to mixing different genres under their unique kaleidoscope resulted in three excellent albums. The band officially went in hiatus in 1996 … Read more
Priscilla Ford's debut EP, The Blackout Club, is a raging punk rock'n'roll album. It careens with a controlled abandon, much like the Reno, Nevada murder spree after which the band is named. The band is composed of veteran musicians from a variety of punk rock subgenres, but The Blackout Club is a concise and directed effort. The band appears to … Read more
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