Though many people – even those who weren’t around when the system was - could probably rattle off several of the more popular NES titles of the 8-bit era, there was a whole world of games existing outside the realm of the familiar gray plastic cartridge. Developed by independent publishers, unlicensed NES games appeared in misshapen, strangely colored plastic housing and ranged in quality from the wonderful (Micro Machines, arguably the most fun racing title for the system) to the weird (the violent and somewhat gory early car combat gameDeath Race) to the downright wacky (the zap gun abomination Chiller, to say nothing of the handful of games based around Biblical stories). If nothing else, the frequently eccentric content seen in these games provided a definite alternative to the mainstream titles which carried the Nintendo Seal of Approval. A musical group named after one of these dodgy “misfit toys” might be expected then to be boisterous and off-the-wall, but that description doesn’t quite fit when applied to 2015’s Ratworld, the debut full-length from England’s Menace Beach. Given the inspiration behind the band’s name, the outstanding overall quality of this release may be a bit unexpected as it tries to mine … Read more
If Nic Cage from Leaving Las Vegas had cut an album, it might sound something like Mishka Shubaly’s Coward’s Path. … Read more
I wasn’t sure what to make of Underground Railroad to Candyland when I first saw them. They were a very … Read more
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I know I've said this before, but God bless the Bay Area! Five-piece outfit This Time Next Year is the latest band to emerge from the thriving music scene of the Golden Gate. The young pop-punk outfit hits the scene with Demonstration, five tracks of fabulous pop-punk and melodic hardcore fused as one. "The Wise are Always Better" begins the demo with an excellent display of high-energy catchy pop-punk. There is excellent pogo-riffing provided by Brad Wiseman and Denis Cohen and vocalist Pete Dowdalls' sweet melodies compliment them perfectly. "Sands of Bougainville" quickly follows with a bit more of an edge. In addition the pop-punk sound, the band also throws in some hardcore aspects. There are sing-along choruses and a little bit of a breakdown, not unlike local gone national … Read more
Red Dons are a band I’ve meant to check out for some time. As a reviewer, perhaps I’m supposed to go check out the whole back catalog, but I often find it equally useful to approach a band tabula rasa, as that gives a better view of where this specific record is at. Past accomplishments, be damned, it’s the A … Read more
This noise rock duo has been terrifying the music scene for close to two decades now with their unconventional sound and experimental attitude. Throughout their career Lightning Bolt have stuck with the same recipe that seems to be working so marvelously for them: chaotic patterns, schizoid riffs, intense songs and with a fucking razor sharp edge to them. Fantasy Empire … Read more
Though much attention relating to 2015’s Austin Psych Fest (a.k.a. Levitation) was directed towards the reunion of the legendary 13th Floor Elevators, one of the biggest surprises in the lineup for me was the appearance of Rhode Island’s Lightning Bolt. I guess I never really thought of this aggressive and abrasive noise duo (made up of Brian Gibson who plays … Read more
Coming back from an extended break seems to be always tricky, for any band. Back in the late '80s and early '90s, Blind Idiot God were releasing great record after great record. Their refreshing style and no boundaries approach to mixing different genres under their unique kaleidoscope resulted in three excellent albums. The band officially went in hiatus in 1996 … Read more
Priscilla Ford's debut EP, The Blackout Club, is a raging punk rock'n'roll album. It careens with a controlled abandon, much like the Reno, Nevada murder spree after which the band is named. The band is composed of veteran musicians from a variety of punk rock subgenres, but The Blackout Club is a concise and directed effort. The band appears to … Read more
Birthday Suits always surprise me on record. Live, it’s fierce and reckless; sweaty mayhem and cathartic rock ‘n’ roll. On record, it’s more calculated, with the vocals coming stronger in place of the guitar/drum overload that powers the live show.The Minneapolis two-piece play something in the vein of garage rock, but with a ballsy and crafty “serious” musicianship that’s as … Read more
Calling it folk-punk isn’t right, but I’m not sure I agree with the post-punk tag slapped on their onesheet either. Hannahband, from Sydney, Australia, have a gritty garage element, making them fall somewhere in between folk-punk minimalism and Murder City Devils coarseness, all while wallowing in lo-fi production that makes the songs even harsher (and more beautiful).Those styles pull together … Read more
Andrew Hock, of Psalm Zero and, until recently, incredible black metal outfit Castevet, has always seemed a very interesting case, as the two before mentioned bands would let on. And the same interest would be transferred over to the debut album that Hock is putting out under his own name, Crystalline Privative Opulence. With an extended pallet of instruments, including … Read more
Similar to how Sorry State, Vinyl Rites, Lengua Armada, or Katorga Works do here in the US, Hackney, London-based record label La Vida Es Un Mus (subtitled Discos Punk) tend to work with bands that challenge the constraints of traditional hardcore and punk, which in turn sets them apart from the masses. The latest in a long line that includes … Read more
This isn’t what I expected—there’s way more country punk twang than when I caught a short pre-Fest show from Timeshares last year. On Already Dead, the band takes that familiar Fest beard punk thing and mix it up. Using a core of gruff pop punk, they’ve tuned the guitars more clearly and chosen licks over chord progressions for their bridges, … Read more
I was quite surprised when I heard that Minsk were going to release a follow-up full-length to their previous album, With Echoes In The Movement of Stone. Following that album, the band participated in the Hawkwind Triad split alongside US Christmas and Harvestman, before going silent for the next six years. They even officially disbanded in 2011, leaving quite a … Read more
Frog’s second LP Kind of Blah is one that swings from highs to lows, from poppy pep to slowed down sadness and it encompasses every other emotion within it’s short running time that any of us would know. Opener “All Dogs Go To Heaven” is a guitar led-piece that showcases the duo’s bittersweet indie pop and sets out their intent … Read more
Little Sister is an East Bay post-punk group with a passionate and well-deserved local following. The trio consists of Monbon and Erica, who both pull double duty on bass, guitar, and vocals, and Nada responsible, according to the album credits, for “drums, perc, beard and sunglasses.” Blues, soul, garage rock, early punk and, unless I’m mistaken, even salsa are among … Read more
“You have been wasted. You have been taken for a ride.” That line from the title track of the new Dark Ages LP accurately sums up the feeling you get listening to it. Which is to say it’s difficult to compartmentalize exactly what’s going on here. (Not surprisingly there’s a number of bands named Dark Ages. We’re talking about the … Read more
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