Pharaoh’s debut full-length, Negative Everything, is an absolutely crushing release. The New Jersey three-piece play a blend of doom, sludge, hardcore, and crust that is generally slow, sometimes fast, never predictable, and always heavy. The record’s opening track, “Recease,” starts with a slow, chugging, unaccompanied guitar and effectively sets the pace for the record. Pharaoh has no need for frills, theatrics, or oversaturated technicality. The band takes a calm, calculated approach to a sound which successfully invokes a feeling of frenzied unease. “Recease” cascades into a seven minute bad-trip epic, an infectious stoner slow-groove which compelled me to headbang while simultaneously embracing the crushing hopelessness of life on planet Earth. “The Slasher” picks up the pace with a faster rhythm (awesome rolls and fills from the drummer), a denser use of vocals, and a ripping and disorienting noise-inspired solo. The singing is legitimately anguished and the combination of both guitarists’ voices accent each other perfectly. Each track on Negative Everything is different from the last, while still maintaining a cohesive atmosphere and sound. None of the tracks run much shorter than four minutes, with the longest clocking in at eight and half. The band doesn’t care if you’ve got things … Read more
Tar has been an insane surprise for me. Even though the album was released back in December, I did not … Read more
With their newest release, Sonic Highways, we aptly find Foo Fighters at an apparent crossroads and no longer content to … Read more
The Brokedowns have come a long way. That’s not to say they were torchbearers of suckitude earlier, but early reviews … Read more
The Dead Milkmen were always an idea band. A band who sparkled or fizzled depending on that idea, with some … Read more
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Light Yourself on Fire, a four piece from Tampa, Florida, play thrashy hardcore that they call "power death." The seven songs on this EP release are riddled with pinch harmonics and sludgy riffs played at breakneck speeds. The lyrics are unintelligible, but touch on topics such as bullshit on the radio, the ubiquity of neurosis, and global warming. Cover art is done by STK MTN, who has worked with other bands such as Combatwoundedveteran and Against Me! (his portfolio is really worth checking out). There are no standout moments on this EP, but collectively the music is solid. When Light Yourself on Fire puts out a full-length, I'll be interested to give it a listen. Read more
The tight and bright 2014 Icarus EP marks the debut of the indie pop quartet that originally recorded as Plumerai under their new name of DRLNG. Despite the group’s billing in some press materials as a shoegaze-inspired project, I noticed much more inspiration coming from the world of cheerful French pop music of the ‘60s, particularly in the almost birdlike … Read more
It’s not so surprising that 2014’s Shortwave Nights, the debut album from Canadian duo Hiss Tracts, sounds similar not only to Godspeed You! Black Emperor music of the late ‘90s but also the two Set Fire to Flames albums: band member David Bryant collaborated on both those aforementioned groups while fellow Tracts member Kevin Doria made a name for himself … Read more
Bate Kush, the second short release from a side-project of drone and ambient musician Foie Gras known as Bad Kisser, presents the listener with a conundrum. The EP has eight extremely noisy and lo-fi tracks, only two of which last more than ninety seconds. Honestly, the brevity of the songs here isn’t really an issue nor is the very rough … Read more
When it comes to minimalistic ambient and dark jazz it does not get much better than these. Two great acts from France coexist within this split album. The Dale Cooper Quartet & The Dictaphones can be considered a legendary act, with a résumé of high quality albums such as their debut, Parole De Navare and their sophomore release Metamanoir. Witxes … Read more
When I hear the phrase “indie rock,” I think of about 4-5 things: Pavement, The Pixies, maybe Weezer, glasses, skinny guys, and bizarre instrumentation or time signatures. Some of that (queue the ‘90s references there) is due to my age, as the former part of that description is a bit more rock oriented than the latter. That former part of … Read more
Reunited bands have a tendency to disappoint. Maybe their hearts aren’t in it the second time around, maybe they’ve changed as artists and individuals, or maybe the expectations of a rabid fanbase are impossible to meet.Whatever the case, let’s put aside our memories of In Name and Blood, their last studio full-length which came out 14 years ago, and focus … Read more
Gloriously imperfect and scratchy, the P-Sides Demo by Denver, Colorado’s Strawberry Runners starts off with “Slip In.” Initially sounding like melodramatic ‘50s pop with a folky undercurrent and sauntering rhythm, the piece works towards a climax of triumphant guitar and jangly background noise. Singer Emi Knight provides a melodic focal point to the piece with her soaring vocal, while male … Read more
Classically trained musician and collaborator of Hidden Orchestra, Poppy Ackroyd, follows the neoclassical path that started off with her debut album, Escapement. In her first full-length Ackroyd was bringing piano and violin on the spotlight and creating tremendous atmospheric music with her melodic ideas. Her collaboration with visual artist Lumen, who created bespoke films for her live performances, led to … Read more
Made up of one half of Sweden’s Masshysteri (vocalist Robert Hurula and drummer Erik Viklund), Cross play dark and grimy music that seems indebted to the almost primal, noisy garage rock of the ‘60s and ‘70s. The group’s loud, sinister, and chaotic 7” debut Pyre makes up for what it lacks in quantity with an overload of shrieky guitar, loud, … Read more
Oruga’s sludged out sound is deep, dirty and disgusting and the French quintet move through massive pits of despair to crawl through the filth and head towards the inevitable end of debut full length Blackened Souls. Their sound has slowly been evolving since the release of a well-received demo in 2010 and with orthodox or post-black metal being more the … Read more
In many ways The Rebel Spell’s Last Run is a depressing album. The cover art depicts a feeble, aging anthropoid trying desperately to hold back an immense industrial wave. It’s clear that he won’t be able to stand his ground for long. The album title itself can be interpreted as an ominous prediction for the fate of our civilization. And … Read more
With their sophomore album, Sky Burial, Inter Arma released one of the best metal albums of the past year. Their style of playing brought to mind the earlier days of Mastodon and Baroness, but Inter Arma was not merely borrowing ideas from the two great acts. The vibe that Sky Burial had was much darker and bleaker than any of … Read more
I can’t figure out just who The Rational Anthem remind me of, but it’s poppy on the clean and crisp side, with a lot of backing harmonies and a fun sound that counters what is generally a lost at sea mindset. In other words, it’s Midwest-influenced pop-punk that would fit great on a comp with bands like Dear Landlord, The … Read more
Following a handful of shorter releases, San Francisco three-piece The Bilinda Butchers (named after the guitarist/vocalist from My Bloody Valentine and made up of Michal Palmer and Adam Honingford who alternate on vocals, bass, guitar and synth, as well as drummer Ryan Wansley) released their full length debut in mid 2014 and in doing so, followed through on the potential … Read more
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