It always takes a while for Dodheimsgard (DHG) to release a new album, but it is also always worth the wait. The experimental alchemists from Norway started off their career back in the mid ‘90s when the second wave of black metal bands was starting to come together. The core of the band back then with the release of their debut album Kronet Til Konge was Aldrahn (guitars and vocals) and Vicotnik (drums and vocals), while Fenriz of Darkthrone provided the bass for the album. Kronet Til Konge and its follow up Monumental Possession was seeing the band in their earlier stage of creating their own sound, with the music being directed towards a more melodic black metal with thrash influences kind of vibe. But that would not be the case for much longer. The turning point for the band was the Satanic Art EP which was released back in 1998 and it featured the first signs of what DHG were evolving into. With Vicotnik taking over the guitars and programming for the EP, Aldrahn still providing some of the most tremendous vocal performances and the inclusion of Svein Egil Hatlevik (of Fleurety) on piano and Galder (of Old Man’s … Read more
There are some albums that you hear for the first time and fall in love instantly. There are others that … Read more
Chances are, most listeners have would heard everything on Derek Grant’s 2015 solo album Breakdown before - it seems to … Read more
I know I’d already read the band’s bio, but I think I would have guessed Pacific Northwest anyway. There’s just … Read more
After a 2013 full length album that marked the band’s first full-length as a self-described “Carp Rock Power Duo,” a … Read more
The meaning of the word “personal” does not even begin to describe what the COIN COIN works must signify for … Read more
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Admittedly, I was knocked off my seat when I first heard Iroha (their split with Fragment, Bittersweet was an engaging listen) and immediately began awaiting the release of their first LP; but herein lies the problem, there was waiting and waiting and more waiting until I literally forgot about this record coming out at all (which certainly is a shame). After pre-ordering the album (yes, I still pay for my music), even more waiting ensued; and after enduring a minor calamity (long story involving crashing hard drives and sheer chaos), I finally was able to sit down with the first LP from Iroha. Now, there is a great deal being made of the sonic resemblance of Iroha to that of Jesu (with whom Iroha bassist Diarmuid Dalton has also performed … Read more
When listening to a band you’ve never heard of, it’s a lot easier to make all those “sounds like” comments. Whether that’s why I think Western Settings sounds so much like some familiar favorites, or if that’s because they really do, well, that’s maybe beside the point anyway. It’s punk rock, man. There’s supposed to be a touch of derivation … Read more
The basic tenets of theology and philosophy concern discerning right from wrong, good from evil. There will never be any clear answer to this, but as humans we're going to keep guessing and muddling through. At least partly as a result of its ambiguous nature, morality will always be a topic that's ripe for exploration and dissection. This isn't the … Read more
Third album for the American indie rock, and it comes with a quite disturbing story to it as well. Main man, Colin Huebert, of the band was diagnosed with hyperacusis, a condition that makes the ordinary noise level of everyday life intolerable. That enough could knock out most ordinary people, but you can only imagine what effect it could have … Read more
Naming an album is something of a branding concept. Yes, it’s also artistic, but occasionally those two worlds collide, even if we don’t want to admit it.Go To Prison is fitting for Pears debut. It’s angry and often reflects the tone of a loner lashing (slashing?) out at the system. Then the group choruses come, bringing solidarity to the forefront … Read more
If Fistful of Hollow seemed fast, well it is. Swingin’ Utters released Poorly Formed in 2013 and Here, Under Protest in 2011. With another one in the can in late 2014, the band is showing a little more experimentation this time around.That’s not say their folky version of ’77 punk has lost a step. The best songs here are “I’m … Read more
When it was announced that John Reis (Night Marchers, Rocket From the Crypt, Hot Snakes) was collaborating with The Blind Shake, it was expected that the combo would pack a punch. When it came out that the collaborative record was to be instrumental surf, even that made some sense—though the instrumental part is a bit surprising. But, as The Blind … Read more
Fifth album for the rock band from Chicago, and they are still at it, blending the elements of shoe gaze and kraut rock in their alternative rock base. Irreal is an album that finds Disappears pushing their sonic identity to extremes, with the dark quality of the album remaining always present as does their search of finding the most intriguing … Read more
You had to be there. In the grand scheme of box-office existence, Through The Never was a blip. The release was limited, as was apparently, the appeal. Despite all this, It was well worth seeing. It looked fantastic, the sound mix was great. It was possibly the most immersive concert-film experience ever. But, sadly, It will never be credited as … Read more
With a hard copy release that’s designed to look like a blood-spattered wedding invitation, The Messiah is Back has to be one of the most excitingly eclectic and boundlessly imaginative albums that came out in 2014 – or any year for that matter. Produced by Polish group Orange the Juice which, with its seven player lineup more resembles a jazz … Read more
There's something deliciously miserable about Dublin weather that stretches from the end of January to the early flecks of spring, with the pre-summer season not usually making its presence known until the end of April. The skies are grey and morbid, the rain feels heavy and overarching, the ground is muddy and the air has a prevailing chill. You get … Read more
It has been quite a journey for Jef Whitehead, aka Wrest, and for his solo project Leviathan. The longevity of the band is quite astonishing when you consider that its inception dates back to the late ‘90s, releasing myriads of demos through the years before the debut album, The Tenth Sublevel of Suicide, came out, with the aggressive sound of … Read more
After relocating from Cleveland to Philadelphia, singer/songwriter Matthew Scheuermann put together a self-titled three-song EP released on Valentine’s Day 2015 under the name of Roses. Working alongside crisp acoustic guitar strumming, Scheuermann’s voice reminds me a bit of Band of Horses vocalist Ben Bridwell or maybe even Jeff Mangum since he has a tendency to sing in a higher register, … Read more
Expect adjectives. Adjectives and hyphens. For, you see, Chokecherry are a punk band that doesn’t play punk songs. I guess folk-punk is the subgenre tag du jour, but that term steers in the wrong direction in many ways. As does country-punk, though it’s far more apt. Chokecherry play country songs run through a DIY punk filter, influenced by a lifestyle … Read more
It's a blank, black slate. There is little information, and everything about Cape Noire is ambiguous. Live pictures are, fittingly, of a woman in a black cape, her face shielded from the glare of the lights. As far as anyone knows, in the absence of a back story, Cape Noire have appeared out of nowhere. Their Ad Nauseam EP is … Read more
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