When I was assigned this 7” from Drunk Dial Records, the name of the label caused me to assume it would be a skatepunk album. Why? I’m not totally sure. I couldn’t have been more wrong, though, and was surprised upon listening to Drunk Dial #5, the Fell in Love With A Spirit 7” by the band Cry Babe.This dream punk trio is not the '90s-esque mix of quick tempo drums, snotty vocals, and “we listen to metal” guitar parts I expected. In fact, they’re the complete antithesis of that. When I received this release for review, I didn’t know what to write about it. Stylistically, it’s far from the corner I’ve spent two decades painting myself into. But since I received this assignment (which I received much too long ago and I am sorry it took so long to post this review), some life experiences have caused me to hear music like this in a new way. I think I can safely say that we need 7”s like this one and we need bands like Cry Babe. At least, I think I do.Note: I don’t know what “dream punk” is but whaddayaknow, there is a website called whatisdreampunk.com, which … Read more
This was a hard review to write. It’s not because this EP is bad, but because it’s so damn good. … Read more
Over the grassy knoll, down the weed tangled pathway, and to the right of the small babbling brook lays a … Read more
The info surrounding this EP talks about how Street Eaters have changed. The band formed roughly a decade ago, so … Read more
Insert joke about judging a book by its cover, in reference to a band who calls themselves The Next Great … Read more
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Is this the band that released Soft Skeletons? It's been 3 years, and clearly the band has opted to go in a different direction. While the band has never hidden their affinity for The Who, naming themselves after a 1968 song by the group, When I Am Gone My Blood Will Be Free takes their influence to the next level. The jangly guitars with dance punk undertones are replaced on When I Am Gone with big guitars, epic structures, and Nathan Lilley's wailing vocals. "Called To the Throne" wastes no time establishing the tone, with a minute drum intro and no vocals at all until the minute-and-a-half mark, when a yelp is quickly followed by the album's first lyrics. After spending so much time on the big intro, the 3:37 … Read more
The pandemic has taken its toll on everyone. Even though I’ve stayed healthy, it’s stressful and that inevitably seeps into daily life. One interesting takeaway is that I think I appreciate hardcore more in 2020-21 than I have in the past decade. It’s a good time to be screaming from the bottom of your lungs.Slant is a 5-piece from South … Read more
Hand-tossed New York pizza is served traditionally with a specially blended, highly guarded-in-secrecy sauce and topped with a healthy dose of mozzarella cheese. The wedge of delight is easily folded and shoved down your gullet. Feel it as it slides over your pallet barely touching your incisors, molars, and eye teeth.Standing on any New York street corner chewing out a … Read more
I dunno. Maybe reviewing a flexi is a weird idea as it’s a standalone thing. I still don’t get them: They wear out really fast; they’re vulnerable to damage and they don’t sound very good. They’re a novelty item and, in an era with fewer physical releases, somehow the most disposable format is on the rise?Anyway, I wanted to cover … Read more
This is music for a cloudy day. Titled Ephemeral, Groupie’s debut full-length is moody and fleeting and, to me, delivers a dream-like quality at its best moments.The songs are driven by a rhythmic staccato approach that has a hushed, sing-song quality and occasionally mixes it up with a call-and-response tandem approach. The guitars establish the tone with clean, pristine vibes … Read more
Back in the early and mid-2000s, there was a subset of seminal hardcore bands that brought a particular brand of bouncy, youth crew-forward hardcore that was unpretentious but self-aware. I’m thinking specifically of the short-lived groups that were scrappy and unsharpened, that often only played a handful of shows before disbanding and fading into scene lore. The latest offering from … Read more
Safety are far from a new band, but they’re new me. Heck, Greetings From the Sunshine State even sounds like a debut album title. Anyway, the band has been kicking since the early 2000s – which actually explains a few of the sonic comparisons I’ll make in this review of their new EP and first release since 2015’s released Congratulate … Read more
This is not the record that I would want to be Tribulation's swan song. However, if that ends up being the album's legacy, I will not be surprised. The group started out as an above-average brigade of blackened rock and rollers with overt death metal influences on 2009's The Horror. Within the next four years, the band would learn to … Read more
Oh my god, where should I start with this one? Saying you’re something doesn’t make you that thing! Just because this band smokes weed does not make them the genre “stoner punk.” LMI process elements of hardcore, punk and stoner music. But not the parts I enjoy about those sounds. Their logo and various cover illustrations are the most honest … Read more
DeeCracks is not exactly new to the punkrock scene. Starting out as The Cretins in 2003, rebranding themselves to DeeCRACKS in 2007 this Austrian trio has some experience under their belts. Serious Issues is their fourth full length album. Next to that they have released a string of splits and EP’s. So I am surprised that Serious Issues is the … Read more
Uno- Due- Tre- Quattro! Wowza, that’s a spicy meat-a-ball! A bubbling pot of Marky Ramone primo pasta sauce with a healthy dose of Calabrian Chillies will have this handful of Italian punk Rock traveling down your gullet, down to the cauldron of acid-eating liquids, and catapulted back up like a gigantic slingshot of acid reflux. Buzzsaw Johnny Ramone blistering cheese … Read more
Sometimes it all comes together, even when you weren’t trying.I picked up this EP for review based, more or less, on its label – It’s Alive – which has released a lot of enjoyable records over the years. Then I thought, you know, this voice sounds like Future Girls. When you listen to the kind of DIY punk I do, … Read more
Bad Religion recently rode an extensive virtual bonanza, where they celebrated their fortieth anniversary with a series called “Decades”. i.e. four episodes where the band played songs live from each decade since the 1980s streamed from The Roxy Theatre in Los Angeles and accompanied by interviews. Watching the first two episodes reminded me of how much Bad Religion coined my … Read more
Nopes play that brand of melodic noise rock that pummels its listener in the face. It’s aggressive and abrasive, with big riffs, lots of feedback and barked vocals. The aggression sets the tone, but the nuance underneath the noise is what sets it apart from influences like The Jesus Lizard or Am Rep, with a base of Hot Snakes.While noise … Read more
2020 was a rough year -- so rough that I somehow stumbled across two different EPs from last year that end with songs about removing people’s faces. With that noted, I’m certainly curious what abstract and gory trends 2021 will bring…Anyway, Midwest Duress features Raging Nathans (Ohio) and Reaganomics (Illinois). Raging Nathans play modern pop-punk with a strong ‘90s influence. … Read more
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