An in-depth discussion with a band or artist, generally in the form of a straight Q&A – no editorializing.
There’s a quiet weight to Spite House that doesn’t rely on volume or spectacle. Their songs sit in the uncomfortable space between anger and reflection, carrying emotional honesty without turning it into a performance. Their growth is shown on Desertion, their most fully realized material to date. Preparing for an international tour, Spite House feel less like a moment and more like a band settling into exactly who they are. Scene Point Blank: Spite House feels very deliberate in every aspect whether it's emotionally, lyrically, or even sonically. When this band first came together, what was the goal? Was it about catharsis, community, survival, or something else entirely? Max: When Marc and I first met up with the specific goal of making music together, I had just lost my mom to cancer, and he was coming out of a long-term relationship while starting a new life in Montreal again. I was carrying a lot of things I had held onto for years. The goal was really to stop living in the shadow of my own doubts and see what would happen if I trusted myself fully. I wanted to take the courage people often talk about when someone is going through grief and actually make something out of it. The first album was all new territory for me -- my first time making an album from start to finish, my first time singing songs, my first time fully putting myself out there. In that sense, it was me opening a … Read more
The Darts have a busy year ahead. First, they will release the brand new full-length Halloween Love Songs on March 3 (Meow Hiss Music). Then the band hits the road … Read more
Noise Real Records recently released Noise Pollution Volume 1, a limited run 7" that features two new versions of "The Recluse" by Cursive. The new series will continue this revision … Read more
We post a variety of features in recurring series – click below to browse them.
A regular series by Robert F.
A wide-ranging guest column written by BJ from Ancient Shores, mainly covering film but extending into philosophy and aesthetics too. Check out BJ's work on the A389 podcast.
Commerce or Amusement? is an interview series conducted by Chuck Coffey (aka Charlie Continental of Snappy Little Numbers, SPELLS, Chap, and more). Chuck seeks opinions to the eternal question: Where is the line between hobby and work?
How an artist spends their time by day will influence the creative process at night. In Don’t Quit Your Day Job, Scene Point Blank looks at how musicians split their time, and how their careers influence their music.
Guest column by T of Vegas
A cookery column by Nick, vocalist with metal band The Famine. Veggie/vegan friendly!
A roundup of coverage of the annual punk rock festival held in Gainesville, Florida
Our annual roundup from Gainesville, FL's famous Fest.
SPB's coverage of the annual festival in Gainesville, Florida.
Our coverage of the annual Fest extravaganza.
Our coverage of the 19th edition of the Fest – an independent multi-day, multiple-venue music festival held annually in Gainesville, Florida.
All our coverage from the long-running music festival
Articles about the Fest 21
Our coverage of the 22nd edition of the FEST.
Our coverage of the 23rd edition of the FEST.
We dive into the back catalog of a record label and ask them to nominate their most memorable releases from their label's history–with a few suggestions of our own.
An interview format where we ask a band to rate and review a bunch of music
A feature where we highlight 5 to 10 recent demos.
A radio DJ profile series created by Christopher D & Matt Hutchison.
There’s so much music released, whether physically or digitally, that keeping up with what’s going on becomes almost like a full time job. With Only Death Is Real, the aim is to bring you something new.
A life lived and lessons learned by Eddie Spaghetti of Supersuckers.
Welcome to Running on Nothing, the latest addition to our stable of columns at Scene Point Blank. Running on Nothing offers a look at the world through the eyes of Kole, bassist of The Lippies, guitarist of The Bloody Lips, and gigposter artist.
We survey some of the other music releases out there. Results may vary...may get weird, but hopefully something covered here piques your interest.
A semi-regular column where we choose a specific area and give a local scene report.
Discussing the state of the music business at the kitchen table
A brief but englightening chat with an artist who reveals an interesting or unexpected story from their career
A collection of items grouped by topic, eg. "Top 5 Worst Beatles Songs" or "Top 10 best '77 punk releases".
One-question interviews with artists where we find out about the gear and equipment they use to achieve their sound.
A collection of coverage rounding up the year 2012, covering our favorite albums, shows, bands, and more, as well as asking record labels and bands about their past twelve months in music
It's the end of 2013, so here's our best-of roundup for the last twelve months.
Our annual round-up of the best music of the year 2014.
Our annual round-up of the best music of the year 2015.
Our annual round-up of the best music of the year 2016.
Our annual round-up of the best music of the year 2017.
Our summary of the best music (and more) of 2018.
Our wrap-up of the best music and more from 2019
Our wrap-up of the best music and more for the year we'll all want to otherwise forget, 2020.
Our roundup of the best music from the worst year (since the previous one, anyway).
Our favorite music and more from the year 2022
Our roundup of the best music of the year 2023
Our roundup of the best music—and more—of 2024.
Our favorite music and more from 2025.
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