Covering much of the same ground as a group like Perturbator, Philadelphia’s neon shudder makes dark electronic music inspired by the world of cyberpunk – a genre of sci-fi that’s often described as “future noir” and includes works like Blade Runner and Shadowrun. Though I didn’t say as much in my review of it, Áine O'Dwyer’s Music for Church Cleaners actually had many themes on it that reminded me of the Shadowrun game for the Sega Genesis – particularly the moments where the player had to negotiate the Native American lands. neon shudder’s Ghost Process EP, released just a few months after 2015’s Hex Phase, moves well beyond sounding “similar” to that game’s music however – it may as well be an alternate soundtrack to Shadowrun or the synth-based score to a made-for-video sci-fi horror flick.If Hex Phase was a more atmospheric overall album with a few club cuts thrown in though, Ghost Process plays like a dark but kinetic dance record. Both these albums are full of well-crafted and often catchy tunes, but I found that the tracks on Hex Phase grew somewhat repetitive down the stretch, lacking a sense of purpose or evolution as they progressed. This issue … Read more
Newly-formed Vancouver, BC pop-punk trio Grease Thieves boast a vocalist whose snarl makes him sound a bit like vintage Tim … Read more
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The lead song and first single on Desire Pathway” is “Brass Bell,” a fine song that’s indicative of Screaming Females’ general sound. That said, it’s really the second song, “Desert Train,” which gets this album rolling for me. It’s a fierce guitar song that’s hard and driving. Just like its name, it’s steeped in classic rock but with modern twists. Namely, it’s concise (just three minutes) and it pulls in a lot of other elements too. I hear some ‘90s alt-rock, modern post-metal tones and even a bit of video game rock. But, at heart, it’s the power of the guitar and a tangible energy that sets the tone, not just for “Desert Train,” but through the full album afterward. “Mourning Dove” is a poppier jam with some bounce in … Read more
Matt Skiba's latest side project sound like they've been born out of the wave of late-90s American indie that brought us the likes of Weezer and Blind Melon, and with Skiba adopting a Bowie-esque aesthetic on the band's album cover it gives the impression of a band fully embracing the indie sensibilities that they couldn't explore in as much depth … Read more
Without doubt one of the more strange albums released in 2015 (or any year for that matter), Irish-born harpist Áine O'Dwyer’s Music for Church Cleaners is a two LP collection that presents ninety minutes of improvisational music made on the pipe organ at St Mark’s Church, Islington, UK. Aside from being, essentially, a live performance album (where the audience was … Read more
Artistically satisfying and incredibly eclectic, 2015’s The Fragile Idea from Italian electronic artist Sophie Lillienne seems designed to lull a listener into a somnambulistic state. Typically lumped into the trip hop genre, Sophie Lillienne’s music is full of unconventional, quietly haunting melodies, scratchy rhythms, and dramatic vocal performances. I would almost say that the dark and gloomy Fragile Idea is … Read more
Feral Kizzy’s new album Slick Little Girl was easy for me to like. I am a big fan of new wave, glam rock, and dark ‘80s music, so I was easily seduced by our obviously shared tastes. I immediately caught the Lou Reed reference of the title (lyrics from “Make Up” off the Transformer album). I love me some Lou, … Read more
This is some of that rhythmic punk that's making the rounds lately. Kind of like Dawn of Humans (with whom they are currently label mates) but more on the crusty and menacing side than the weird and experimental. Blazing Eye is a quartet out of Los Angeles that share membership with Raw Ponx-affiliated acts like Drapetomania, Tuberculosis, and Sadicos. They … Read more
Though his own catalog has been hit-or-miss since 1996’s classic Endtroducing, I’d place DJ Shadow among the relatively few who have managed to stay ahead of the curve in the rapidly changing world of electronic music. Shadow’s own label, Liquid Amber, was formed in 2014 to provide an outlet for unique sounds, and a year later, they’ve already put out … Read more
Naming a record I Feel Weird is a statement about the psyche of Great Cynics, and an applicable one at that (for the band, not necessarily the members). The band’s third record, it wavers between melodic pop punk with digressions into exploratory indie-alt rock. What that means in real English is that they play punk-ish songs with a lot of … Read more
The experimental black metal outfit from San Francisco has been able to create a veil of mystery around their existence. The origin of Mamaleek is traced back in 2008, and since then, these guys have been quite active. Their first couple of albums, the self-titled debut and Fever Dream, were released on a very limited amount of copies through (I … Read more
Locrian’s approach to metal is to disassemble the core structures, push them further away from their crude beginnings and delve into building them back up again into towering walls of sound and phases of light and dark. Infinite Dissolution is a record that shares small similarities to the genre that it’s born from, mostly in Terence Hannum’s hoarse screams and … Read more
Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad days before everyone started going gaga for the gothic, post-punk, all-weird-all-the-time trend that’s hot right now. (Personally, I like both styles quite a bit so I’ve got no complaints. I’m just having some fun here.) While the intro shows a … Read more
Optimists is the debut LP from Washington D.C. emo/indie-rock outfit Mittenfields. The band’s influences are immediately recognizable: Singer Dave Mann obviously listens to Modest Mouse and Arcade Fire, while the band’s three guitarists draw heavily from 1990s indie and emo classics like Mineral, Built To Spill, and Pavement. If you like those bands and want to hear the same sound … Read more
Getting it right when it comes to extreme doom/death is a very tricky business. It is quite a misconception that as long as a band is able to play really, really slow and have heavy riffs, they can be considered successful and good at what they do. Bell Witch know better. The duo from Seattle is relatively new to the … Read more
Sick/Tired don’t mess about. They’re angry, and they want you to know about it and they do so via the medium of fast, raw grindcore. The Chicago band pound through fifteen short, but certainly not sweet, tracks in a delirious sub-twenty five minutes with guest collaborates Merzbow and Lasse Marhaug adding more noise bases compositions to the furious mix of … Read more
It was not that far ago that I was listening to the previous S/V\R album, Sur Les Femmes and I was thinking just how intense their music was. Separating their previous album into two halves, the first saw them taking on their most chaotic and punishing form, rendering their soundscapes completely indecipherable. On the second part though, they seemed to … Read more
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