This new album by The Other came as a bit of surprise for me. I was thrilled no less thrilled when I saw the announcement online though. This band has been one of my favorite horrorpunk bands ever since I picked up their debut album They’re Alive somewhere back in 2004 or 2005. It has been a long and awesome ride ever since.Haunted is their eight album already. Like most bands who have a career this long they have figured out who they are and what they want to sound like. The previous album, 2017’s Casket Case was perhaps a bit stuck in that groove to much. It sounded a bit tired and offered less quality than I have grown to expect from The Other. Since that album Aaron Thorn has returned to the band on bass guitar. Perhaps his return has given the band new energy; the band is back in their old shape. Haunted sounds as the perfect follow up for The Devils You Know and Fear Itself, which both score very high on my list of my favorite The Other albums. On Haunted the energy is back in the songs. The tired sound of the previous album … Read more
Writing about music is a bit like being an anthropologist. The kind who immerses themselves in a culture to better … Read more
You have to appreciate a concept that’s primarily focused on making you uncomfortable; where’s the fun without a healthy dose … Read more
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Genghis Tron is something of an anomaly in the world of music. On their Myspace site they list themselves as Grind/Electro/Metal, which is a pretty disconcerting declaration to some. It sounds a bit off-putting, like a botched crossbreeding that has yielded mentally handicapped offspring in the form of songs that should have never been written. That's the way it usually goes, but the real trick behind Dead Mountain Mouth is that Genghis Tron pulls it off, and capitalizes on everything their first EP did not. The added electronic elements within the songs add a very recognizable flair to the record, sometimes washing away the grind elements and leaving us with a pulsating undercurrent of electronic beats. Put your fears to rest metal heads! The musical hybrid monster that the Tron' … Read more
Back when I was listening to everything with the stamp Horrorpunk on it I discovered a band called The Dead Next Door. I liked them, but never got round to buying a record of them. They have risen from the grave under the name Left Hand Black. So even if this self titled album is the debut album for this … Read more
Sad in the City doesn’t mince words. Opening with the lines of “If my country collapses/ can I crash on your couch…” in “Never Take Us Alive.” The band play super melodic pop-punk that focuses more on singalong harmonies than kick, punch and bite, but the lyrics give a little more attitude than you might guess just listening to the … Read more
It’s really tough for me to review this full-length. Why? Because I loved the band’s demo tape and it’s really hard to separate the two releases. The self-titled official debut here has several of the same songs and, probably due to familiarity, they jump out as favorites from the get-go.But I’ll do what I can to go all tabula rasa … Read more
Hyborian is balls to the wall raw sludge metal hailing from Kansas City, Missouri. Volume II is their third album and what feels like a overall continuation from their previous record, Volume I. From the very beginning of the 8 song, 40 minute masterpiece is the song Driven by Hunger which gives you a perfect taste of what the rest … Read more
When a band is releasing its third new record since 2006, you’d expect some inconsistency. The Lawrence Arms seem to be timeless though. With Skeleton Coast they pick right up where they left off Metropole (2014). Take the opening stanza of “Dead Man’s Coat” as an example. Beginning with Chris McCaughan’s soft and wanting melodies, it’s unmistakably The Lawrence Arms. … Read more
Simon and Garfunkel.Seals and Crofts.Hall and Oates.Captain and Tennille.Some artists just go together. Sure, they might make music on their own. But once they find their “other”, their “person” - you never want to hear them with anyone else.Such is the case the case with Buzz Osbourne and Trevor Dunn. So long Melvins and Fantômas. So long Mr. Bungle and … Read more
This is the kind of hardcore that makes my throat hurt just listening. It’s also the kind of hardcore where I can’t sit still while listening, even when tethered to headphones at work. It’s high energy, relentless and, somehow, it just never lets up. To keep coining silly phrases, this is sweaty, gasp-for-air hardcore. As each of the songs fade … Read more
These last few weeks I've started to notice that the creases in my forehead are deepening. It's a subtle change to my face, but it's progressively becoming more noticeable. My pores are becoming more visible as well, and my skin doesn't have the same spongey, moist quality to it that I remember it having in my early twenties. And of … Read more
Inject the Light is a time capsule, a one-person project from Chris Mason that’s about living in the moment of the COVID-19 lockdowns. Mason, who has also plays with Low Culture and Macho Boys, among others, takes a new approach here. This five-song digital release is a little on the lo-fi side, with elements of New Wave, No Wave, synth … Read more
Boy do The Raging Nathans know how to start a record on a down note. The band plays melodic DIY pop-punk that’s of the verse-chorus-verse variety with driving rhythm to give it that extra oomph. While I tend to think of this kind of music as a little more light-hearted, the band cuts through that veneer instantly with “Tragedy Ghouls: … Read more
Two years ago I reviewed Local Warming, the debut EP by Sun-0-Bathers. Two years have passed, but not much has changed for Sun-0-Bathers. I am not going to blame them for it. If you have a winning formula, why change it, right?That winning formula for Sun-0-Bathers is straightforward 90’s skatepunk. Summer is the best time for releases of this type … Read more
Most death metal bands exhibit a morbid quality to their sound but few would be believed if they said that their music was actually recorded in a catacomb. However, if the German death-thrash thrallers Sanctifying Ritual confessed as much to me, that their raw and cavernous debut was recorded in such an odious environment, it would be a sheer act … Read more
It’s a fairly long story as to the exact circumstance, but a couple of years ago on a rainy winter day in Tasmania I found myself as the only passenger in a shuttle bus when just when we were about to depart, the door opened and three constituents of the Einstürzende Neubauten entered the vehicle. While their World War I … Read more
There are a lot of skeletons out there. Stuffed in closets. Hanging on metal hooks in medical school classrooms. There is a skeleton in me writing this. And there is a skeleton in you reading it. If you think about all of those sharp, calcified rods and lobes, shifting below tender, malleable flesh, it might unsettle you somewhat. There has … Read more
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