I first discovered Atlas Losing Grip after the release of their 2009 EP, Watching the Horizon, and became an instant fan. 2009 seemed to be a dark time for technical melodic skatepunk and Watching the Horizon was basically a glimmer of hope in the blackness. It didn’t hurt that the singer, Rodrigo, was a founding member ofSatanic Surfers, one of the genre’s most respected and legendary bands. 2011’s State of Unrest solidified Atlas Losing Grip as part of the worldwide vanguard of contemporary melodic skatepunk. State Of Unrest’sthoughtful, anti-institutional lyrics struck a particular cord with me. I listened to that shit on repeat. I got the album art tattoo’d on my arm. Needless to say I was excited for the release of Currents, the band’s 3rd full-length. Now, after many listens, I am left with conflicting feelings about Currents. The album simultaneously impresses and confuses, delights and disappoints. The album opens with an epic metal-influenced guitar intro. Much of the guitar work on the record is more transparently metal than the band’s previous releases, and this is not a bad thing. The production is excellent and the crushing guitar compliments Rodrigo’s vocal delivery expertly. Rodrigo’s voice is, as expected, absolutely … Read more
Running nearly 70 minutes in length, the Neonautics v.01 compilation from Russian label skyQode collects sixteen tracks (many of which … Read more
Hailing from Australia, Skye Klein’s project Terminal Sound System is set on an interesting path. The merging of doom, post … Read more
Offering up an abrasive quintet of hardcore punk that flies by in five minutes, the 2015 self-titled demo from Oakland, … Read more
Creating the most welcoming introduction that you're likely to hear this year, S opener "Swimming Pool" features haunting, echoing synthesisers … Read more
The Blind Shake have been consistently banging out juicy, syncopatic jams for the better part of a decade now. Breakfast … Read more
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The Blind Shake have been consistently banging out juicy, syncopatic jams for the better part of a decade now. Breakfast of Failures is their fifth full-length and, with it, continues the evolution. They’ve always been a concise group, focused on big stomping hooks within the confines of a pop structure, and they’ve slowly made their sound less homogenized in the process, branching deeper into psychedelic sounds and wallowing, doomy elements without actually becoming a band one would describe by using either of those adjectives. For lack of a better term, “garage rock,” is still where they predominantly reside.The exploration of sounds that give depth without removing the urgency continues here on Breakfast. “Pollen” is a good example of where the band is at. While it features their unmistakable stomp, it … Read more
Just last year, Kayo Dot were releasing one of their most ambitious and challenging albums, Hubardo. The US based band, led by mastermind singer/songwriter/multi-instrumentalist Toby Driver, has made a career out of their crazy mold of different musical genres. Hubardo was the perfect example of the Kayo Dot vision, encompassing in its two disks elements of avant-garde metal, post-metal and … Read more
In his long, storied, and in this mind, legendary career, Thomas Gabriel Fischer (Tom G. Warrior) has been a man of dark talent and darker vision. Where I think he has always been separated from his peers however, is always being able to show the listener the beauty in that darkness. From Hellhammer to Celtic Frost to Apollonyon Sun to … Read more
For years I was the biggest Rancid fan. The first record I didn’t buy on its release date was B-Sides & C-Sides, and that’s because I already had the songs. I was an unapologetic completest. As the post-2000 records have been coming, I became an apologetic completest. I bought the double album version of Let the Dominoes Fall and spun … Read more
Detailing the history of southern California punk of the late 1970s and early ‘80s and in particular, the scene that revolved around the legendary Cuckoo’s Nest club which hosted live music shows, the 2012 documentary Clockwork Orange County: The Rise of West Coast Punk Rock! (which earlier had been released under the title of We Were Feared) covers a fascinating … Read more
Pharaoh’s debut full-length, Negative Everything, is an absolutely crushing release. The New Jersey three-piece play a blend of doom, sludge, hardcore, and crust that is generally slow, sometimes fast, never predictable, and always heavy. The record’s opening track, “Recease,” starts with a slow, chugging, unaccompanied guitar and effectively sets the pace for the record. Pharaoh has no need for frills, … Read more
Tar has been an insane surprise for me. Even though the album was released back in December, I did not notice Weeping Rat until Handmade Birds announced that they were going to release the album on vinyl with an additional five bonus tracks! Weeping Rat comes from Australia, and even though when you first hear their music you will probably … Read more
Since the first time I heard the dewy-eyed lyric, “I caught you sipping milkshakes in the parlor of the hotel,” I’ve been somewhat smitten with the psychedelic princes behind Foxygen’s screwball absurdum: moody-broody Jonathan Rado and Kevin Barnes incarnate, Sam France. Following the release of their hugely successful breakout album, 21st Century Ambassadors, it seems Rado and France decidedly opened … Read more
With their newest release, Sonic Highways, we aptly find Foo Fighters at an apparent crossroads and no longer content to write and record music in a traditional fashion. Sonic Highways is an album conceived and written as a companion piece to the HBO series of the same name, and directed by Dave Grohl himself. The concept of the show? Go … Read more
The Brokedowns have come a long way. That’s not to say they were torchbearers of suckitude earlier, but early reviews of the band were festivals of namedropping and comparisons to various Midwestern-tinged punk groups. On Life Is A Breeze, those RIYL days of yore can go straight into the Springfield tire fire: The Brokedowns have their own sound and it’s … Read more
The Dead Milkmen were always an idea band. A band who sparkled or fizzled depending on that idea, with some songs brilliant and others that made you dream they’d invent a music format where you could skip to the next song with the simple push of a button. Some things change, others don’t.Pretty Music for Pretty People is the Dead … Read more
The tight and bright 2014 Icarus EP marks the debut of the indie pop quartet that originally recorded as Plumerai under their new name of DRLNG. Despite the group’s billing in some press materials as a shoegaze-inspired project, I noticed much more inspiration coming from the world of cheerful French pop music of the ‘60s, particularly in the almost birdlike … Read more
It’s not so surprising that 2014’s Shortwave Nights, the debut album from Canadian duo Hiss Tracts, sounds similar not only to Godspeed You! Black Emperor music of the late ‘90s but also the two Set Fire to Flames albums: band member David Bryant collaborated on both those aforementioned groups while fellow Tracts member Kevin Doria made a name for himself … Read more
Bate Kush, the second short release from a side-project of drone and ambient musician Foie Gras known as Bad Kisser, presents the listener with a conundrum. The EP has eight extremely noisy and lo-fi tracks, only two of which last more than ninety seconds. Honestly, the brevity of the songs here isn’t really an issue nor is the very rough … Read more
When it comes to minimalistic ambient and dark jazz it does not get much better than these. Two great acts from France coexist within this split album. The Dale Cooper Quartet & The Dictaphones can be considered a legendary act, with a résumé of high quality albums such as their debut, Parole De Navare and their sophomore release Metamanoir. Witxes … Read more
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