“This is how losers feel // I am a loser // and you’re here to remind me” ...so begins Cool Choices, recorded by Jenn Ghetto, founding member of the outstanding and sorely missed Carissa’s Wierd, under the name of “S.” Ghetto has made a career of producing some of the most heart-wrenching, emotionally-devastating, and downright sad tunes imaginable, and this latest effort is at once both the most accessible S record to date and the one that’s perhaps the most dour and bitter. What we have here is a breakup record that seems to air an uncomfortable amount of dirty laundry, directing most of its incredibly frank and intimate lyrical exclamations towards an unknown “you” figure. Though the difficult lyrical content would be hard for some people to deal with, Cool Choices is infinitely more polished than anything we’ve heard from Ghetto thus far in her solo career, and the fact that she’s backed up by a full band this time around makes this more approachable for listeners accustomed to mainstream recordings.The piano ballad “Loser” that begins the record more or less sets the tone for everything that follows, and in some ways acts as a buffer track – listeners … Read more
THIS IS A FAKE REVIEW!! Old Man Gloom sent out a fake version of the album to the reviewers in … Read more
Nai Harvest released this four song EP earlier on this year and I've been meaning to listen to it for … Read more
Black metal is cool now right? Not to complain. I enjoy the genre, generally speaking, and the statement isn't a … Read more
Full of Hell paved their way with their two previous albums, Roots of Earth Are Consuming My Home and Rudiments … Read more
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It's not very often these days one gets the opportunity to use the phrase "This brings the ROCK" without sounding like some kind of crotch grabbing throwback Darkness fan. If you miss (or totally missed out on) the days when Iggy Pop mocked Hells Angels while boasting about the size of his "Johnson," Dinosaur Jr. consuming more green than Cheech and Chong, and "alternative rock" that means more than Creed selling stupidity and false emotion to inbred middle America then praise Jesus (or Scott Stapp) for a savior has arrived! Transistor Transistor has finally gotten around to releasing their debut full-length, and in the process what is sure to be one of 2005's finest rock records. Erase All Names and Likeness comfortably surpasses their previous splits and EPs, as well … Read more
Though I’ve been familiar with the name Grouper for some time, perhaps it’s not entirely coincidental that the solo project from Portland, Oregon-based artist and musician Liz Harris has never quite made an impression on me. While many of today’s groups strive to work their way into a listeners head, Grouper almost seems to be trying to achieve the opposite, … Read more
Recording under the guise of Alexeï Kawolski, Montreal-based composer and producer Alexis Langevin-Tétrault walks the line between making harsh and abstract material and more noticeably melodic compositions. Kawolski has built up quite a library of releases since the late 2000s and was nominated in 2013 for a Quebec Indy Award for best experimental album. That fact alone should provide some … Read more
Summarizing The Smith Street Band is a bit difficult. While I want to lump them in with folk-punk, that’s only true in song structure. There’s far too much electric guitar to drop that name on them—and maybe too much to just label it “punk.” Think Against Me! without the shouting. The roots are in a louder version of folk-punk, but … Read more
The soundtrack for the 2013 film Prince Avalanche, created by instrumental rock group Explosions in the Sky in collaboration with David Wingo, has to be considered one of the most strange and potentially divisive albums in the band’s repertoire. Though the group gained notoriety when they were featured extensively on the soundtrack to 2004’s Friday Night Lights, the music used … Read more
The idea for Shade Themes From Kairos started when Belgian filmmaker Alexis Destoop asked Ambarchi and O’Malley to provide the score for his short film Kairos. The two musicians travelled to Belgium and started working on the score for the film, and after they finished with the soundtrack they returned to Randall Dunn’s Aleph Studios in Seattle to further explore … Read more
Sometime around the mid-2000’s, I began to realize just how much I missed having new music by Richard D. James, who typically records under the name of Aphex Twin. I’d been spoiled in the 1990’s: starting off the decade with a pair of outstanding and other-wordly ambient releases (the positively sublime Selected Ambient Works discs), James continued to regularly produce … Read more
Christopher Mevel, one of the founding members of the Dale Cooper Quartet & The Dictaphones, set up his solo project, Pan & Me, in order to step outside of the jazz based sound of the main band and to explore other sonic domains. Ambient music and drone are the key aspects of Pan & Me and their main focus of … Read more
Just last year Pharmakon was putting out Abandon, tearing our brains apart. Margaret Chardiet (the artist behind Pharmakon) was collecting aspects of industrial, noise and power electronics, filtering all that through her mind and producing one of the most intense listens of (at least) 2013. Now how can you top something like that? Inspiration usually comes from personal experience and … Read more
It’s kind of remarkable how vaguely similar the debut album by Philadelphia’s Mannequin Pussy is to that of another of 2014’s breakout artists, Perfect Pussy. Both these similarly-named, female-fronted bands utilize rough sound production to create a listening experience that’s raw, ragged, and jarring, but while Perfect Pussy’s churning Say Yes to Love almost borders on being unlistenable (at least … Read more
If Daft Punk were commissioned to score a cyberpunk horror film of the likes of Hardware, the resulting work may sound something like what Paris musician James “Perturbator” Kent has come up with on 2014’s Dangerous Days, the latest of his four albums. Utilizing vintage synthesizer sound straight out of the Miami Vice era, Perturbator lets loose with aggressive arpeggios … Read more
Starting back in the early ‘90s, Blut Aus Nord exists in two intersecting realities. Their earlier releases, which includes the first part of the Memoria Vetusta trilogy (a trilogy so far, I guess it might be extended), showcased an atmospheric black metal band, in the vein of acts such as Norwegian black metal legends Emperor. But soon enough, Blut Aus … Read more
Even though Mamiffer started off as a studio project of Faith Coloccia, throughout the years it has blossomed into something much more. The atmospheric experimental band of the former mastermind behind Everlovely Lightningheart, and Aaron Turner (also of Old Man Gloom and previously of ISIS) released a couple of full-lengths and a number of splits and collaborations with other amazing … Read more
The moment I heard Scott Walker would be collaborating for a full album with Sunn O))), I assumed I was dreaming. That was just too good to be actually true. In the past Sunn O))) have had great collaborations with bands such as, Boris, Nurse With Wound and Ulver, all of which really fitted their style. But this goes beyond … Read more
Tahliah Barnett, who looks something of an art-school alien, first descended into the tellurian realm as a Grimes incarnate: girl with space-cadet aesthetics turned one-woman powerhouse. twig’s status as Robert Pattinson’s new beau, her paint-smeared, caricatured album cover, and inclination for the grotesque have a way of garnering the important questions. Who is she? Is the breadth of her facial … Read more
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