The story of Sofa is interwoven with the rise of the Montreal experimental music scene. In the mid ‘90s Sofa made their first steps, staying within the underground and self-releasing a number of records. Their creative output found them moving all over the weird rock scene. From alternative and indie beginnings to post-hardcore and lo-fi implementations, Sofa has been cultivating something unique. However, the real breakthrough would come in 1997 with Sofa guitarist Ian Ilavsky co-founding Constellation Records, alongside Don Wilkie. The historic label’s two first releases were from Sofa, with 1997’s Grey showing the act at its most complete. Grey was the amalgamation of everything that Sofa was trying to achieve. Indie and alternative structures, post-punk applications and everything viewed through an experimental and no-wave kaleidoscope. Unfortunately, Grey would also signal the end for Sofa, with the act disbanding shortly after and falling into a state of obscurity. Now, 24 years after the release of Grey, Constellation is putting together a massive collection of Sofa’s material. What started out as a simple re-release of Grey grew into something more, and that has become Source Crossfire. The material from Grey is firstly properly reconfigured to fit into vinyl, and it … Read more
Partial Traces play pop-inspired keyboard rock – but not at all the kind you imagine when you hear those words. … Read more
Today we’re looking at one lovely record - it’s Branches Vol. 2 by Brooklyn based Japanese violinist and composer Tomoko … Read more
The hook on ONETWOTHREE is the band is comprised of three bassists. Which, actually, means there are a ton of … Read more
If I tell you some band members from bands like Disfear, Dollhouse, Year Of The Goat, Tortyr and The Dontcares … Read more
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Aeronaut’s Coronal Mass is one hell of recording, but just saying that does not a hint of justice to the overall quality of this release because I would be damned if I did not say that the packaging for this cassette tape is disgustingly awesome, and in truth, what ultimately makes the release is the music that takes up the two wonderful sides of the tape; not quite a chicken or the egg dilemma, but the whole “package” is what makes Coronal Mass so great. The A-side of Coronal Mass is a masterful harnessing of droning ambient warmth that wraps its sonic tendrils around listeners’ ears and caresses them into a bliss fueled euphoric state of conscious oblivion making for a hell of an awesome just under twenty minutes of … Read more
I never really thought in any measure that I’d be writing at any point in time a review of a Deafheaven record, yet here we are. Even now I remember the absolute furor that bundled virally around their 2013 release, Sunbather. I didn’t really understand then, nor do I understand now why was it so huge. Personally, I couldn’t then … Read more
Let’s call it like is it is. Punk rock has been too much of a boys’ club for far too long. And, since the style is rooted in blunt communication, what better way to call attention than putting the scene on alert on the first song of a band’s first EP? Neon Belly starts with a mission statement in “The … Read more
The Work was one of the most anticipated metal records of the year. Let me start this review by curbing your enthusiasm and letting you know that this album is a bitter disappointment. It took me about sixteen listens (it was a fucking chore) to also find out that it’s ultimately not a legitimately bad album, but it isn’t legitimately … Read more
Where do you even start with an album like this? It’s been a while since it’s been released, so I definitely had time to immerse myself into it properly as well as getting the leverage of seeing how it aged, even if over a short period of time in terms of timespan when talking about albums. Rïcïnn’s latest record, Nereïd … Read more
I can’t believe this is the first time Not On Tour is reviewed on this site. Not On Tour is a skate punk band from Tel Aviv, Israel. This band is insanely melodic and catchy. Not On Tour is one of those bands that master a certain art: they seem to effortlessly combine speed with catchy melodies. The band nailed … Read more
It’s nice when artists get back to their roots. There’s a time and place for growth and exploration. But there’s also a time and place to let the rage loose, and that’s what’s happening with Band of Bastards on their debut twelve-song slab of blistering hardcore. That’s probably not what you think about when you heard band names like ...And … Read more
While I like new Descendents, their older stuff always had an intangible bite to it. The new stuff feels more sarcastic while their earlier material was pissed off underneath that playful disposition. And that’s what you get on 9th & Walnut which is billed as the band’s eighth studio album, though the timeline is more complicated than that. All 18 … Read more
Ah, an actual tape cassette…in a day and age where portable digital devices are ubiquitous, I find delight whenever an analogue tape pops up – even more so when the sound of the bands fits the medium. Case in point: Sunshine Satellite, a duo that channels its alchemy in sleek and powerfully compact garagey-pop-punk tunes, serenaded by female vocals in … Read more
There is a lot of productive ways to spend a pandemic lockdown: 1. Grow your own windowsill herb garden 2. Watch all the seasons of Law & Order and make note of how many episodes pass the Bechdel test (spoiler alert: it’s two). 3. Make an album with your mates. Ok, calling 1 and 2 “productive” is a bit of … Read more
This record is honestly kind of painful. It’s meant to be, too. It’s about depression, drug abuse, death and all kinds of dark material. And it works on that level, but it’s also painful because the NOFX sound puts Fat Mike’s vocals so front-and-center in everything: It’s like watching somebody standing under a spotlight while hitting rock bottom. The lyrics … Read more
I expected every webzine, music mogul, and rock print publication to give the newest Weezer album a bad review. I figured that Van Weezer - titled in tribute to, well, you know - was next in a line of punching bags that were guilty of not being Pinkerton. Well, fuck me - most of the big-name publication reviews have been … Read more
It is an act of courage to redefine oneself. Especially when the initial recipe and direction has been exciting and challenging. Yet, when a project is as intricate as Kristen Hayter’s Lingua Ignota there should not be any surprise when evolution is afoot. Hayter started in the underground, releasing the first two records of her project independently. Through the raw … Read more
Die at the Zoo is a live recording from Obits, live in Brisbane, Australia, in 2012. There are 16 songs from the band’s catalog and it was recently released on limited vinyl by Outer Battery. There are probably two main angles for looking at a live record: is it capturing a time and place, or is it capturing an essence … Read more
I think it’s a good rule of thumb to assume if some band has their album art done by Adam “Nightjar” Burke, it’s going to be at least a good album. While that could be an exaggeration, I’ve yet to see a bad record with album art made by that man, so that’s a good track record, right? Anyway, Wills … Read more
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