Now that was intense! Having listened to the new Baptists full-length multiple times I still cannot get enough of it. The crust of Baptists is rapid and exciting, filled with violence and oppressed anger. The band from Canada is releasing their second album, Bloodmines, just one year after their debut album, Bushcraft, was out. And since everything seemed to be clicking in the first album, Baptists decided to follow some similar directions, meaning that the album is still coming out from Southern Lord and that they are once again working with Kurt Ballou. So you already know what to expect in terms of sonic quality from the album.The intro to the album works quite nicely and in just a few seconds the walls around you seem to be getting darker and coming closer together before the impact comes. The groove of Baptists in “Wanting” is quite old-school bringing to mind the days of punk rock fury as “Sting Up” follows up on similar lines, with the vocals spitting pure malice. What is quite peculiar with Baptists though is their lead works which is not what you would expect from the typical crust band. “Harm Induction” contains such moments with the … Read more
Having piqued the interest of Jack White while handing out demos at a Dead Weather show in Detroit, Olivia Jean … Read more
THIS IS A FAKE REVIEW!! Old Man Gloom sent out a fake version of the album to the reviewers in … Read more
Nai Harvest released this four song EP earlier on this year and I've been meaning to listen to it for … Read more
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Sabertooth Zombie is a band that has been waiting to explode for sometime now. After a few self-released efforts, the band release their debut full-length, Midnight Venom, in 2006, an album that brilliantly fused menacing hardcore with the fierceness of punk. The album received high praise here at Scene Point Blank and we eagerly waited for what would follow. 2007 saw the band follow it up with a split 7" with Life Long Tragedy and this, Dance / The Prisoner, a double-sided 10" that is comprised of two separate EP's. The Dance side kicks off with the title-track. "Dance" sets things in motion with pitch of guitar melodies before the gritty riffs and fast-moving drumming turns the song on its end. Vocalist Cody Sullivan's coarse barks really fit the dirge … Read more
Black metal is cool now right? Not to complain. I enjoy the genre, generally speaking, and the statement isn't a cut on Black Anvil as a band. It does seem like there are millions of BM bands coming out of the woodwork at this point. The skill or adherence to the genre are always up in the air. Black Anvil, … Read more
Full of Hell paved their way with their two previous albums, Roots of Earth Are Consuming My Home and Rudiments of Multilation, establishing the band as a force to be reckoned with in the grindcore scene. Their mixture of the hardcore/crust with their grind core has proven golden so far, and now they are unleashing their third full-length, and their … Read more
Coming out of Spain, this group can come up with some seriously good tunes. Mourn started out as a duo act by Jazz Rodriguez Bueno and Carla Perez Vas, but it soon grew into a quartet with the inclusion of drummer Antonio Postius and bassist Leia Rodriguez. The really crazy part of all this: these guys are teenagers. Three of … Read more
Though I’ve been familiar with the name Grouper for some time, perhaps it’s not entirely coincidental that the solo project from Portland, Oregon-based artist and musician Liz Harris has never quite made an impression on me. While many of today’s groups strive to work their way into a listeners head, Grouper almost seems to be trying to achieve the opposite, … Read more
Recording under the guise of Alexeï Kawolski, Montreal-based composer and producer Alexis Langevin-Tétrault walks the line between making harsh and abstract material and more noticeably melodic compositions. Kawolski has built up quite a library of releases since the late 2000s and was nominated in 2013 for a Quebec Indy Award for best experimental album. That fact alone should provide some … Read more
Summarizing The Smith Street Band is a bit difficult. While I want to lump them in with folk-punk, that’s only true in song structure. There’s far too much electric guitar to drop that name on them—and maybe too much to just label it “punk.” Think Against Me! without the shouting. The roots are in a louder version of folk-punk, but … Read more
The soundtrack for the 2013 film Prince Avalanche, created by instrumental rock group Explosions in the Sky in collaboration with David Wingo, has to be considered one of the most strange and potentially divisive albums in the band’s repertoire. Though the group gained notoriety when they were featured extensively on the soundtrack to 2004’s Friday Night Lights, the music used … Read more
The idea for Shade Themes From Kairos started when Belgian filmmaker Alexis Destoop asked Ambarchi and O’Malley to provide the score for his short film Kairos. The two musicians travelled to Belgium and started working on the score for the film, and after they finished with the soundtrack they returned to Randall Dunn’s Aleph Studios in Seattle to further explore … Read more
Sometime around the mid-2000’s, I began to realize just how much I missed having new music by Richard D. James, who typically records under the name of Aphex Twin. I’d been spoiled in the 1990’s: starting off the decade with a pair of outstanding and other-wordly ambient releases (the positively sublime Selected Ambient Works discs), James continued to regularly produce … Read more
Christopher Mevel, one of the founding members of the Dale Cooper Quartet & The Dictaphones, set up his solo project, Pan & Me, in order to step outside of the jazz based sound of the main band and to explore other sonic domains. Ambient music and drone are the key aspects of Pan & Me and their main focus of … Read more
Just last year Pharmakon was putting out Abandon, tearing our brains apart. Margaret Chardiet (the artist behind Pharmakon) was collecting aspects of industrial, noise and power electronics, filtering all that through her mind and producing one of the most intense listens of (at least) 2013. Now how can you top something like that? Inspiration usually comes from personal experience and … Read more
It’s kind of remarkable how vaguely similar the debut album by Philadelphia’s Mannequin Pussy is to that of another of 2014’s breakout artists, Perfect Pussy. Both these similarly-named, female-fronted bands utilize rough sound production to create a listening experience that’s raw, ragged, and jarring, but while Perfect Pussy’s churning Say Yes to Love almost borders on being unlistenable (at least … Read more
If Daft Punk were commissioned to score a cyberpunk horror film of the likes of Hardware, the resulting work may sound something like what Paris musician James “Perturbator” Kent has come up with on 2014’s Dangerous Days, the latest of his four albums. Utilizing vintage synthesizer sound straight out of the Miami Vice era, Perturbator lets loose with aggressive arpeggios … Read more
Starting back in the early ‘90s, Blut Aus Nord exists in two intersecting realities. Their earlier releases, which includes the first part of the Memoria Vetusta trilogy (a trilogy so far, I guess it might be extended), showcased an atmospheric black metal band, in the vein of acts such as Norwegian black metal legends Emperor. But soon enough, Blut Aus … Read more
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