Matt Skiba's latest side project sound like they've been born out of the wave of late-90s American indie that brought us the likes of Weezer and Blind Melon, and with Skiba adopting a Bowie-esque aesthetic on the band's album cover it gives the impression of a band fully embracing the indie sensibilities that they couldn't explore in as much depth in their main bands. Kuts is Skiba's second album with AFI bassist Hunter Burgan and My Chemical Romance's former touring drummer Jarrod Alexander, filled with tales of the ubiquitous much-reviled relationships that have been a near constant in Skiba's lyrics, sidled alongside some broader explorations of the world Skiba finds himself surrounded by.At pains to make it clear that The Sekrets should be recognised as a completely separate entity from Alkaline Trio, to the extent that Skiba enlisted sometime Elliott Smith band member and producer Rob Schnapf (who's unfamiliar with AK3's output) to oversee the production of Kuts, there are clear distinctions between his primary band and the work here. While the subject matter of Skiba's lyrics remain largely unchanged, here he marries his typically acerbic and world-weary take on relationships with a radio-friendly backing that envelopes each track in … Read more
Without doubt one of the more strange albums released in 2015 (or any year for that matter), Irish-born harpist Áine … Read more
Artistically satisfying and incredibly eclectic, 2015’s The Fragile Idea from Italian electronic artist Sophie Lillienne seems designed to lull a … Read more
Feral Kizzy’s new album Slick Little Girl was easy for me to like. I am a big fan of new … Read more
This is some of that rhythmic punk that's making the rounds lately. Kind of like Dawn of Humans (with whom … Read more
Though his own catalog has been hit-or-miss since 1996’s classic Endtroducing, I’d place DJ Shadow among the relatively few who … Read more
Choose a year to view reviews of albums released in that year.
750 reviews
42 reviews
25 reviews
300 reviews
4920 reviews
19 reviews
What are your criteria for a good album, a good record, a good song even? For me, the criteria are many; but there is one that really separates the great records from the good records and that is the ability of a piece of music to elicit a significant emotional response. That tiny requirement means a world of difference. It also is the most subjective criteria that I use; because, not everyone is going to have the same emotional response to something. I ask this question because it is an important one especially considering the clout that Tom Waits' name and albums gain with each new one. His new album, Orphans: Brawlers, Bawlers and Bastards is an ambitious three-CD 56 track collection of old, unreleased material mixed with new material … Read more
Naming a record I Feel Weird is a statement about the psyche of Great Cynics, and an applicable one at that (for the band, not necessarily the members). The band’s third record, it wavers between melodic pop punk with digressions into exploratory indie-alt rock. What that means in real English is that they play punk-ish songs with a lot of … Read more
The experimental black metal outfit from San Francisco has been able to create a veil of mystery around their existence. The origin of Mamaleek is traced back in 2008, and since then, these guys have been quite active. Their first couple of albums, the self-titled debut and Fever Dream, were released on a very limited amount of copies through (I … Read more
Locrian’s approach to metal is to disassemble the core structures, push them further away from their crude beginnings and delve into building them back up again into towering walls of sound and phases of light and dark. Infinite Dissolution is a record that shares small similarities to the genre that it’s born from, mostly in Terence Hannum’s hoarse screams and … Read more
Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad days before everyone started going gaga for the gothic, post-punk, all-weird-all-the-time trend that’s hot right now. (Personally, I like both styles quite a bit so I’ve got no complaints. I’m just having some fun here.) While the intro shows a … Read more
Optimists is the debut LP from Washington D.C. emo/indie-rock outfit Mittenfields. The band’s influences are immediately recognizable: Singer Dave Mann obviously listens to Modest Mouse and Arcade Fire, while the band’s three guitarists draw heavily from 1990s indie and emo classics like Mineral, Built To Spill, and Pavement. If you like those bands and want to hear the same sound … Read more
Getting it right when it comes to extreme doom/death is a very tricky business. It is quite a misconception that as long as a band is able to play really, really slow and have heavy riffs, they can be considered successful and good at what they do. Bell Witch know better. The duo from Seattle is relatively new to the … Read more
Sick/Tired don’t mess about. They’re angry, and they want you to know about it and they do so via the medium of fast, raw grindcore. The Chicago band pound through fifteen short, but certainly not sweet, tracks in a delirious sub-twenty five minutes with guest collaborates Merzbow and Lasse Marhaug adding more noise bases compositions to the furious mix of … Read more
It was not that far ago that I was listening to the previous S/V\R album, Sur Les Femmes and I was thinking just how intense their music was. Separating their previous album into two halves, the first saw them taking on their most chaotic and punishing form, rendering their soundscapes completely indecipherable. On the second part though, they seemed to … Read more
I really like Dirtnap Records, but they can’t all be winners. The Splits start off II with a really positive vibe in “Rotten Me,” with a powerful and familiar rock ‘n’ rollin’ base behind music that’s emphatic and emotional. I really like the enunciation by singer Helena throughout this song.Unfortunately, the majority of the record doesn’t hold up to the … Read more
As far as indie-rock goes, Friend Roulette’s sophomore album I See You. Your Eyes Are Red. is pretty gothic. I don’t mean “gothic” as in Bauhaus and bats, but more in the sense of classic literature imbued with feelings of terror and longing. This six-piece band from Brooklyn is both bold and bizarre, featuring violin, clarinet and two percussionists along … Read more
I had always found it amazing how both Scott Kelly and Steve Von Till were able to separate the different musical modes that defined. Obviously at the top of the pyramid, for both guys, stands Neurosis, being the focal point of the experimental mindset. But both Kelly and Von Till had other projects throughout the years that would allow them … Read more
Punk rock veterans, Lagwagon, had been missing from the scene for quite some time. Sure, they had a tour here and there as well as reissues of their 90s classics, but it's been years since we've heard some fresh new music from the band. They released an EP in 2008, but most of that material had previously already been featured … Read more
I feel like I’ve seen a lot of bands forcing genres together - black metal and shoegaze (Deafheaven), indie rock and hip-hop (Why?), jazz fusion and rap (Flying Lotus’ You’re Dead) - and I could go on and on. Often genre mashing can be a bit gimmicky, but if it’s done right, it can be a recipe for some of … Read more
Though many people – even those who weren’t around when the system was - could probably rattle off several of the more popular NES titles of the 8-bit era, there was a whole world of games existing outside the realm of the familiar gray plastic cartridge. Developed by independent publishers, unlicensed NES games appeared in misshapen, strangely colored plastic housing … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.