Inhumanity Vortex started life in Poland in 2008 as the project of Tomasz Dziekoński and has slowly evolved over time into a sort of cyber tech-death metal band that has grown beyond the initial seeds of inspiration from those early days. Having released a handful of pre-production demos and EPs prior to Reverse Engineering in the winter of 2020, Inhumanity Vortex have finally realised the vision of its creator and by including other musicians to handle vocals, drums, bass and keyboards, Dziekoński has been able to concentrate on the guitars and bringing his inspirations to his own sound. It’s not clear if he wrote the other parts/lyrics but on previous releases he has done everything and it’s not outside of the realm of possibility that the rest of the band were asked to bring the precision that Dziekoński needed to execute this EP in a more polished and professional manner.It’s a move that certainly paid off as Reverse Engineering is quite impressive in its futuristic, cybernetic structures. Lech Fiedorczyk’s vocals add depth while Kévin Paradis (also of Benighted) offers tightly rhythmic drums and creativity to the record. “Cybermod” opens the EP on frantic drum patterns and Fiedorczyk’s guttural vocal performance … Read more
Two Dutch punk groups decided to join forces. 2020 saw their dreams of playing live go up in smoke. What … Read more
Troy Pierce has been creating off-kilter techno since the mid ‘00s, always opting for a non-conformist, adventurous output (just listen … Read more
Love her, hate her – the thing that cannot be dispute is that she has left an indelible mark on … Read more
I’d seen the name Jason Paul + the Know It Alls around a few times but never really looked into … Read more
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When searching Daryl Palumbo's name on Wikipedia - a great tool to prolong pointless Internet usage - an interesting passage appears under the trivia headline: "Palumbo is an avid fan of 80's British band Squeeze and the Godzilla universe. He is considered an anglophile." After reading this last line it seems the direction Head Automatica took with Popaganda makes perfect sense. The mod logo, the suits; it all became clear finally. Being a fan of almost anything Dan the Automator touches (Deltron 3030, Dr. Octagon, etc.) I just short of shit myself when I found out he would be doing a project with the former - well on hiatus, bands don't break up anymore - Glassjaw vocalist. Thanks, but really no thanks, to the Internet I was able to get … Read more
Needles//Pins have all the familiar elements of pop-structured punk. Yet, at the same time, it’s hard to distill their sound to a single scene or subgenre. It’s melodic; it’s gruff; it’s sing-along. But it’s not really angry, fist-in-the-air cynicism. There’s an uplifting vibe underneath the coarse offering that soars instead of cycles. Off the top of my head, there are … Read more
Monte Penumbra’s obscure origin dates back to 2013. The project of one W.uR suddenly appeared in the underground black metal scene with a debut full-length in Heirloom of Sullen Fall. Released at the time through Deamon Worship Productions, a label with an excellent pedigree of extreme metal having released music from the likes of Devouring Star and Wormlust, Heirloom of … Read more
Imagine a highway, stripped of all life and containing their minute particles, each one full of information and colour, sound and breath. Imagine the highway reaching to the sky, its steps as notes and stretches of sound as the straights. thisquietarmy have created such an image in their collaboration with Voivoid’s Michel “Away” Langevin, their rhythms bringing soul and a … Read more
Indonesian duo Senyawa are experimentalists of the highest order on Alkisah, a record the dives head-first into the strange and unusual through improvisation with homemade instruments from Wukir Suryadi and a voice that ranges from the manic to the beautiful from Rully Shabara. Senyawa link the traditional to the modern as Alkisah progresses through structures that are formed as if … Read more
This is short, fast, loud; brutal, punishing stuff. Ripping straight into it with “Bastard,” the first verse is spit-shouted in a way that, to normal people who don’t listen to this kind of thing all the time, will literally sound like he’s saying “blah blah blah, fuck shit.” It’s damn fast, and damn angry.But speed and intense drumming isn’t enough … Read more
Neighborhood Brats play punk as you’d expect it to sound – regardless of year or era. It’s angry, aggressive and timeless. A review doesn’t require hyphens and subcategories. But while they’re easy to pin into a genre, they remain full of surprises, which is exceedingly rare. For every political lyric, fist punch in the air and shout-along moment, there’s a … Read more
Finlands Van Dammes release their fifth EP with Finally There. This time it is kind of special. This EP celebrates the first time Finlands football team can join the European Championship. Congratulations with that achievement, Finland!I really do hope your team will fare better than Van Dammes on this EP. The three garage punk tracks lack ideas and hooks. I … Read more
I’ve listened to a lot of Future Girls, Modern Cynics, and Weekend Dads the past couple of years. What does that have to do with Cluttered? Well, they share a key songwriting voice in Matty Grace, for starters. But Cluttered is a new band and a new direction, albeit more of a variation than a reinvention. Cluttered is Grace (vocals/guitar/bass), … Read more
It would be nice if art could exist in a vacuum. I’m certain that a person finding Tomahawk randomly on YouTube or Spotify or whatever would have far different opinions than somebody who has known of Mike Patton since Faith No More’s The Real Thing blew up, which is probably like fifty albums ago in the Patton discography. Personally, Tomahawk … Read more
It’s the pop-punk conundrum. Raging Nathans are a distinct band -- yet they aren’t. On first listen their sound is familiar. Take Lookout Records and Ramones-inspired sing-alongs, add skatepunk urgency, put it in a blender and set to crush. It’s not an even mix of all the ingredients, rather familiar fragments with a lot of unique twists and turns when … Read more
Once upon a time I picked an album to review based on its cover art. It was an album by a Norwegian band called Shevils. That artwork was completely bonkers with Cthulhu dressed as a cowboy riding a manta ray and much, much more. This was back in 2013. I liked that album so much it made my yearlist. In … Read more
Sonic playground, or finding beauty in the cracks. It feels that this is an appropriate title for Yuko Araki’s new opus, End of Trilogy. But again, this is to be expected from an artist that has been so curious throughout their musical endeavours. From starting out as a pianist to becoming obsessed with the energy and weight of metal and … Read more
Justin Pearson has a lot of irons in the hellfire. If he isn’t playing with any number of his musical projects - The Locust, Dead Cross, Planet B, Retox and others, he’s tirelessly working behind the scenes as founder of Three One G, an aggressively independent record label dedicated to bringing bands to the masses that would otherwise have fallen … Read more
I was really into a few folk-bands for a while. But while I enjoy the lo-fi and personable tones, I find a lot of the vocals to be hit/miss. Which, to be honest, is in tune with my feelings on folk too. It’s a genre where voice matters a lot. Some work for me; some don’t. I like Defiance, Ohio … Read more
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