Heart & Lung released their debut in 2017, then Red Scare reissued it last year, putting it on my radar. The band is from Cleveland, OH, playing melodic pop-punk with gruff moments. While the debut was fairly call-and-response in song structure, Twistin’ The Knife Away mixes up the songwriting quite a bit throughout its 11 songs. And, as that title suggests, it’s sometimes lyrically brutal: exposing ugly truths. A few things strike me about this record. First, it’s the songwriting maturity. Call-and-response is cool, but it gets old over a full-length record. There’s more variety here, recalling the Descendents and fellow Midwestern punks The Copyrights’ melodic focus instead of that back-and-forth action. There are still vocal tradeoffs, but they’re built around the melody. That noted, it’s still aggressive and pointed. It’s angrier, even when the band has you singing along like it’s bubblegum. And while it’s pop in structure, it’s not limited to three chords. I hear more guitar flourish, akin to contemporary bands like Iron Chic and PUP that give more depth without drowning the message -- but it’s subtle, meeting in the middle between styles. Twistin’ The Knife Away is extremely balanced, which is kind of ironic since … Read more
Northern Town is a fitting title for this album. It feels like winter: cold, lonely, and daunting. It’s the third … Read more
Chances are that if you dig underground music, you will harbour an appreciation for Joy Division and New Order. If … Read more
Fuck These Fucking Fascists is the fourth full-length by the Muslims, and their first on Epitaph. As the name suggests, … Read more
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For years I was the biggest Rancid fan. The first record I didn’t buy on its release date was B-Sides & C-Sides, and that’s because I already had the songs. I was an unapologetic completest. As the post-2000 records have been coming, I became an apologetic completest. I bought the double album version of Let the Dominoes Fall and spun it a fair amount that first month…but rarely since.When October 2014 came with promise of the new Honor Is All We Know, I didn’t bother to get it right away. I’d heard a version of the song via Tim’s one-a-day project and, well, it’s another new Rancid song with “we” in the title. That right there sums up where things have gone wrong. Where, for years, the band’s strength was … Read more
When Send More Paramedics announced a brief reformation to play a handful of shows celebrating 20 years of reanimation no one expected them to chuck out a brand new 9-track album but they surprised us all by doing just so. The Final Feast is their first studio album release in 15 years, the last being The Awakening (2006). Listening to … Read more
I’ve been fighting the urge to just quote John Hoffman from when I interviewed another one of his bands, The Mimes, earlier this year, because I think he described his songwriting style really well in it. Instead, you get a vague, shameless plug, though I’ll circle back after more explanation. On their latest offering, Vacation hasn’t wildly changed. Existential Risks … Read more
Within the canon of American countercultural rock bands of the 1960s, there is hardly one that stands out more than The Doors - not merely because of their musical output but due to the controversy the trailblazing riddle hidden an enigma that was their frontman Jim Morrison embodied with his beautifully erratic and mythological persona. Formed in 1965, the core … Read more
It took Znous exactly one year to release a new EP. You will not hear me complaining about this. Avid readers of this site will remember I was very fond of Znousland 2, which I discovered half a year after its release. I described the sound of this Tunisian band as a mix of modern metal bands (Sepultura and Ministry … Read more
Despite having parted way more than twelve years ago, Oasis and the way they have diligently and borderline religiously channelled their Beatles worship continues to be one of the most influential British bands of all time. No matter if you were into what was labelled “Cool Britannia” in the 1990s or do not dig them, chances are that you do … Read more
I’m always on the prowl for dreamy music, especially metal. It’s harder to find things that fit that descriptor in the metal area too. After discovering sometime three or so years ago ISON, I somehow didn’t run into Light Field Reverie until earlier this year. My surprise arises from the fact that former ISON vocalist, Heike Langhans performs vocals on … Read more
Dennis: When browsing through new releases in my overflowing inbox I decided to go for Slow Crush. It is released on Church Road Records, a sympathetic new label and mentioned shoegaze, dream pop and indie rock. I may not have the deepest of knowledge on this genre, but enough to give you an honest opinion. To my surprise I was … Read more
When it comes to what is referred to as “post-punk” and repetitive-driven guitar sounds accompanied by tense, circular bass lines and grimy, otherworldly vocals with the an enigma of a frontman meandering through tropes of British magic realism that seemed to be fuelled in equal parts by uppers and downers, you cannot go past The Fall. After the untimely demise … Read more
Sincere Engineer, fronted by Deanna Belos, runs the emotional gamut with angry highs and desperate lows – often both within the same song. I kind of think of it as a female take on ‘90s emo: the songs are personal and introspective, searching for help through the downtimes. A difference being that most ‘90s emo was seeking validation while this … Read more
Nova Era is a sweet journey through the olden Balkan ethos that permeates this region, of which I also happen to be a part of. Of course, I have certain biases that will come to light through the course of this review, but do not let that discourage you from delving into these sounds in any way. Barcelona Gipsy Balkan … Read more
There’s nothing like a good vocal driven ensemble am I right? Well, I don’t know about you but I find myself impressed to the highest degrees by such bands. It has to do at least partly with the steep mastery curve of the human voice as a musical instrument as well as its phenomenally unique tonal characteristics at an individual … Read more
The story of Sofa is interwoven with the rise of the Montreal experimental music scene. In the mid ‘90s Sofa made their first steps, staying within the underground and self-releasing a number of records. Their creative output found them moving all over the weird rock scene. From alternative and indie beginnings to post-hardcore and lo-fi implementations, Sofa has been cultivating … Read more
Partial Traces play pop-inspired keyboard rock – but not at all the kind you imagine when you hear those words. In pop songs, the keyboard generally brings melodrama or atmosphere. In Partial Traces, those two ideas meet in the middle. It’s emotional and serious, but instead of dramatic, it’s tonal. It feels real and authentic, which largely comes from the … Read more
I don’t know anything about Bricheros beyond what’s in the press sheet. Which has quite a bit of info, really, but in the spirit of due diligence, let’s just say I want a little more. The band plays Panic Button Records-style Ramones-core with a strong dose of Screeching Weasel. In fact, they cover both of those bands on side B. … Read more
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